Stabat Mater (art)
- For the Roman Catholic poetry sequence please see Stabat Mater.
Stabat Mater (Latin for "the mother stood") is a topic in Christian Marian art in which the Virgin Mary is depicted under the cross during the Crucifixion of Christ. In these depictions, the Virgin Mary is almost always standing to the right hand side of the body of her son Jesus on the Cross, with Saint John the Evangelist standing to the left.
Stabat Mater is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Pietà. In the Stabat Mater depictions the Virgin Mary is represented as an actor and spectator in the scene, a mystical emblem of faith in the Crucified Savior, an ideal figure at once the mother of Christ and the personified Church. The depictions generally reflect the first three lines of the Stabat Mater poem:
- "At the Cross her station keeping,
- stood the mournful Mother weeping,
- close to Jesus to the last".
The concept is also present in other designs, e.g. the Miraculous Medal and the more general Marian Cross. The Miraculous Medal by Saint Catherine Labouré in the 19th century includes a letter M, representing the Virgin Mary under the Cross.
The Marian Cross is also used in the coat of arms of Pope John Paul II, about which the Vatican newspaper, L’Osservatore Romano stated in 1978: "the large and majestic capital M recalls the presence of the Madonna under the Cross and Her exceptional participation in Redemption." 
|A series of articles on|
|Expressions of devotion|
Gentile da Fabriano, c. 1400-1410
Rogier van der Weyden, c. 1460
Pietro Perugino, c. 1482
Gabriel Wuger, 1868
- Arthur de Bles, 2004 How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes ISBN 1-4179-0870-X page 35
- Anna Jameson, 2006 Legends of the Madonna: as represented in the fine arts ISBN 1-4286-3499-1 page 37
- Anna Jameson, 2006, page 38
- Ann Ball, 2003 Encyclopedia of Catholic Devotions and Practices ISBN 0-87973-910-X page 356
- L’Osservatore Romano, 09.11.1978
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