|Virgin and Martyr|
|Born||2nd century A.D.
|Major shrine||Santa Cecilia in Trastevere, Rome|
|Attributes||flute, organ, roses, violin, harp, harpsichord, singing|
|Patronage||Church music, great musicians, poets; Albi, France; Archdiocese of Omaha; Mar del Plata, Argentina|
Saint Cecilia (Latin: Sancta Caecilia) is the patroness of musicians. It is written that as the musicians played at her wedding she "sang in her heart to the Lord". Her feast day is celebrated in the Latin Catholic, Eastern Catholic, Anglican, and Eastern Orthodox churches on November 22. She is one of seven women, excluding the Blessed Virgin, commemorated by name in the Canon of the Mass.
Cecilia is one of the most famous of the Roman martyrs, even if the familiar stories about her are apparently not founded on authentic material. According to Kirsch, while it is a pious romance, like so many others compiled in the fifth and sixth century, the existence of the martyrs, however, is a historical fact. The relation between St. Cecilia and Valerianus, Tiburtius, and Maximus, mentioned in the Acts of the Martyrs, has perhaps some historical foundation. Her feast has been celebrated since about the fourth century.
It was long supposed that she was a noble lady of Rome who, with her husband Valerian, his brother Tiburtius, and a Roman soldier named Maximus, suffered martyrdom in about 230, under the Emperor Alexander Severus. The research of Giovanni Battista de Rossi agrees with the statement of Venantius Fortunatus, Bishop of Poitiers (d. 600), that she perished in Sicily under Emperor Marcus Aurelius between 176 and 180.
According to the story, when the time came for her marriage to be consummated, Cecilia told Valerian that she had an angel of the Lord watching over her who would punish him if he dared to violate her virginity but who would love him if he could respect her maidenhood. When Valerian asked to see the angel, Cecilia replied that he would see the angel if he would go to the third milestone on the Via Appia (the Appian Way) and be baptized by Pope Urbanus.
The martyrdom of Cecilia is said to have followed that of Valerian and his brother by the prefect Turcius Almachius. The legend about Cecilia’s death says that after being struck three times on the neck with a sword, she lived for three days, and asked the pope to convert her home into a church.
Santa Cecilia in Trastevere
The church of Santa Cecilia in Trastevere is reputedly built on the site of the house in which she lived. The original church was constructed in the fourth century; during the ninth century, Pope Paschal I had remains which were supposedly hers buried there. In 1599, while leading a renovation of the church, Cardinal Paolo Emilio Sfondrati had the remains, which he reported to be incorrupt, excavated and reburied.
Meaning of the name 'Cecilia'
The name "Cecilia" was shared by all women of the Roman gens known as the Caecilii, whose name may be related to the root of caecus ("blind"). Legends and hagiographies, mistaking it for a personal name, suggest fanciful etymologies. Among those cited by Chaucer in "The Second Nun's Tale" are: lily of heaven; the way for the blind; contemplation of heaven and the active life; as if lacking in blindness; a heaven for people to gaze upon.
Patroness of musicians
The first record of a music festival in her honor was held at Évreux in Normandy in 1570.
The Accademia Nazionale di Santa Cecilia—National Academy of Santa Cecilia is one of the oldest musical institutions in the world. It was founded by the papal bull, Ratione congruit, issued by Sixtus V in 1585, which invoked two saints prominent in Western musical history: Gregory the Great, for whom the Gregorian chant is named, and Saint Cecilia, the patron saint of music.
Her feast day became an occasion for musical concerts and festivals that occasioned well-known poems by John Dryden and Alexander Pope and music by Henry Purcell (Ode to St. Cecilia); several oratorios by Marc-Antoine Charpentier (In honorem Caeciliae, Valeriani et Tiburtij canticum; and several versions of Caecilia virgo et martyr to libretti probably written by Philippe Goibaut); George Frideric Handel (Ode for St. Cecilia's Day; Alexander's Feast); Charles Gounod (St. Cecilia Mass); as well as Benjamin Britten, (who was born on her feast day). Herbert Howells' A Hymn to Saint Cecilia has words by Ursula Vaughan Williams; Gerald Finzi's "For Saint Cecilia", Op. 30, was set to verses written by Edmund Blunden; Michael Hurd's 1966 composition "A Hymn to Saint Cecilia" sets John Dryden's poem; and Frederik Magle's Cantata to Saint Cecilia is based on the history of Cecilia. The Heavenly Life, a poem from Des Knaben Wunderhorn (which Gustav Mahler used in his Symphony No. 4) mentions that "Cecilia and all her relations make excellent court musicians."
Cecilia symbolizes the central role of music to the liturgy.
The Sisters of Saint Cecilia, religious sisters, shear the lambs' wool used to make the palliums of new metropolitan archbishops. The lambs are raised by the Cistercian Trappist Fathers of the Tre Fontane (Three Fountains) Abbey in Rome. The lambs are blessed by the Pope every January 21, the Feast of the martyr Saint Agnes. The pallia are given by the Pope to the new metropolitan archbishops on the Solemnity of Saints Peter and Paul, June 29.
Located on the Isle of Wight, St. Cecilia's Abbey was founded in 1882. The nuns live a traditional monastic life of prayer, work, and study in accordance with the ancient Rule of St. Benedict.
