St Michael, Cornhill

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St Michael, Cornhill
View of church from St Michael's Alley
Country United Kingdom
Denomination Church of England
Churchmanship Anglo-Catholic
Architect(s) Sir Christopher Wren, Nicholas Hawksmoor
Style Neo-Gothic
Diocese London
Rector Rt Revd Stephen Platten

St Michael, Cornhill, is a medieval parish church in the City of London with pre-Norman Conquest parochial foundation. The medieval structure was lost in the Great Fire of London, and replaced by the present building, traditionally attributed to Sir Christopher Wren.[1][2] The upper parts of the tower are by Nicholas Hawksmoor. The church was embellished by Sir George Gilbert Scott and Herbert Williams in the nineteenth century.

Early history[edit]

The church of St Michael was in existence by 1133. The patronage was in the possession of the Abbot and convent of Evesham until 1503, when it was settled on the Drapers Company. A new tower was built in 1421, possibly after a fire. John Stow described the church as "fair and beautiful, but since the surrender of their lands to Edward VI, greatly blemished by the building of four tenements on the north side thereof, in the place of a green church-yard". On the south side of the church was a churchyard with what Stow calls a "proper cloister", with lodgings for choristers, and a pulpit cross, at which sermons were preached. These were maintained by Sir John Rudstone, after whose death in 1530 the choir was dissolved and the cross fell into decay.[3]

There is a folk tale, dating from the early 16th-century, which tells of a team of bellringers who once saw 'an ugly shapen sight' appear as they were ringing the bells during a storm. They fell unconscious, but later discovered scratch marks in the masonry. For years afterwards these were pointed out as the 'Devil's clawmarks'.[4]

Rebuilding after the Great Fire[edit]

The medieval church, except for the tower, was destroyed in the Great Fire of London in 1666, and the present building was begun in 1672.[1] The design is traditionally attributed to Sir Christopher Wren.[1][5] However, the authors of the Buildings of England guide to the City churches believe Wren's office had no involvement with the rebuilding of the body of the church, the parish having dealt directly with the builders.[2] The new church was 83 feet long and 67 feet wide, divided into nave and aisles by Doric columns, with a groined ceiling. There was an organ at the west end, and a reredos with paintings of Moses and Aaron at the east. The walls, George Godwin noted, did not form right-angles, indicating the re-use of the medieval foundations.[1]

The fifteenth-century tower, having proved unstable, was demolished in the early eighteenth century. A 130-foot high replacement was completed in 1721. In contrast to the main body of the church, it was built in a Gothic style, in imitation of that of Magdalene College, Cambridge.[1] Construction had begun in 1715, with money from the coal fund.[5] The designer of the lower stages was probably William Dickinson, working in Christopher Wren's office.[2] Funds proved inadequate, and work stopped in 1717. The tower was eventually completed with the aid of a grant from the Commission for Building Fifty New Churches, the upper stages being to the designs of its surveyor, Nicholas Hawksmoor.[5]

Victorian alterations[edit]

In the late 1850s, the Drapers Company, motivated by legislation that would have forced them to hand certain funds over to the Ecclesiastical Commissioners if they were not spent on St Michael’s, decided to fund a lavish scheme of embellishment, and asked George Gilbert Scott to carry out the work.[6]

J.B. Philip's tympanum sculpture St Michael disputing with Satan

Scott added an elaborate Gothic porch (1858–1860) facing Cornhill.[7] It is decorated with carving by John Birnie Philip, which includes a high-relief tympanum sculpture depicting "St Michael disputing with Satan".[8] Scott inserted Gothic tracery to the circular clerestory windows, and into the plain round-headed windows on the south side of the church. New side windows were created in the chancel, and an elaborate stone reredos, incorporating the paintings of Moses and Aaron from its predecessor, was constructed in an Italian Gothic style. A contemporary account of the work explained that this was appropriate since "the classical feeling which pervades the Italian school of Gothic art enabled the architect to bring the classical features of the building into harmony with the Gothic treatment which our present sympathies demand".[6] The chancel walls were lined with panels of coloured marble, up to the level of the top of the reredos columns, and richly painted above this point.[6]

