A star fort, or trace italienne, is a fortification in a style that evolved during the age of gunpowder when the cannon came to dominate the battlefield. It was first seen in the mid-15th century in Italy.
Passive ring-shaped (enceinte) fortifications of the Medieval era proved vulnerable to damage or destruction by cannon fire, when it could be directed from outside against a perpendicular masonry wall. In addition, an attacking force that could get close to the wall was able to conduct undermining operations in relative safety, as the defenders could not shoot at them from nearby walls. In contrast, the star fortress was a very flat structure composed of many triangular bastions, specifically designed to cover each other, and a ditch. In order to counteract the cannonballs, defensive walls were made lower and thicker. To counteract the fact that lower walls were easier to climb, the ditch was widened so that attacking infantry was still exposed to fire from a higher elevation for a while, including enfilading fire from the bastions. The outer side of the ditch was usually provided with a glacis to deflect cannonballs aimed at the lower part of the main wall. Further structures, such as ravelins, tenailles, hornworks or crownworks, and even detached forts could be added to create complex outer works to further protect the main wall from artillery, and sometimes provide additional defensive positions. They were built of many materials, usually earth and brick, as brick does not shatter on impact from a cannonball as stone does.
Star fortifications were further developed in the late fifteenth and early sixteenth centuries primarily in response to the French invasion of the Italian peninsula. The French army was equipped with new cannon and bombards that were easily able to destroy traditional fortifications built in the Middle Ages. Star forts were employed by Michelangelo in the defensive earthworks of Florence, and refined in the sixteenth century by Baldassare Peruzzi and Scamozzi. The design spread out of Italy in the 1530s and 1540s.
It was employed heavily throughout Europe for the following three centuries. Italian engineers were heavily in demand throughout Europe to help build the new fortifications. The late-seventeenth-century architects Menno van Coehoorn and especially Vauban, Louis XIV's military engineer, are considered to have taken the form to its logical extreme. "Fortresses... acquired ravelins and redoubts, bonnettes and lunettes, tenailles and tenaillons, counterguards and crownworks and hornworks and curvettes and fausse brayes and scarps and cordons and banquettes and counterscarps..."
The star-shaped fortification had a formative influence on the patterning of the Renaissance ideal city: "The Renaissance was hypnotized by one city type which for a century and a half—from Filarete to Scamozzi—was impressed upon all utopian schemes: this is the star-shaped city." In the 19th century, the development of the explosive shell changed the nature of defensive fortifications. Elvas, in Portugal is considered by some to be the best surviving example of the Dutch school of fortifications.
The predecessors of star fortifications were medieval fortresses, usually placed on high hills. From there, arrows were shot at the enemies, and the higher the fortress was, the further the arrows flew. The enemies' hope was to either ram the gate or climb over the wall with ladders and overrun the defenders. For the invading force, these fortifications proved quite difficult to overcome, and accordingly, fortresses occupied a key position in warfare.
When the newly effective maneuverable siege cannon came into military strategy in the fifteenth century, the response from military engineers was to arrange for the walls to be embedded into ditches fronted by earthen slopes so that they could not be attacked by destructive direct fire and to have the walls topped by earthen banks that absorbed and largely dissipated the energy of plunging fire. Where conditions allowed, as in Fort Manoel in Malta, the ditches were cut into the native rock, and the wall at the inside of the ditch was simply unquarried native rock. As the walls became lower, they also became more vulnerable to assault.
Worse yet, the rounded shape that had previously been dominant for the design of turrets created "dead space", or "dead" zones (see figure), which were relatively sheltered from defending fire, because direct fire from other parts of the walls could not be directed around the curved wall. To prevent this, what had previously been round or square turrets were extended into diamond-shaped points to give storming infantry no shelter. The ditches and walls channeled attacking troops into carefully constructed killing grounds where defensive cannons could wreak havoc on troops attempting to storm the walls, with emplacements set so that the attacking troops had no place to shelter from the defensive fire.
