String Quartet No. 1 (Beethoven)
The quartet consists of four movements:
According to Beethoven's friend Karl Amenda, the second movement was inspired by the tomb scene from William Shakespeare's Romeo and Juliet. The quartet was heavily revised between the version that Amenda first received and the one that was sent to the publisher a year later, including changing the second movement's marking from Adagio molto to the more specific Adagio affetuouso ed appassionato. Of these modifications, Beethoven wrote: "Be sure not to hand on to anybody your quartet, in which I have made some drastic alterations. For only now have I learnt to write quartets; and this you will notice, I fancy, when you receive them."
The theme of the finale is almost directly borrowed from the finale of his earlier string trio, Op. 9, No. 3 in C minor; the themes are very closely related.
The "Amenda" manuscript, as it is sometimes known, was edited by Paul Mies and published by Bärenreiter around 1965, and by Henle-Verlag of Munich (perhaps also edited by Mies) in 1962. This early version of one of Beethoven's best-known works has been recorded perhaps less than a half-dozen times as of July 2014.
- Winter & Martin, p. 151
- See OCLC 803615623, OCLC 59009141.
- The first movement by the Juilliard String Quartet in 2008- OCLC 319178284 but before that, the premiere was given by the Pro Arte Quartet on a Laurel Records cassette/long-playing record in 1981 - OCLC 612773288 (with notes by musicologist Lewis Lockwood.) ("Original version" in the title of that record should perhaps be recast as earliest surviving version.) There is another complete recording - listed as Hess 32 - here: OCLC 156914724, played by the Quartetto Paolo Borciani, released 2007; also by the Hagen Quartet on a Deutsche Grammophon set (OCLC 38129193) ;
- Robert Winter; Robert Martin, eds. (1994). The Beethoven Quartet Companion. University of California Press. ISBN 0-520-08211-7. (Especially the essay by Michael Steinberg, pp. 150–155.)
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