Stompin' at the Savoy
History and Composition
Though the song is credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Webb's alto saxophonist. Both Webb and Goodman recorded it as an instrumental, Goodman's being the bigger hit. Lyrics were added by popular lyricist Andy Razaf.
Goodman's 1936 version is written in 32 bar song form with 4 eight bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab9b chord sequence. The tempo is medium fast.
The Webb's orchestra's recording rose to number ten on the charts in 1934. Two years later the piece charted by Ozzie Nelson and by Benny Goodman. Since becoming a jazz "standard", the song has been recorded hundreds of times, including by Judy Garland (1936), Charlie Christian (1941), Art Tatum (1941), Clifford Brown and Max Roach (1954), Ella Fitzgerald and Louis Armstrong (1956), Jim Hall (1957), Ahmad Jamal (1958), Al Hirt (1961), Sarah Vaughan (1964), and Nikki Yanofsky (with Herbie Hancock and will.i.am) (2007).
- Wilson, Jeremy. "Stompin' at the Savoy". JazzStandards.com. Retrieved 2 December 2011.
- Harrison et al, p. 1.
- Harrison et al, p. 160.
- Harrison et al, p. 282.
- Al Hirt, The Greatest Horn in the World Retrieved April 6, 2013.
- Harrison, Max; Fox, Charles; Thacker, Eric; Nicholson, Stuart (2000). The Essential Jazz Records: Modernism to Postmodernism. Continuum International Publishing Group. ISBN 978-0-7201-1822-3.
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