Cecilia is frequently depicted playing a viola, a small organ, or other musical instrument, evidently to express what was often attributed to her viz., that while the musicians played at her nuptials she sang in her heart to God.
In contemporary music
David Byrne and Brian Eno's song "The River", on the album Everything that Happens Will Happen Today, mentions St. Cecilia's Day. Paul Simon's "The Coast" is about musicians taking refuge in the Church of St. Cecilia. Simon's "Cecilia" concerns the difficulties of composing.
English lyrics were written for the Swedish popular song "Min soldat" and released as "The Shrine of Saint Cecilia", which was recorded by a number of American close harmony and doo-wop groups during the 20th century, including Willie Winfield and the Harp-Tones, the Bon Aires, and the Andrews Sisters. The song was first released in the U.S. in 1941.
Stalk-Forrest group (an early incarnation of Blue Öyster Cult) recorded a song called "St. Cecilia" on their album that was scrapped by Elektra Records. The album finally saw a limited release in 2003 through Rhino Handmade under the title St. Cecilia: The Elektra Recordings. Then in 2007 Radioactive Records released the album (on CD and vinyl) as St. Cecilia: The California Album – Remastered.
In 2013, the Chicago band TURNT mentions St. Cecilia in its song, "Girls": "Saint Cecilia shows her psalms; And makes me laugh till I feel dumb; Before I realize it's wrong; The record needle lifts and she's gone."
In 2014, Barbara Gallagher composed the hymn "Sing, O Sing, Cecilia", which tells the story of St. Cecilia's life, for the St. Cecilia Celebration with Diocese of Raleigh musicians; the premiere took place on November 23rd at St. Mark's Catholic Church in Wilmington, NC. The hymn has unison, 4 pt and descant writing, with keyboard accompaniment. A recording and text may be found here: http://www.barbaragallagher.com/song/0
In contemporary poetry
The poem "Moschus Moschiferus", by Australian poet A. D. Hope (1907–2000), is sub-titled "A Song for St Cecilia's Day". The poem is of 12 stanzas and was written in the 1960s.
|Wikimedia Commons has media related to Saint Cecilia.|
- Albi Cathedral, Albi, France
- St. Cecilia Cathedral, Omaha, Nebraska
- St. Cäcilien, Cologne, Germany
- St. Cecilia Catholic School, Houston, Texas
Saints Cecilia, Valerian, and Tiburtius by Botticini
"In a clear walled city on the sea. Near gilded organ pipes – slept St. Cecily" (John William Waterhouse, 1895)
Domenichino's Fresco Cycle in San Luigi dei Francesi, Rome (1614)
The apse mosaic in the Church of St. Cecilia in Trastevere
- St Cecilia by RENI, Guido
- Lovewell, Bertha Ellen. The Life of St. Cecilia, Yale Studies in English, Lamson, Wolffe, and Company, Boston, 1898
- Foley O.F.M., Leonard. Saint of the Day, (revised by Pat McCloskey O.F.M.), Franciscan Media ISBN 978-0-86716-887-7
- Kirsch, Johann Peter. "St. Cecilia", The Catholic Encyclopedia. Vol. 3. New York: Robert Appleton Company, 1908. 24 April 2013.
- Fuller, Osgood Eaton: Brave Men and Women. BiblioBazaar, LLC, 2008, page 272. ISBN 0-554-34122-0
- Rom. sott. ii. 147.
- The Life of Saint Cecilia – Golden Legend article
- "Saint Cecilia", "Lives of the Saints", John J. Crawley & Co.Inc.
- Goodson, Caroline J. (February 2007). "Material memory: rebuilding the basilica of S. Cecilia in Trastevere". Early Medieval Europe. Retrieved 2015-05-11.
- Chaucer, Canterbury Tales, The Second Nun's Tale, prologue, 85–119. As the rubric to these lines declare, the nun draws her etymologies from the Legenda Aurea of Jacobus de Voragine (Jacobus Januensis - James of Genoa - in the rubric).
- "Who was St. Cecilia?", St. Cecilia Academy, London
- Ode on St. Cecilia's Day (composed 1711) at, for example, www.PoemHunter.com
- Publiched by Novello & Co., HL.14013968
- "En bemærkelsesværdig cd" (in Danish). Udfordringen. 29 January 2004. Retrieved 17 May 2012.
- St. Cecilia's Abbey, Benedictine nuns
- Lyrics of "The Coast"
- Cecilia will put song in your heart, Ideally Speaking (Jerry Johnston), Deseret News, 14 November 2009, p. E1. Johnston writes: "If you're a composer who needs a melody, talk to Cecilia. She'll put a song in your heart."
- The Passion of Saint Cecilia, JudithShatin.com
- Fantasy on Saint Cecilia, JudithShatin.com
- http://turnt.bandcamp.com Lyrics for the song "Girls"
- The Life, Miracles and Martyrdom of St. Cecilia of Rome, Virgin and Martyr of the Christian Church
- Here Followeth of St. Cecilia, Virgin and Martyr in Caxton's translation of the Golden Legend
- Catholic Online - Saints & Angels: St. Cecilia
- Order of Saint Cecilia
- St. Cecilia at the Christian Iconography web site