Sterling Memorial Library
|Sterling Memorial Library|
Facade and tower of Sterling Memorial Library
|Architectural style||Collegiate Gothic|
|Address||120 High Street|
|Town or city||New Haven, Connecticut|
|Height||150 feet (46 m)|
|Floor area||441,651 square feet (41,030.7 m2)|
|Design and construction|
|Architect||James Gamble Rogers|
Sterling Memorial Library is the main library building of the Yale University Library system in New Haven, Connecticut. Opened in 1931, the library was designed by James Gamble Rogers as the centerpiece of Yale's Gothic Revival campus. It is elaborately ornamented, featuring extensive sculpture and painting as well as hundreds of panes of stained glass created by G. Owen Bonawit. In addition to five large reading rooms, a Music Library, and courtyard on the ground floor, the library's tower has fifteen levels of bookstacks containing over 4 million volumes. It connects via tunnel to the underground Bass Library, which contains an additional 150,000 volumes.
- 1 History
- 2 Building
- 3 Decoration
- 4 Collections
- 5 References
- 6 Further reading
For the ninety years prior to the construction of Sterling Memorial Library, Yale's library collections had been held in the College Library, a chapel-like Gothic Revival building on Yale's Old Campus now known as Dwight Hall. Built to house a collection of 40,000 books in the 1840s, and later expanded to Linsly Hall and Chittenden Hall, the old library could not hold Yale's swelling book collection, which had grown to over one million volumes. In 1918, Yale received a $17-million bequest from John W. Sterling, founder of the New York law firm Shearman & Sterling, providing that Yale construct "at least one enduring, useful and architecturally beautiful edifice." The largest bequest in the history of any American university, it initiated a major period of construction on Yale's central campus. Because of the library collection's growth, the university decided to make the centerpiece of Sterling's gift a new library with a capacity for 3.5 million volumes.
The building's original architect, Bertram Goodhue, intended the library to resemble his State Capitol Building in Lincoln, Nebraska, with the library's books in a prominent tower. When Goodhue died in 1924, the project passed to James Gamble Rogers, the university's consulting architect. Originally, Rogers planned to balance the library with a 5,000-seat chapel on the opposite end of Cross Campus' main axis, but a lack of sponsorship and the end of daily compulsory undergraduate chapel services in 1926 scuttled the project. Instead, Rogers circumscribed Goodhue's tower plan with an "ecclesiastical metaphor": a cathedral plan, in Roger's words, "as near to modern Gothic as we dared to make it." vaulted nave as its entrance hall and commissioning extensive stained glass and stone ornament to decorate the building's interior.
The library's 122,500-square-foot (11,380 m2) footprint would take up more than half a city block, and twenty buildings were cleared for its construction, many of them private homes. Although excavation began in the fall of 1927, the construction site was not fully secured until July 1928, when a holdout homeowner finally decamped.
While the new library was planned and constructed, the university began soliciting gifts from its alumni for the new library. By 1931, the collection had grown to nearly 2 million volumes, many of them rare books and manuscripts. Among the most important of these acquisitions was a Gutenberg Bible donated by Anna Harkness. This became the centerpiece of the new library's Rare Book Room, which allowed students and researchers to browse the most valuable books in the university's collection for the first time, a function later subsumed in part by the Beinecke Rare Book & Manuscript Library.
Like much of Yale's revivalist construction of the same era, the new library was criticized as expensive and retrograde. William Harlan Hale, writing in The Nation, scorned it as a "cathedral orgy," criticized the library's bastardized cathedral aesthetics and the university's timid anti-modernism. Others reactions, responding more specifically to the building's fusion of academic purpose and ecclesiastical architecture, saw either sacrilege or sanctimony. More recent reviews have praised the building's ambition, beauty, and pragmatism.
The library is situated on Yale's Cross Campus, the central quadrangle of the university. Surrounding buildings, including Berkeley College, Trumbull College, and Sterling Law Building were designed by Rogers and built in the same period and Gothic Revival style as the library.
The entrance hall of the library is known as the "nave" because its plan imitates the main approach of a cathedral. At its western terminus is a chancel containing an ornate circulation desk and altarpiece mural painted by Eugene Savage. Constructed of Indiana limestone and Ohio sandstone blocks, it is elaborately decorated with stone and wood carving, ironwork, stained glass windows, and ceiling bosses. The main hall is flanked by two aisles, which originally held card catalogs for the library bookstacks. Though the original catalog drawers remain in the aisles, the cards have been removed and the aisles converted to seating areas and a computer lab. At its western end it is intersected by a transept, which leads to the library's main reading room on one end and its wing on the other. For many years, smoking was allowed in the nave, which left a layer of soot on its upper levels. Beginning in 2013, the nave underwent a $20-million, yearlong renovation to clean its surfaces, restore its architectural details, overhaul building systems, and reconfigure visitor circulation and services.
