July 13, 1975 |
Vancouver, British Columbia, Canada
Steven Galloway (born July 13, 1975) is a Canadian novelist. Galloway was born in Vancouver, and raised in Kamloops, British Columbia. He attended the University College of the Cariboo and the University of British Columbia. Galloway is an Associate Professor and Acting Chair of the UBC Creative Writing Program. He lives with his wife and two young daughters in New Westminster.
His debut novel, Finnie Walsh (2000), was nominated for the Amazon.ca/Books in Canada First Novel Award. This novel could be best described as “a work about the love of hockey and the way two boys form a bond that carries them through life's tragedies and trials.” Galloway was recognized for successfully portraying a child’s perspective without “giving a child an adult's perspective.” The ethnic and economic diversity of the characters has critics describing it as a “truly Canadian book both in content and sensibility.” It has been noted that “The style of Galloway's early literary influences, Farley Mowat and John Irving, is apparent” in this first novel.
His second novel, Ascension (2003), was nominated for the BC Book Prizes' Ethel Wilson Fiction Prize, and has been translated into over fifteen languages. Notably different from his first novel, Ascension takes a look at the events in the life of a 66 year old Romanian man leading up to his famous tight rope walking between the twin towers of New York’s World Trade Center. "He expertly walks a very fine line, spinning the makings of what might have been a gimmicky immigrant tale into a gripping story of one man’s lifelong balancing act."
The Cellist of Sarajevo
His third novel, The Cellist of Sarajevo (2008), was nominated for the International IMPAC Dublin Literary Award, longlisted for the 2008 Scotiabank Giller Prize and won the 2009 Evergreen Award, the George Ryga Award for Social Awareness in Literature and the Borders Original Voices Award. It was heralded as "the work of an expert" by The Guardian, and it has become an international bestseller with rights sold in over 30 countries. Galloway’s third novel is “set during the siege of Sarajevo in the mid-1990s, it explores the dilemmas of ordinary people caught in the crisis." The title maybe references the true story of Vedran Smailović, a cellist who played Albinoni's Adagio "dressed in evening tails and perching on a fire-scorched chair" every day at 4:00 pm for 22 days, "always at the same time and location", to "honour the 22 people killed by a mortar bomb while they queued for bread on May 26, 1992". "Nearly Dickensian in its formal precision", the novel follows the lives of three fictional citizens of Sarajevo as they struggle to survive the war, including one who seeks to protect the cellist: "He has said he will do this for twenty-two days. This is the eighth. People see him. The world has seen him. We cannot allow him to be killed." The novel examines the gentleness found in humanity and the lasting and healing power of art.
Vedran Smailović did not learn of the book until it was already published. Galloway had been advised to contact Smajlović, who had purposefully embraced a quiet, private life in Warrenpoint, Northern Ireland. When Smailović learned of the publication he described it as an "...the explosion of an atomic bomb, emotions of anger and pain ... They steal my name and identity. Nobody can take the rights to that from me. It's quite clear that it is me in the book ... I expect damages for what they have done, an apology and compensation... They are using my picture and advertising their product with my name... I never blessed this project... I am not hiding here, but for 10 years I have not wanted to go out. I don't want to be involved any more as a peacemaker or a public person." However a meeting between the two talented artists took place moving a step closer to conflict resolution.
Galloway who has been described as "honest and talented young man with no intentions to steal" claimed that Smailović's act of playing the cello as protest in the lens of the global media was an "extremely public act" Galloway argued that fiction writers could not start "paying their sources of inspiration". He is under no legal obligation to do so. He did send him a copy of the signed book. He argues that his cellist while inspired by the famous photos and story of the Cellist, was an imaginary, fictional cellist created from his ability to "embrace of the power of the imagination to place oneself in another's experience, to explore a variety of subject matter, themes and cultural backgrounds. "[F]ictional accounts of public events aren’t at all uncommon, and that his cellist, while inspired by Smailovic, was certainly fictional.
- Davis, Charlene. “Galloway, Steven.” The Canadian Encyclopedia. Historica Foundation, 1 Sep 2007. http://www.thecanadianencyclopedia.com
- Fraser, Lynn. “Finnie Walsh.” CM: an Electronic Reviewing Journal of Canadian Materials for Young People. Winnipeg: Mar 31, 2006. Vol. 12, Iss. 15; 1 pgs
- Green, Zoe. “War notes.” The Observer. Guardian.co.uk, 29 June. 2008. http://www.guardian.co.uk/books/2008/jun/29/fiction.reviews3
- Sharrock, David (17 June 2008). "Out of the war into a book and into a rage". The Australian. Retrieved 31 January 2012.
- Steven Hayward (August 12, 2008). "Cellist plays sad, sweet music". Toronto: Globe and Mail.
- . Toronto http://www.theglobeandmail.com/news/arts/books/article31297.ece. Missing or empty
- Booth, Jenny. The Times (London) http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article4083037.ece
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- Deryk Houston (January 27, 2012). "Vedran Smailović – "The Cellist of Sarajevo"". Economic Voice.
- "The Cellist of Sarajevo". One Maryland One Book. 2013.