Stained glass by Clayton and Bell was installed, with a representation of Christ in Glory in the large circular east window. Its splays were enriched with inlaid and carved marble, with four heads in high relief enclosed in medallions. The other windows contained a series of stained glass images illustrating the life of Christ, with the crucifixion at the west end.[6]

A further campaign of medievalising decoration was carried out in the late 1860s by Herbert Williams, who had worked with Scott on the earlier scheme. Williams built a three bay cloister-like passage, with plaster vaults, on the south side of the building, and in the body of the church added richly painted decoration to Wren's columns and capitals. The reredos was enriched with inlaid marble, and the chancel was given new white marble steps and a mosaic floor of Minton’s tesserae and tiles. In what the Building News described as a "startling novelty" a circular opening was cut in the vault of each aisle bay and filled with stained glass, and skylights installed above.[9]

Few original furnishings were retained in its Victorian re-imagining, but the 1672 font given by James Paul survived, although a new balustrade was added.[10]

Interior showing the lights cut in the aisle vaults in the late 1860s

Recent history[edit]

The church escaped serious damage in the Second World War and was designated a Grade I listed building on 4 January 1950.[11] In 1960 the Victorian polychrome paintwork was replaced with a more restrained colour scheme of blue, gold and white.[2]

A new ring of twelve bells, cast by Taylors of Loughborough, was installed in the tower in April 2011.[12]

The church has one of the oldest sets of churchwarden's records in the City of London, which are now kept in the Guildhall Library.


The Parish Clerk is Rupert Meacher. The PCC includes Alderman Sir David Howard (formerly Lord Mayor of London). The Patrons of the living are (and have been since 1503) the Worshipful Company of Drapers.

Notable parishioners[edit]


The organ, which includes historic pipework by Renatus Harris, Green, Robson, Bryceson, Hill and Rushworth and Dreaper, and was in 2010 restored by Nicholson & Co (Worcester) Ltd, has been awarded a Historic Organ Certificate of Recognition by the British Institute of Organ Studies. A specification of the organ can be found on the National Pipe Organ Register.

List of organists[edit]

List of assistant organists[edit]


  1. ^ a b c d e Godwin, George; John Britton (1839). The Churches of London: A History and Description of the Ecclesiastical Edifices of the Metropolis. London: C. Tilt. Retrieved 19 September 2011. 
  2. ^ a b c d Bradley, Simon; Pevsner, Nikolaus. London:the City Churches. The Buildings of England. London: Penguin Books. ISBN 0-14-071100-7. 
  3. ^ Hughson, David (1803). London 2. London: J. Stratford. p. 129. 
  4. ^ Ash, Russell (1973). Folklore, Myths and Legends of Britain. Reader's Digest Association Limited. p. 214. ISBN 9780340165973. 
  5. ^ a b c Clark, Basil F.L. (1966). Parish Churches of London. London: Batsford. p. 27. 
  6. ^ a b c d Cox, H. (1867). Modern churches: church furniture and decoration. London: Horace Cox. pp. 31–2. Retrieved 21 October 2011. 
  7. ^ "The Visitors Guide to the City of London Churches" Tucker,T: London, Friends of the City Churches, 2006 ISBN 0-9553945-0-3
  8. ^ Ward- Jackson, Philip (2003). Public sculpture of the city of London. p. 89. 
  9. ^ "St Michael's Church,Cornhill". The Building News and Engineering Journal 16 (12 March): 219. 1869. Retrieved 14 October 2011. 
  10. ^ "The Old Churches of London" Cobb,G: London, Batsford, 1942
  11. ^ English Heritage. "Details from listed building database (199400)". Images of England. Retrieved 23 January 2009. 
  12. ^ Retrieved 15 April 2011

See also[edit]

External links[edit]


Coordinates: 51°30′47.50″N 0°5′7.68″W / 51.5131944°N 0.0854667°W / 51.5131944; -0.0854667