Fifteen levels of library materials, primarily books, are housed in the building's tower, commonly referred to as the "Stacks." Originally intended to house 3.5 million volumes, it is a seven-story structure, with eight mezzanine levels interleaved between the main stories. Although encased in a Gothic exterior, the tower's structural system is a welded steel frame, which permits a vertical rise that traditional Gothic techniques would not. The crennalated roof of the tower is elaborately decorated, complete with a castle-like housing for air handling equipment.
Placed end-to-end, the full length of the tower's shelves is estimated at 80 miles (130 km), contained within 6.5 miles (10.5 km) of aisles. In addition to the library collections, the tower houses reading rooms, study carrels, library offices, and special collections, including the Babylonian Collection. Access to the Stacks is restricted to affiliates of the university and library patrons.
Four reading rooms are situated near the nave on the first floor of the library:
- Starr Reading Room, the main reading room of the library, is situated at the south end of the library, adjacent to Trumbull College. It is a reference room designed in the style of a monastic refectory. Under a barrel vaulted ceiling, the room is lined with traceried windows and oak bookshelves decorated with a botanical frieze. A 1998 restoration was funded by the The Starr Foundation.
- The Periodical Reading Room, lined with oak shelves like those of the main reading room, is accessible from a vestibule on the north side of the nave. The room can hold 1,800 periodicals and features windows decorated with signs of the zodiac to symbolize periodicity.
- Linonia and Brothers Reading Room, a Tudor-style browsing room at the building's northeast corner. It is named for Yale's two eighteenth century literary societies, Linonia and Brothers in Unity, and holds approximately 20,000 books. Intended to be a "gentlemen's club" for leisure reading, it was not opened to women until the 1960s.
- Franke Family Reading Room, originally a room for frequently-used materials known as the Reserve Book Room, is in the library's southeast corner. Its collections were moved to Cross Campus Library in 1971 and the reading room was converted into a periodical browsing room.
Smaller reading rooms are housed in the tower and are accessible to library affiliates. These include reading rooms for the library's area studies holdings, including African, East Asian, Latin American, Near East, Slavic and East European, Southeast Asian, and Judaica collections. There are also dedicated reading rooms for several fields of study, including American Studies, History, and Philosophy.
Sterling's northern wing, accessed from the nave via a cloister hallway, contains the library's offices as well as three major rooms: a lecture hall, Memorabilia Room, and the Rare Book Room. The Memorabilia Room hosts temporary exhibitions of Yale's archival collections and university history, and serves as an antechamber to the 120-seat lecture hall.
The Rare Book Room, designed after English Jacobean architecture, was built to allowed library patrons to browse Yale's collection of rare books and manuscripts. A vaulted, octagonal chapel behind the room was specially constructed to house a copy of the Gutenberg Bible. The completion of the Beinecke Library in 1963 provided a more secure, climate-controlled repository for rare books, and the room and chapel now serve as a browsing room for the library's Manuscripts & Archives department.
The library originally had two courtyards designed and landscaped by Beatrix Farrand. In 1997, the western courtyard was enclosed and renovated to become the Irving S. Gilmore Music Library. Sterling's remaining courtyard, named the Selin Courtyard, features motifs from the history of printing.
The library is one of the most elaborate buildings on the Yale campus. Rogers commissioned artisans, including stained glass artist G. Owen Bonawit and blacksmith Samuel Yellin, who worked with Rogers on many of his buildings, sculptor René Paul Chambellan, and painter Eugene Savage. The building's exterior is decorated with stone gargoyles, reliefs, and inscriptions. The nave is the most ornately decorated library interior, although ornamental features, particularly stained-glass windows, can be found in nearly every room in the building.
A relief above the library's main entrance symbolizes the scholarly achievements of ancient civilizations. It is the work of architectural sculptor René Paul Chambellan, who executed a design produced by Lee Lawrie.:282 The scene depicts Cro-Magnon, Egyptian, Assyrian, Hebrew, Arab, Greek, Mayan, and Chinese scholars in low relief, with inscriptions from major works in each writing system. At center is a medieval scholar, and directly above the doors are symbolic representations of major civilizations, which include a Phoenician ship, a Babylonian lamassu and the Capitoline wolf of Rome.
Alma Mater mural
At the western end of the nave is a fresco painted by Eugene Savage, a professor in the Yale School of Art and Architecture. Savage titled it "The Imagination that Directs the University's Spiritual and Intellectual Efforts," but it is commonly known as the Alma Mater mural for its depiction of a personified "University." Savage, an expert in Early Renaissance techniques, painted the mural in his characteristic style, an Art Deco interpretation of traditional Renaissance composition. Surrounding "Alma Mater" are personifications of academic disciplines.
