|Birth name||Stephanie Ann Chase|
|Born||Evanston, Illinois, U.S.|
|Occupation(s)||Concert violinist, educator|
|Labels||Koch International Classics, Cala Records, Harmonia Mundi|
|Pietro Guarneri violin, 1742|
Chase's playing is characterized by "virtuosity galore," with "great intensity and a huge tone, the epitome of the modern violinist," and she is "renowned for her impeccable intonation." As soloist, she has performed in twenty-five countries with the New York Philharmonic, the London Symphony Orchestra, the Chicago Symphony, the Hong Kong Philharmonic, the San Francisco Symphony, the American Classical Orchestra, and the Atlanta Symphony, among many others. Her active repertoire features over 50 concertos and she has soloed in collaboration with conductors that include Zubin Mehta, Leonard Slatkin, Herbert Blomstedt, Frans Brüggen, Marin Alsop, Roy Goodman, Hugh Wolff and Stanislaw Skrowaczewski.
During the 2013/2014 concert season, Chase will perform concerts throughout the United States and in Mexico, including recitals at New York's 92nd Street Y, Williams College, and Dickinson College, as soloist with the Boulder Chamber Orchestra, the Monterrey (Mexico) Symphony Orchestra, and the Seattle Collaborative Orchestra, and in chamber music concerts presented by the Music of the Spheres Society.
In December 2009, her "sensational" performances of Elgar's Violin Concerto with the Louisville Orchestra was selected as a "Classical Act of the Decade." In October 2011, her New York recital with pianist Sara Davis Buechner was chosen by WQXR as one of "20 Concerts to Hear This Fall"  and by Musical America as a "Critic's Choice." That same month she gave the apparent North American concert premiere of the "Sonata in A Major for violin solo, MS 83" by Niccolo Paganini at a recital at New York University. In the fall of 2012 she performed all ten of Beethoven's Violin Sonatas in consecutive nights with pianist Sara Davis Buechner at New York's Yamaha Piano Salon.
Her discography encompasses major concerti, chamber works, collections of salon pieces by diverse composers, and includes several world premieres.
Chase is also a specialist in period instrument practice and actively performs on both types of violins. Of her 2009 performance with the American Classical Orchestra, the New York Times noted that "the fine violinist Stephanie Chase was an elegant soloist in Beethoven's Romance in F for violin and orchestra."
Chase is the daughter of two musicians, the noted arranger and composer Bruce Chase and violinist Fannie (Paschell) Chase. She gave her first public performance when only two years old and was recognized as a child prodigy. She studied first with her mother and then embarked on studies with Sally Thomas, then an assistant to Ivan Galamian at The Juilliard School. While still in her teens she moved to Belgium to study privately with Arthur Grumiaux, who is noted as "holding her in regard for her energy and the way in which she put into practice what he taught...(and) she remained one of his preferred pupils." Following her return to the United States, Chase attended the Marlboro Festival in Vermont in the early 1980s, where she was coached in chamber music by musicians that included Rudolf Serkin, Rudolf Firkusny, Felix Galimir, Samuel Rhodes, and David Soyer.
Chase attained world prominence as a top medalist of the International Tchaikovsky Competition in 1982, an achievement that is especially remarkable in view of the extremely poor relations that existed between the United States and the Soviet Union at the time plus the fact that violin jury chairman Leonid Kogan had two of his own students, Viktoria Mullova and Sergei Stadler, competing.
In 1986, Chase was a featured soloist with the Hong Kong Philharmonic on its debut concert tour of the People's Republic of China, with Kenneth Schermerhorn conducting. The following year, she was awarded the prestigious Avery Fisher Career Grant.
Her recording of Beethoven's Violin Concerto and Romances, with the Hanover Band, was the first ever on period instruments and features her own cadenzas. It has been selected as “one of the twenty most outstanding performances in the work's recorded history” and honored with the highest possible ratings by BBC Music Magazine in a review by scholar H. C. Robbins Landon. Chase's experience in period instrument playing led her to join a New York Times music critic in faulting cellist Yo-Yo Ma for a performance on "Baroque" cello in which his cello and bow evidently were not historically accurate.
In 2001, she co-founded the Music of the Spheres Society, which is devoted to exploring the links between music, philosophy, and the sciences. Chase is a former member of the Boston Chamber Music Society (1982–1997) and has recorded several works with the ensemble. She is a frequent guest of music festivals worldwide, including Caramoor, Kuhmo (Finland), the Cape Cod Chamber Music Festival, the Martha's Vineyrad Chamber Music Festival, the Mt. Desert Festival of Chamber Music, the Seattle Chamber Music Festival, Sommerfest (sponsored by the Minnesota Orchestra), Nuits de Bourgogne and Music from Marlboro. In July 2010 she replaced an artist on one day's notice for three concerts at the Bravo! Vail Festival that included the Colorado premiere of Joan Tower's Piano Quartet.