A further and more subtle change was to move from a passive model of defence to an active one. The lower walls were more vulnerable to being stormed, and the protection that the earthen banking provided against direct fire failed if the attackers could occupy the slope on the outside of the ditch and mount an attacking cannon there. Therefore, the shape was designed to make maximum use of enfilade (or "flanking") fire against any attackers who should reach the base of any of the walls. The indentations in the base of each point on the star sheltered cannons. Those cannons would have a clear line of fire directly down the edge of the neighboring points, while their point of the star was protected by fire from the base of those points. The evolution of these ideas can be seen in transitional fortifications such as Sarzana Sarzanello in North West Italy.
Thus forts evolved complex shapes that allowed defensive batteries of cannons to command interlocking fields of fire. Forward batteries commanded the slopes which defended walls deeper in the complex from direct fire. The defending cannons were not simply intended to deal with attempts to storm the walls, but to actively challenge attacking cannons and deny them approach close enough to the fort to engage in direct fire against the vulnerable walls.
The key to the fort's defence moved to the outer edge of the ditch surrounding the fort, known as the covered way, or covert way. Defenders could move relatively safely in the cover of the ditch and could engage in active countermeasures to keep control of the glacis, the open slope that lay outside the ditch, by creating defensive earthworks to deny the enemy access to the glacis and thus to firing points that could bear directly on to the walls and by digging counter mines to intercept and disrupt attempts to mine the fort walls.
Compared to medieval fortifications, forts became both lower and larger in area, providing defence in depth, with tiers of defences that an attacker needed to overcome in order to bring cannons to bear on the inner layers of defences.
Firing emplacements for defending cannons were heavily defended from bombardment by external fire, but open towards the inside of the fort, not only to diminish their usefulness to the attacker should they be overcome, but also to allow the large volumes of smoke that the defending cannons would generate to dissipate.
Fortifications of this type continued to be effective while the attackers were armed only with cannons, where the majority of the damage inflicted was caused by momentum from the impact of solid shot. While only low explosives such as black powder were available, explosive shells were largely ineffective against such fortifications. The development of mortars, high explosives, and the consequent large increase in the destructive power of explosive shells and thus plunging fire rendered the intricate geometry of such fortifications irrelevant. Warfare was to become more mobile. It took, however, many years to abandon the old fortress thinking.
There were huge costs involved in creating the fortifications, with Amsterdam's 22 bastions costing it 11 million florins and Siena in 1544 bankrupted itself to pay for its defences. As such, they were often improvised from earlier defenses. Medieval curtain walls were torn down, and a ditch was dug in front of them. The earth used from the excavation was piled behind the walls to create a solid structure. While purpose-built fortifications would often have a brick fascia because of the material's ability to absorb the shock of artillery fire, many improvised defenses cut costs by leaving this stage out and instead opted for more earth. Improvisation could also consist of lowering medieval round towers and infilling them with earth to strengthen the structures.
It was also often necessary to widen and deepen the ditch outside the walls to create a more effective barrier to frontal assault and mining. Engineers from the 1520s were also building massive, gently sloping banks of earth called glacis in front of ditches so that the walls were almost totally hidden from horizontal artillery fire. The main benefit of the glacis was to deny enemy artillery the ability to fire point blank. The higher the angle of elevation, the lower the stopping power.
The first major battle which truly showed the effectiveness of trace italienne was the defense of Pisa in 1500 against a combined Florentine and French army. With the original medieval fortifications beginning to crumble to French cannon fire, the Pisans constructed an earthen rampart behind the threatened sector. It was discovered that the sloping earthen rampart could be defended against escalade and was also much more resistant to cannon fire than the curtain wall it had replaced.