680 unique stained glass panels by G. Owen Bonawit adorn the nave, reading rooms, offices, and tower of the library. Eighty decorate the nave, depicting scenes from the history of Yale and New Haven. Most reading rooms have stained glass panels that represent themes from their subject matter. Bonawit's firm also designed over 2,000 small outline images to inset in windows without stained glass panes. Although Sterling contains the most in number, Bonawit's panels can be found in many of Yale's Gothic Revival buildings of the same period, including the Sterling Law Building, the Hall of Graduate Studies, and the residential colleges.
Other notable ornament
In the nave, ten high relief stone panels by Chambellan depict the history of the Yale University Library up to 1865. Bosses on the nave's ceiling depict writing implements. Samuel Yellin, the blacksmith who shaped most of the ironwork for Yale's Gothic buildings, created handwrought elevator doors for the Stacks depicting major trades, as well as ironwork and gates for the building. Other decorative stonework by Chambellan—gargoyles, corbels, and reliefs—can be found throughout the building. While most of his works depict scholarship and university life, several are humorous interpretations of the lives of students and librarians.
Several tributes in and around the nave commemorate pioneering graduates of the university. A portrait of Edward Bouchet, one of Yale's earliest African American graduates, hangs in the nave's transept. Near the Franke Family Reading Room is a statue of Yung Wing, the first Chinese graduate of Yale. In 2012, Yale's Women Faculty Forum announced that it would commission a portrait of the first seven women graduates to hang across the transept from the Bouchet portrait.
The large majority of materials in Sterling are housed in the bookstacks, which are contained in the building's tower. The bookstacks use two classification systems: the Yale Library system and the Library of Congress system. Adopted in the 1890s, the non-standard Yale system became cumbersome and inefficient for cataloging. Though replaced in 1970 by the Library of Congress system, many of the 5.7 million volumes held by the library at that time remain filed in the Yale system. The card catalogs in the nave once contained as many as 9.5 million cards, sorted in 8,700 trays.
Manuscripts & Archives
Manuscripts & Archives is the primary archival repository of the university, housing Yale memorabilia, university archives, historical manuscripts, and personal papers donated to the university. Though the archive uses the former Rare Book Room as its primary reading room, most of the collection is held off-site. Significant materials within Manuscripts & Archives include the papers of Charles Lindbergh, Eero Saarinen, Eli Whitney, and the audio library of Osama bin Laden. The archives hosts a notable collection of diplomatic papers, including those of Dean Acheson, Henry Kissinger, Henry Stimson, and Cyrus Vance.
Audio, visual, and paper materials related to music are retained in the Irving S. Gilmore Music Library, a facility converted from one of Sterling's courtyards. The collection was established in the mid-19th century under Gustave J. Stoeckel, and was significantly expanded by the acquisition of Lowell Mason's papers and library in 1873. Its collections include one of the largest catalogs of recordings and scores in the United States, including the papers of Charles Ives, Carl Ruggles, Quincy Porter, Horatio Parker, Virgil Thomson, Richard Donovan, and J. Rosamond Johnson. Moved to Sprague Hall of the Yale School of Music in 1955, the collection arrived in Sterling when the Gilmore Library was completed in 1997.
In addition to the library's main collection, the library houses several significant special collections:
- The Yale Babylonian Collection, the largest collection of Babylonian cuneiform writing in North America;
- The library of the American Oriental Society, the oldest American learned society for area studies, whose catalog has been housed at Yale since 1855;
- The Map Collection, a collection of over 200,000 print maps as well as Geographic Information Systems data;
- Arts of the Book, a variety of materials related to printing, bookbinding, woodblock, and graphic design.
Major editorial projects
- The Benjamin Franklin Papers, a project founded in 1954 to collect and publish all the papers of Benjamin Franklin. The library received a major donation of Franklin's papers when Sterling opened in 1935, and the collection formed the basis of Yale professor Edmund Morgan's best-selling biography of Franklin.
- The Fortunoff Video Archive for Holocaust Testimonies, a collection of approximately 4,500 video-recorded testimonies from witness and survivors of the Holocaust, deposited in the library in 1981.
- Boswell Editions, an edited collection of the papers and publications of Scottish lawyer James Boswell, the major biographer of the famous 18th century English literary figure Samuel Johnson.
- Wing STC Revision Project, an effort begun in 1933 by Yale librarian Donald Wing to compile a Short-Title Catalogue, a bibliographic reference for books printed in England and its colonies between 1641 and 1700.
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