Stiletto

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For the shoe design, see stiletto heel. For other uses, see Stiletto (disambiguation).
Stiletto

A stiletto is a knife or dagger with a long slender blade and needle-like point, primarily intended as a stabbing weapon.[1][2]

The stiletto blade's narrow cross-section and acuminated tip reduces friction upon entry, allowing the blade to penetrate deeply.[1][3] Some consider the stiletto a form of dagger, but most stilettos are specialized thrusting weapons not designed for cutting or slashing, even with edged examples.[1][4] Over time, the term stiletto has been used as a general descriptive term for a variety of knife blades exhibiting a narrow blade with minimal cutting surfaces and a needle-like point, such as the U.S. V-42 stiletto, while in American English usage, the name stiletto can also refer to a switchblade knife with a stiletto- or bayonet-type blade design.[5] The term is also used interchangeably with stiletto heel, a long, thin, high heel for certain boots and shoes, usually for women.

History[edit]

Origins[edit]

First developed in Italy, the stiletto dates from the late 1400s, and is thought to be a development of the rondel dagger or misericordia, a needle-pointed weapon with a narrow blade designed primarily for thrusting, though possessing cutting edges.[6][7] Early stilettos normally used a one-piece cast-metal handle which was shaped and turned on a lathe. The stiletto blade was usually hammer-forged into a dense rod with a narrow, triangular cross section, without any sharpened edges. However, other examples of the period have emerged bearing round, square, or diamond cross sections.

The Italian word "stiletto" comes from the Latin stilus,[8] the thin pointed Roman writing instrument used to engrave wax or clay tablets in ancient times. The stiletto began to gain fame during the late Middle Ages, when it was the secondary weapon of knights.[9] Originally designed as a purely offensive weapon, the stiletto was used to finish off a fallen or severely wounded heavily armored opponent. The needle-like blade could easily penetrate most mail or find its way through gaps in a knight's plate armor, and was narrow enough to pass through the eye slits of the helmeted knight. A severely wounded opponent, who was not expected to survive, would be given a "mercy strike" (French coup de grâce), hence the name miséricorde. Later the Gunner's Stiletto became a tool for clearing cannon-fuse touch holes; used in the manner of an automotive oil dipstick, they were often inscribed with marks indicating levels of powder charges for ranging distance.[10]

Use as offensive weapon[edit]

The stiletto was later adopted throughout Italy as the favored offensive thrusting knife (arma manesca) of the medieval assassin,[11] so much so that it was invariably prohibited as a treacherous weapon (arma insidiosa) by the authorities of the day. The stiletto was preferred by assassins as it was silent, easily concealed inside a sleeve or jacket, and featured a blade capable of easily penetrating the heavy leather and fabric clothing of the day, while inflicting mortal wounds that tended to bleed less than those made by other types of knives.[12] In Italy, the stiletto began to be employed along with the dagger as a fighting weapon; a 1536 duelling treatise authored by Achille Marozzo, Opera Nova, contains sections on dagger and stiletto fighting.[13][14] By the time of the Renaissance the term stiletto had come to describe a range of slender thrusting knives closely resembling the French poignard, many with conventional dagger-profile blades and sharpened edges, but always retaining the slim profile and needle-like point.[15] To lighten the weapon, many stilettos were equipped with blades carrying fullers over a portion of their length.

The stiletto remained a popular weapon of criminals or political assassins from the 16th through the end of the 19th century, particularly in France, Corsica, and Italy.[12][16][17][18] While still used as a weapon of surprise and assassination, the use of stiletto in preference to the dagger in close combat confrontations between adversaries became widespread throughout Italy, Sardinia, and Corsica.[19] The continued popularity of the stiletto in the Kingdom of Sicily resulted in the development of the scherma di stiletto siciliano (Sicilian school of stiletto fighting).[20] A person skilled in the use of a stiletto would thrust the knife deep into the victim, then twist the blade sharply in various directions before retracting it, causing the sharp point to inflict severe internal damage not readily apparent when examining the entrance wound.[21]

