Deutsches Nationaltheater and Staatskapelle Weimar
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The Deutsche Nationaltheater and Staatskapelle Weimar (DNT) is the most important musical and theatrical venue in Weimar in Germany. It is a twin institution, consisting of the theatrical Deutsches Nationaltheater (German National Theatre, now solely based in Weimar) and the symphony orchestra known as the Staatskapelle Weimar. It has a total of six stages across the city and also hosts touring orchestras and theatre companies from the German-speaking world, as well as making appearances in electronic media.
- the Main House or große haus, its traditional main stage on Theaterplatz (music and theatre)
- two additional venues, foyer I and foyer III, within the main house on Theaterplatz (music and theatre; cabaret)
- two additional venues at e-werk Weimar, a former industrial site (music and theatre)
- the congresscentrum neue weimarhalle (concerts by the Staatskapelle Weimar)
The Staatskapelle Weimar
The precursor ensemble of Staatskapelle Weimar dates from 1482, with the formation of a musical ensemble in service of the Weimar Fürsten (Prince). In 1602, the ensemble attained resident status at the Weimar court, as the Herzoglichen Hofkapelle (Ducal Court Ensemble). Notable musicians in the early history of the Staatskapelle Weimar included Johann Schein (1615–1616) and Johann Sebastian Bach (1705, 1708–1717), both from the St. Thomas Church, Leipzig. Bach particularly worked as resident organist and Kapellmeister.
Johann Nepomuk Hummel served as the ensemble's Kapellmeister from 1819 to 1837, on the appointment by the Grand Duchess Maria Pavlovna. Franz Liszt began his tenure as Kapellmeister in 1842, and championed the music of Richard Wagner, Hector Berlioz, Peter Cornelius. Through this and his teaching activities, Liszt enhanced the prestige of Weimar as a musical hub, notably conducting the world premieres of Wagner's Lohengrin in 1850 and Cornelius’s Der Barbier von Bagdad in 1858.
After Liszt left in 1858, he was succeeded by Eduard Lassen who remained as director until his retirement in 1895. Lassen conducted several world premieres during his tenure, including the first performance of Camille Saint-Saëns's Samson et Dalila in 1877. Richard Strauss served as second Kapellmeister under Lassen from 1889 to 1894 and led the premieres of his own Guntram and Engelbert Humperdinck's Hänsel und Gretel.
Peter Raabe became Kapellmeister in 1907. With the end of World War I and the dismantling of the German Empire, the ensemble was renamed the Weimar Staatskapelle. Ernst Praetorius directed concert and opera programming from 1924 to 1933. Because his wife was Jewish, Praetorius left the post after the National Socialists ascended to power in Germany in 1933. Paul Sixt directed activities there during the Nazi regime.
After World War II and the end of the Nazi regime, Hermann Abendroth became Generalmusikdirektor (GMD) and chief conductor of the ensemble, serving from 1945 to 1956. Successive GMD's of the ensemble have included Gerhard Pflüger (1957–1973), Lothar Seyfarth (1973–1979), Rolf Reuter (1979–1980), Peter Gülke (1981–1982), Hans-Peter Frank (1988–1996), George Alexander Albrecht (1996–2002), Jac van Steen (2002–2005) and Carl St.Clair (2005–2008). Oleg Caetani was principal guest conductor of the ensemble from 1984 to 1987. The ensemble was officially renamed the Staatskapelle Weimar in 1988.
General music directors
- Hermann Abendroth (1945–1956)
- Gerhard Pflüger (1957–1973)
- Lothar Seyfarth (1973–1979)
- Rolf Reuter (1979–1980)
- Peter Gülke (1981–1982)
- Hans-Peter Frank (1988–1996)
- George Alexander Albrecht (1996–2002)
- Jac van Steen (2002–2005)
- Carl St.Clair (2005–2008)
- Stefan Solyom (2009–present)
- "Stefan Solyom is the new General Music Director and Principal Conductor of the German National Theatre and the Staatskapelle Weimar" (Press release). Deutsches Nationaltheater und Staatskapelle Weimar. 26 August 2009. Retrieved 2009-10-03.
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