Following the attacks on the World Trade Center in New York City, Chase was among the musicians who were invited to cross through National Guard security and perform for the rescue and recovery workers in St. Paul's Chapel, which was used as a relief center.
Between 2007 and 2011, Chase programmed and hosted several events at the  Philoctetes Center as part of its "Music and Imagination" series.
Articles by Stephanie Chase have been published in journals that include Strings Magazine  and The Strad.
Chase is an assistant professor of violin at the Steinhardt School at New York University. Formerly a member of the faculties of the Boston Conservatory and the Massachusetts Institute of Technology (adjunct), she has given master classes throughout the United States and in Mexico, including the San Francisco Conservatory, Rice University, Southern Methodist University, the Institute for Strings, Oberlin College, and the University of Texas (Austin). She is a frequent judge for concerto competitions at The Juilliard School and other institutions that include the Concert Artists Guild, the Concorso Andrea Postacchini in Italy, and the Cooper Competition in Oberlin, Ohio.
Chase plays on a violin made in 1742 by Pietro Guarneri, the ex-Paschell, which she pairs with a bow made by Dominique Peccatte. Her Classical violin, which is outfitted with gut strings, a Baroque-model bridge and no chinrest, is by an unknown German maker and dates from circa 1790. With this violin she employs a transitional-style bow.
Vítězslava Kaprálová - Music for violin and piano (2008) (with pianist Virginia Eskin)
Ravel: Five O'Clock Foxtrot - Tzigane (re-released 2008) (with The Philharmonia)
Bygone Days - Music for Violin and Piano by Rudolf Friml (2006) (with pianist Sara Davis Buechner)
Live from Benaroya Hall - Music by Sarasate, arr. by Stephanie Chase, with The American String Project (2006)
Music for Horn - Brahms Horn Trio, with Lowell Greer and Steven Lubin (2001) (on period instruments)
Mozart: Violin Concerti (1994) (on period instruments)
Beethoven: Violin Concerto and Romances (1993) (on period instruments)
Boccherini: Sei Sonata a Tre - (1994) (with Max Barros, fortepiano, and Christine Gummere, cello, on period instruments)
Schoenberg: Verklaerte Nacht - (1991) (with members of the Boston Chamber Music Society)
- "Woman Around Town: Stephanie Chase - Classical Violinist": Caneda, Abby, www.womanaroundtown.com, November 15, 2009.
- Gramophone, Vol. 69 No. 822.
- Laird, Paul K. (2004). The Baroque Cello Revival. The Scarecrow Press. ISBN 0-8108-5153-9.
- Isacoff, Stuart (2003). Temperament. Random House. ISBN 978-0-375-70330-0 (0-375-70330-6)
- Biography at http://www.stephaniechase.com
- "Classical Acts of the Decade," Courier-Journal
- "20 Concerts to Hear This Fall - WQXR
- "Critics' Choice: New York, Not-So-New Music" - Musical America
- "NYU Steinhardt to Present Violinist Stephanie Chase Performing the North American Concert Premiere of a Niccolo Paganini Work"
- Anthony Tommasini, New York Times, November 20, 2009.
- "Mon ami Arthur Grumiaux - Souvenirs inachevés", Dom Adrien Nocent, o.s.b. Fondation Grumiaux, 1996
- "Phone Rings and Rings for Tchaikovsky Victor," 'New York Times'
- The 1979 invasion of Afghanistan by the Soviet Union led the United States to boycott the 1980 Summer Olympics held in Moscow.
- Guest artist biography, Dayton Philharmonic
- Stowell, Robin (1998). Beethoven: Violin Concerto. Cambridge University Press. ISBN 0-521-45775-0
- Ammer, Christine (rev. 2001). Unsung: A History of Women in American Music. p. 58. Amadeus Press.
- Pincus, Andrew L. (2002).Musicians with a Mission: Keeping the Classical Tradition Alive. Northeastern University Press. ISBN 1-55553-516-X, 9781555535162
- "Have Violin, Will Travel: How Stephanie Chase Became a Bravo Heroine," Vail Daily, July 19, 2010
- Zankel Hall at Carnegie Hall, February 14, 2005
- "Beethoven Sonatas Reveal the Composer at a Point of Personal and Musical Transition," Strings Magazine, May 2013
- Stephanie Chase Official site
Stephanie Chase at Allmusic.com
Stephanie Chase at Amazon.com
Stephanie Chase at Arkivmusic.com