The stiletto followed the first wave of Italian immigration to the city of New Orleans, Louisiana during the mid-1800s, where the knife became a popular weapon of gamblers, gang members, and assorted assassins.[22] The stiletto was involved in so many stabbings and murders in New Orleans that the city passed an ordinance in 1879 outlawing the sale or exhibition for sale of any stiletto within the city limits.[23] Italian immigrants to America frequently purchased or made such knives for self-defense,[24] and the stiletto was used by anarchists as well as by members of various Black Hand (a method of extortion) organizations to assassinate Italian-Americans and others who either opposed the Black Hand or ignored its demands for blackmail.[22][25] The Black Hand even established schools for training its members in the use of the stiletto.[25]

First World War[edit]

The emergence of fierce hand-to-hand combat in the trenches of World War I created a new need for stabbing weapons, resulting in the reappearance of the dagger and the stiletto. Many versions of these stabbing knives exist, some individually made by soldiers, while others were government-procured and authorized. On the Allied side, the French Lebel M1886 épée (needle sword) bayonet was frequently cut down and converted into a stiletto or thrusting knife (Poignard-Baïonnette Lebel). These weapons were used to eliminate sentries in trench raids as well as for personal defense. As a class, these daggers, knives, and stilettos were given the title trench knife.[26]

Second World War[edit]

World War II saw a resurgence of the stiletto in the form of combat knives for commando raiding forces and other troops who needed a weapon for silent killing.[27] In late 1940, the famed British hand-to-hand combat instructors William E. Fairbairn and Eric A. Sykes designed the Fairbairn–Sykes fighting knife, a double-edged dagger with a long narrow point designed to optimize the blade for thrusting, though it was also capable of slashing strokes if the cutting edges were sharpened.[28]

V-42 stiletto

Other variations of the F-S knife soon emerged, including the U.S. Marine Raider Stiletto, which was based upon the Fairbairn-Sykes knife, and the U.S. V-42 stiletto, designed from the outset to emphasize thrusting over cutting.[29]

The 1950s: folding knives and stiletto switchblades[edit]

During the 1950s, large numbers of folding switchblade or automatic opening knives with locking blades were imported from Italy to the United States. Most of these switchblades were side-opening designs, though some employed a telescoping blade.[30] These Italian switchblades were commonly and popularly referred to as stilettos, since most incorporated a long, slender blade tapering to a needle-like point, together with a slim-profile handle and vestigial cross-guard.[5] The majority of these Italian stiletto switchblade knives used a now-iconic bayonet-style blade with a single sabre-grind edge (often unsharpened) and a long opposing false edge.[5] As with the medieval stiletto, the stiletto switchblade was designed primarily as an offensive weapon, optimized for thrusting rather than cutting.[5] Most of these knives were designed with a locking device which locked the blade in the open position, and this lock, combined with the stiletto blade profile, enabled the knife to be used as an effective thrusting or stabbing weapon (unlike most U.S. switchblade designs of the day).[5] Though most switchblade stilettos used a single-edge blade equipped with a long false edge, many variations exist.[5][30] The stiletto switchblade is produced to this day in Italy and many other countries, and now includes many derivative folding knife designs that incorporate the same basic 'stiletto' or bayonet-style blade profile, including spring-assist, non-locking, and lock blade variants.[5]

In popular culture[edit]

