|Palais Stoclet (French)
|Alternative names||Stoclet house|
|Architectural style||Vienna Secession|
|Location||Woluwe-Saint-Pierre, Brussels, Belgium|
|Design and construction|
|Other designers||Gustav Klimt, Franz Metzner, Fernand Khnopff|
|Official name: Stoclet House|
|Designated||2009 (33rd session)|
|Region||Europe and North America|
The Stoclet Palace (French: Palais Stoclet, Dutch: Stocletpaleis) is a private mansion built by architect Josef Hoffmann between 1905 and 1911 in the Woluwe-Saint-Pierre area of Brussels, Belgium, for banker and art lover Adolphe Stoclet. Considered Hoffman's masterpiece, the Stoclet's house is one of the most refined and luxurious private houses of the twentieth century.
The Stoclet Palace was commissioned by Adolphe Stoclet (1871-1949), a wealthy industrialist and avid art collector. He chose 35 year old Austrian architect Josef Hoffmann (1870-1956), a founder-member of a radical group of designers and artists who called themselves the Vienna 'Sezession', established in 1897. Hoffman abandoned the fashions and styles that had come before and produced a building of true modernity; an asymmetrical compilation of rectangular blocks, underlined by exaggerated lines and corners.
This no-nonsense starkness is softened by the artistic windows, which break through the line of the eaves, the rooftop conservatory and the bronze sculptures of four nude males by Franz Metzner, which are mounted on the tower that rises above the stairwell. Regimented upright balustrades line the balconies, touched with Art Nouveau ornamentation.
The Stoclet Palace was the first residential project for the Wiener Werkstatte (Vienna Workshops), co-founded by Hoffman in 1903. Josef Hoffman as his colleagues designed every aspect of the mansion, down to the door handles and light fittings. The interior is as spartan as the exterior, with upright geometric furniture and an avoidance of clutter. This was a fashionably avant-garde approach, presenting a 'reformed interior' where functions dictates style. The interior of the building is decorated with marble paneling and artworks, including mosaic friezes by Gustav Klimt and murals by Ludwig Heinrich Jungnickel. This integration of architects, artists, and artisans makes Stoclet Palace an example of Gesamtkunstwerk, one of the defining characteristics of Jugendstil. The sketches of Klimt's work for the dining room can be found in the permanent collection of Museum für angewandte Kunst (MAK) in Vienna.
The Stoclet Palace was built on Avenue de Tervueren in the municipality of Woluwe-Saint-Pierre, Brussels. The building was designed to be, when seen from the road, a stately city mansion. When seen from the garden at the back, in the words of architectural historian Annette Freytag, the Stoclet Palace "becomes a villa suburbana with its rear façade sculpturally modelled by bay windows, balconies and terraces." Thus, Hoffman gave the Stoclet family a building which offered the family "all the advantages of a comfortable urban mansion and a country house at the same time." 
Adolphe Stoclet died in 1949, and the house was inherited by his daughter-in-law Annie Stoclet. Following Annie's death in 2002, the house was inherited by her four daughters. The Palais Stoclet is currently not open to the public. Press reports have described the house as being looked after by two caretakers while there is dissension between Stoclet's four grand-daughters as to the future of the Palais Stoclet.
- Sharp 2002, p. 44
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- John Parker
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- Baring, Louis, Charles (February 10, 2007). "Glimpse into Klimt's hidden dream world". Telegraph. Retrieved July 24, 2014.
- Wise, Michael (February 1, 2012). "An Enchanted House Becomes a Family's Curse". WSJ. Retrieved July 23, 2014.
- Various Authors. "1910-1918 pictures of the Palais Stoclet". Bildarchiv Foto Marburg (in German). German documentation Center for Art History. Retrieved 18 October 2011. Rare collection of 52 B/W pictures from the exterior, the interior and the gardens of the Stoclet Palace taken in the years following the completion of the building.
- Freytag, Anette (2010). "Josef Hoffmann’s unknown masterpiece: the garden of Stoclet House in Brussels (1905-1911)". Studies in the History of Gardens and Designed Landscapes 30 (4): 337–372. doi:10.1080/14601176.2010.485733. ISSN 1460-1176.
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- Sembach, Klaus-Jurgen (2002). Art Nouveau. Köln: Taschen. p. 225. ISBN 3-8228-2022-9.
- Watkin, David (2005). A History of Western Architecture. London: Laurence King Publishing. ISBN 1-85669-459-3.
- Kurrent, Friedrich; Strobl, Alice (1991). Das Palais Stoclet in Brüssel (in German). Salzburg: Verlag Galerie Welz. ISBN 3-85349-162-6.
- Noever, Peter (2006). Yearning for Beauty: the Wiener Werkstätte and the Stoclet House. Ostfildern-Ruit: Hatje Cantz Publishers. ISBN 3-7757-1778-1.
- Sekler, Eduard F. (1967). Rudolf Wittkower, ed. The Stoclet House by Joseph Hoffmann. Essays in the History of Architecture. London: Phaidon. OCLC 82161568.
- Sekler, Eduard F. (1985). Josef Hoffmann : the architectural work : monograph and catalogue of works. Princeton, N.J.: Princeton University Press. ISBN 978-0-691-06572-4.
- Klimt, Gustav (2012). Christoph Thun-Hohenstein and Beate Murr, ed. Gustav Klimt: Erwartung und Erfüllung: Entwürfde zum Mosaikfries im Palais Stoclet [Expectation and fulfillment: cartoons for the mosaic frieze at Stoclet House] (in German and English). Ostfildern: Hatje/Cantz. ISBN 978-3-7757-3305-2.
- Weidinger, Alfred (2011). "100 Years of Palais Stoclet - New Information on the Genesis of Gustav Klimt´s Construction and Interior Decoration". In Husslein-Arco, Agnes. Gustav Klimt and Josef Hoffmann. Pioneers of Modernism. Munich: Prestel. pp. 204–251. ISBN 978-3-7913-5149-0.
- Media related to Palais Stoclet at Wikimedia Commons
- "Catalog of images of the Stoclet Palace". Picture Library. Royal Institute for the Study and Conservation of Belgium's Artistic Heritage. Retrieved 2009-01-10.
- Exhibition of Klimt's work for Stoclet House at MAK.at
- (English) Article and large selection of pictures of the Stoclet Palace