Stavisky Affair

From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Stavisky Affair was a 1934 financial scandal generated by the actions of embezzler Alexandre Stavisky. It had political ramifications for the French Radical Socialist moderate government of the day. The scandal was described by the New Yorker's Paris correspondent Janet Flanner as follows:[citation needed]


Serge Alexandre Stavisky (1888–1934), who became known as le beau Sacha ("Handsome Sasha"), was a Russian Jew born in modern-day Ukraine whose parents had moved to France. He tried various professions, working as a café singer, as a nightclub manager, as a worker in a soup factory, and as the operator of a gambling den. In the 1930s he managed municipal pawnshops in Bayonne but also moved in financial circles. He sold lots of worthless bonds and financed his "hockshop" on the surety of what he called the emeralds of the late Empress of Germany — which later turned out to be glass.

Stavisky maintained his façade by using his connections to many people in important positions. If some newspaper tried to investigate his affairs, he bought them off, sometimes with large advertisement contracts, sometimes by buying the paper.

In 1927 Stavisky was put on trial for fraud for the first time. However, the trial was postponed again and again and he was granted bail 19 times. He probably continued his scams during this time. One judge who claimed to hold secret documents was later found decapitated.

Faced with exposure in December 1933, Stavisky fled. On 8 January 1934, the police found him in a Chamonix chalet agonizing from a gun wound. Officially Stavisky committed suicide but there was a persistent speculation that police killed him. The latter is the theory proposed by Janet Flanner, writing as Genêt, in her "Letter from Paris" column in the New Yorker. Fourteen Parisian newspapers called it suicide and eight did not. The distance the bullet had traveled led Le Canard enchaîné to propose the tongue-in-cheek theory that he had "a long arm".

Political crisis of 6 February 1934[edit]

The affaire Stavisky went public with Stavisky's arrest, escape and death and rumors of murder. Then his long criminal record as an embezzler and confidence trickster went public. The suicide or murder, the losses many of the general public suffered, and his close involvement with so many ministers led to the resignation of premier Camille Chautemps amidst accusations from the right-wing opposition that Chautemps and his police had intentionally killed Stavisky to protect influential people.

Chautemps was replaced by Édouard Daladier from the same Radical-Socialist Party. One of his first acts was to dismiss the prefect of the Paris police, Jean Chiappe, notorious for his right-wing sympathies and suspected of encouraging previous anti-government demonstrations. Next Daladier dismissed the director of the Comédie Française, who had been staging William Shakespeare's anti-democratic Coriolanus and replaced him with the head of the Sûreté-Générale, who was as reliably leftist as the Paris police chief had been of the right. He also appointed a new Interior Minister, Eugène Frot, who announced that demonstrators would be shot.

The dismissal of Chiappe was the immediate cause of the 6 February 1934 crisis, which the historian Alfred Cobban characterizes[citation needed] as a right-wing putsch. It would be more accurately characterized as a "putsch attempt", in the words of French historian Serge Bernstein.[citation needed] However, the left-wing at the time did fear an overt fascist conspiracy. Fomented by conservative, anti-Semitic, monarchist, and fascist groups, including Action Française (AF's leader, the novelist Léon Daudet, called the government "a gang of robbers and assassins"), the Croix-de-Feu and the Mouvement Franciste, the riots resulted in fourteen deaths over six hours on the night of 6–7 February 1934 at the hands of 800 police. The événement failed in its aim of overthrowing the Third Republic (1871–1940) but Daladier had to resign. His successor was conservative Gaston Doumergue who created a coalition cabinet. It was the first time during the Third Republic that a government had to resign owing to opposition from rioters. Other results were the formation of anti-fascism leagues and the agreement between the SFIO socialist party and the communist party, which in turn led to the 1936 Popular Front.

Further consequences[edit]

The scandal engulfed a remarkable range of personalities from politics, high society and the literary-intellectual elite of Paris. Mistinguett was asked why she had been photographed with Stavisky at a nightclub; Georges Simenon reported on the unfolding affair and Stavisky's ex-bodyguard threatened him with physical violence; Colette, referring to the inability of any of Stavisky's high-placed friends to remember him, described the dead con-artist as "a man with no face".[citation needed]

The trial of 20 people associated with Stavisky began in 1935. Printed charges were 1200 pages long. All of the accused, including Stavisky's widow, two Deputies, and one general, were acquitted the next year. The amount involved was estimated to be equal to eighteen million contemporary dollars plus an additional fifty-four million that came within months[clarification needed] of fruition. The location of Stavisky's wealth is still unknown.

The Stavisky Affair left France internally weakened. France remained deeply divided for the rest of the decade, but the political weaknesses it exposed and exacerbated were not confined to France. The Affair was emblematic of a broader erosion of democratic values and institutions in post–World War I Europe.

Portraits of the affair[edit]


  • Alfred Cobban, A History of Modern France, vol.3:1871–1962 (1965). Penguin Books. (No ISBN)
  • Janet Flanner (Genêt), Paris was Yesterday, (1972), articles from The New Yorker, 1925–1939. ISBN 0-207-95508-5
  • Paul Jankowski, Stavisky - A Confidence Man in the Republic of Virtue, (2002) ISBN 0-8014-3959-0
  • David Clay Large, "Between Two Fires: Europes Path in the 1930s," W.W.Norton and Company: New York, New York, (1990) p. 14