  • The novel; Stiletto, 1960 by Harold Robbins, about a Mafia killer, was adapted into the 1969 film, Stiletto.
  • In the film The Warriors, the leader of the punks uses an Italian stiletto to attack the leader of the warrior's swan while they are hiding in the bathroom at the subway. Adding to this, there is also a gang in the script of the Warriors known as The Stilettos.
  • In the film Gladiator, an anachronistic stiletto is used by Commodus to stab Maximus.
  • In the Nick Carter series of spy novels, one of Carter's trademark weapons is a 400-year-old stiletto named Hugo said to have made by Benvenuto Cellini[31]
  • In Red Dragon, Dr. Hannibal Lecter stabs Will Graham in the stomach with a stiletto.
  • A stiletto-style switchblade is used in the famous knife fight scene in West Side Story.
  • In both the 1957 and 1997 versions of the film 12 Angry Men, a stiletto-style switchblade knife is a key plot point and central piece of evidence in the murder trial of a delinquent teen.
  • In the games Assassin's Creed II, Assassin's Creed Brotherhood and Assassin's Creed Revelations, a stiletto knife is available for purchase and use as a weapon.
  • Billy Joel's 1978 Album 52nd Street (album) features the song "Stiletto", about a relationship with a woman reminiscent of having to face an enemy with this type of knife, and her skill in using it.
  • The G.I. Joe: A Real American Hero toy line produced by Hasbro featured a vehicle called the Stellar Stiletto. It was a one-man re-usable space rocket employed by Cobra Command. It was long and narrow, with a pointed nose cone. It featured in a storyline in the comic book series that involved international espionage.
  • In the British animated TV series Danger Mouse, the main henchman of the villain Baron Silas Greenback was a crow named Stiletto Mafiosa. He spoke with an italian accent, though this was changed to cockney for American distribution.
  • In the Ken Follett book "Eye of the Needle" the main character uses a stiletto as his primary weapon.
  • In the text-based computer adventure game Zork I by Infocom a stiletto can be obtained by defeating the thief.
  • In Avatar: The Last Airbender, Mai is shown to use some of these in her assortment of knives.
  • In Smallville, Lois Lane's alter ego for an episode was Stiletto.
  • In The Expendables, Jason Statham's character; Lee Christmas, uses a stiletto style switchblade in a knife throwing contest against Mickey Rourke's character, Tool.
  • In the Dick Tracy comic strip, the revenge-seeking wife of the notorious villain Flattop Jones Sr. was named "Stiletta", a feminine form of "stiletto". She was a skilled knife thrower, and used stilettos in both her circus act and her criminal endeavors.
  • In the Hitman video game series, the Stiletto is a available weapon for missions.
  • In Lemony Snicket's A Series of Unfortunate Events, Count Olaf's girlfriend, Esmé Squalor, wears stiletto-heeled shoes with the heels replaced by stiletto blades.

See also[edit]

References[edit]