The second siege was that of Padua in 1509. A monk engineer named Fra Giocondo, trusted with the defense of the Venetian city, cut down the city's medieval wall and surrounded the city in a broad ditch that could be swept by flanking fire from gun ports set low in projections extending into the ditch. Finding that their cannon fire made little impression on these low ramparts, the French and allied besiegers made several bloody and fruitless assaults and then withdrew.
The new type of fortification also played a role in the numerous Mediterranean wars, slowing down the Ottoman expansion. Although Rhodes had been partially upgraded to the new type of fortifications after the 1480 siege, it was still conquered in 1522; nevertheless it was a long and bloody siege, and the besieged had no hope of outside relief because the island was close to the Ottoman power base and far from any allies. On the other hand, the Ottomans failed to take Corfu in 1537 in no small part because of the new fortifications, and several attempts spanning almost two centuries (another major one was in 1716) also failed.
After the fall of Venice to Napoleon, Corfu was occupied in 1797 by the French republican armies (with some support of the local population, which welcomed the republican ideas, including the downfall of the Venetian nobility, abolition of serfdom, and promises of a Greek republic). The now ancient fortifications were still of some value at this point. A Russian-Ottoman-English alliance led at sea by Admiral Ushakov and with troops sent by Ali Pasha retook Corfu in 1799 after a four-month siege, when the garrison led by general Louis François Jean Chabot, being short of provisions and having lost the key island of Vido at the entrance of the port, surrendered and was allowed passage back to France.
Role in the Military Revolution
According to Geoffrey Parker in his article, The Military Revolution 1560–1660: A Myth?, the appearance of the trace italienne in early modern Europe, and the difficulty of taking such fortifications, resulted in a profound change in military strategy, most importantly, Parker argued, an increase in army sizes necessary to invest these forts. "Wars became a series of protracted sieges," Parker suggests, and open-pitch battles became "irrelevant" in regions where the trace italienne existed. Ultimately, Parker argues, "military geography", in other words, the existence or absence of the trace italienne in a given area, shaped military strategy in the early modern period. This is a profound alteration of the Military Revolution thesis originally proposed by Michael Roberts in 1955.
Parker's emphasis on the fortification as the key element has attracted substantial criticism from some academics, such as John A. Lynn and M. S. Kingra, particularly with respect to the claimed causal link between the new fortress design and increases in army sizes during this period.
- "The Oxford History of Modern War", Charles Townshend
- Siegfried Giedion, Space, Time and Architecture (1941) 1962 p 43.
- Harris, J., "Sarzana and Sarzanello - Transitional Design and Renaissance Designers", Fort (Fortress Study Group), No. 37, 2009, pp. 50-78
- John Francis Guilmartin (2003). Gunpowder & galleys: changing technology & Mediterranean warfare at sea in the 16th century. Conway Maritime Press. pp. 73–74. ISBN 0-85177-951-4.
- David Nicolle; Christopher Rothero (1989). The Venetian Empire 1200-1670. Osprey Publishing. p. 40. ISBN 978-0-85045-899-2.
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- Tony Jaques (2007). Dictionary of Battles and Sieges: A-E. Greenwood Publishing Group. p. 262. ISBN 978-0-313-33537-2.
- Kingra, Mahinder S. 'The Trace Italienne and the Military Revolution During the Eighty Years' War, 1567-1648.' The Journal of Military History 57, No. 3 (July, 1993): 431-446
|This article needs additional citations for verification. (May 2008)|
- Olof af Hällström Sveaborg – The island fortress off Helsinki
- Duffy, C. (1975) Fire & Stone, The Science of Fortress Warfare 1660-1860, ISBN 978-0-7858-2109-0
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- Cataneo, Hieronymus, De arte bellica, sive, De designandis ac construendis arcibus & propugnaculis, necnon & de ijs oppugnandis, expugnandis, ac propugnandis: de itinere exercitus, ac castrametatione: quando expediat manus cum hoste conserere, ac tandem, quid imperatori sit in procinctu cauendum vel eligendum, (1600)
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