Standing Silent Nation

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Standing Silent Nation
Poster of the movie Standing Silent Nation.jpg
Directed by Suree Towfighnia
Produced by Courtney Hermann
Edited by Sharon Karp
Release dates
  • October 27, 2006 (2006-10-27) (Native Voice Film Festival)
Language English

Standing Silent Nation is a 2006 documentary film about Alex White Plume, an industrious resident of South Dakota's Pine Ridge Reservation. After a great deal of research, Alex and his family planted industrial hemp, under the incorrect assumption that tribal sovereignty laws would allow the production of this non-psychoactive relative of marijuana, and the film details the consequences of his actions. [1]

Standing Silent Nation was directed by Suree Towfighnia and aired as part of PBS's Point of View series in 2007.

Background[edit]

When the Oglala Sioux tribe passed an ordinance separating industrial hemp from its illegal cousin, marijuana, Alex White Plume and his family glimpsed a brighter future.

Having researched hemp as a sustainable crop that would grow in the inhospitable soil of the South Dakota Badlands, the White Plumes envisioned a new economy that would impact the 85% unemployment rate on the Pine Ridge Reservation.

They never dreamed they would find themselves swept up in a struggle over tribal sovereignty, economic rights, and common sense.

From the hemp fields of Pine Ridge to the US Federal Court of Appeals, the one-hour documentary Standing Silent Nation tracks one family’s effort to create economic independence for themselves, their reservation, and their future generations.

The hemp plant is like a new buffalo for the Lakota: a resource whose many uses from food to fuel to fiber, could enrich their sovereign nation. For three years, Alex White Plume and his family planted industrial hemp. But each year, their harvest was disrupted by the Drug Enforcement Administration (DEA), which claims that hemp is marijuana despite the absence of marijuana’s psychoactive properties.

Project funders[edit]

Standing Silent Nation is made possible with the support of Native American Public Telecommunications, the Paul Robeson Fund for Independent Media, the Playboy Foundation, and many others who have donated to the project over the years.

References[edit]

External links[edit]