  1. ^ a b c Limburg, Peter R., What's In The Names Of Antique Weapons, Coward, McCann & Geoghegan, ISBN 0-698-20233-3, ISBN 9780698202337 (1973), pp. 77-78
  2. ^ Secret Arms, The Saturday Review, London: Spottiswoode & Co., Vol. 77 No. 2,002 (10 March 1894), pp. 250-251
  3. ^ Atkins, Anthony G., The Science and Engineering of Cutting: The Mechanics and Processes of Separating, Scratching, and Puncturing Bio-Materials, Metals, and Non-Metals, London: Elsevier Ltd., ISBN 978-0-7506-8531-3 (2009), p. 214
  4. ^ Cassidy, William L., The Complete Book Of Knife Fighting, ISBN 0-87364-029-2, ISBN 978-0-87364-029-9 (1997), pp. 9-18, 27-36
  5. ^ a b c d e f g Zinser, Tim, Fuller, Dan, and Punchard Neal, Switchblades of Italy, Paducah, KY: Turner Publishing Co., ISBN 1-56311-933-1 (2003), pp. 5, 8, 69, 85
  6. ^ Peterson, Harold, Daggers and Fighting Knives of the Western World, Dover Publications, ISBN 0-486-41743-3, ISBN 978-0-486-41743-1 (2002), pp. 16-26
  7. ^ Ford, Roger, et al., Weapon: A Visual History of Arms and Armor, London: DK Publishing Inc., ISBN 0-7566-2210-7, ISBN 978-0-7566-2210-7 (2006), pp. 69, 131: In the late 1400s new blade shapes were introduced to the rondel dagger, an equilateral triangular cross-section, followed by the appearance of narrow square (cruciform) blades foreshadowing the emergence of the stiletto.
  8. ^ University of Notre Dame online Latin dictionary (http://archives.nd.edu/latgramm.htm)
  9. ^ Bradbury, Jim (2004). The Routledge Companion to Medieval Warfare (Hardcover). Routledge. p. 392. ISBN 978-0-415-22126-9. 
  10. ^ Henry, Chris (2005). English Civil War Artillery 1642–51. Osprey Publishing. p. 48. ISBN 978-1-84176-766-6. 
  11. ^ Robertson, Alexander, Father Paolo Sarpi: the Greatest of the Venetians, London: Sampson, Low, Marston & Co. (1893), pp. 114-116
  12. ^ a b Baring-Gould, Sabine, The Life of Napoleon Bonaparte, London: Methuen & Co. (1897), pp. 223-224
  13. ^ Marozzo, Achille, Opera Nova Chiamato Duello (3rd ed.), Venetia, Italia (1568)
  14. ^ Order of the Seven Hearts: Bolognese Swordsmanship, retrieved 17 September 2011
  15. ^ Demmin, Auguste, An Illustrated History of Arms and Armour: The Dagger, Poniard, Stiletto, Kouttar, Crease, Etc., London: George Bell & Sons (1877), pp. 400-402
  16. ^ Cowen, William, Six Weeks In Corsica, London: Thomas C. Newby (1848), pp. 30-32
  17. ^ News of the Week, The Spectator, Volume 72, No. 3,444 (30 June 1894), p. 889
  18. ^ Bell, J. Bowyer, Assassin: Theory and Practice of Political Violence, New Brunswick NJ: Transaction Publishers, ISBN 1-4128-0509-0, ISBN 978-1-4128-0509-4 (2005), p. 37
  19. ^ Letters from Italy: On the Nobility of the Genoese, The Universal Magazine of Knowledge and Pleasure, London: John Hinton, Vol. 58 (July 1776), pp. 43-45
  20. ^ Quattrocchi, Vito, The Sicilian Blade: The Art of Sicilian Stiletto Fighting, J. Flores Publications, ISBN 0-918751-35-7, ISBN 978-0-918751-35-5 (1993)
  21. ^ Lathrop, Walter M.D., American Medicine: Modern Treatment of Wounds, Vol. 7 No. 4, January 23, 1904, p. 151: The resident surgeon at the Pennsylvania State Hospital in Hazleton noted the severe internal wounds caused by a stiletto used by a trained operator.
  22. ^ a b Margavio, Anthony V. and Salomone, Jerome J., Bread and Respect: The Italians of Louisiana, Gretna, LA: Pelican Publishing Co. Inc., ISBN 1-58980-023-0 (2002), p. 215
  23. ^ Jewell, Edwin L., The Laws and Ordinances of the City of New Orleans: Title 16, Police Regulations, publ. Edwin L. Jewell (1882), p. 326
  24. ^ Rood, Henry E., A Pennsylvania Colliery Village, The Century Magazine, Vol. 55 No. 6 (April 1898), p. 815
  25. ^ a b Watkins, John, The Big Stunts of Great Detectives: The Scrapbook, Vol. 4, No. 6, New York: Frank A. Munsey (December 1907), p. 1098
  26. ^ Johnson, Thomas M., LTC (Ret.) & Wittmann, Thomas T.: Collecting the Edged Weapons of Imperial Germany, Vol. I, Privately published, 1988, p. 317. ISBN 0-9600906-0-6
  27. ^ Dunlop, Richard, Behind Japanese Lines: With the OSS in Burma, New York: Time Life Co., ISBN 0-8094-8579-6, ISBN 978-0-8094-8579-6 (1991): "Fairbairn had invented a stiletto as precise as a surgeon's scalpel. He wielded it with a flashing, slashing vigor that invariably proved fatal to an opponent. 'Why is it so long and thin?' I asked him one day in a question period during my own course of instruction. 'It doesn't have a cutting edge.' 'It doesn't leave any marks on the body,' he replied. 'Scarcely more than a tiny drop of blood.'"
  28. ^ Dunlop, Richard, Behind Japanese Lines: With the OSS in Burma, New York: Time Life Co., ISBN 0-8094-8579-6, ISBN 978-0-8094-8579-6 (1991): Troops trained in the use of the Fairbairn-Sykes were taught not only knife fighting skills but also methods for employing the knife offensively as a single-thrust weapon in the manner of a stiletto to quietly eliminate sentinels or individual enemy soldiers.
  29. ^ Levine, Bernard (1990). "IN THE BEGINNING THE ORIGINAL U.S. MARINE CORPS KNIVES OF WORLD WAR II". 
  30. ^ a b Langston, Richard (2001). Collector's Guide to Switchblade Knives: An Illustrated Historical and Price Reference. Boulder, Colorado: Paladin Press. p. 224. ISBN 1-58160-283-9. 
  31. ^ Run, Spy, Run