Super Mario Bros. (film)
|Super Mario Bros.|
Theatrical release poster
|Directed by||Rocky Morton
|Produced by||Jake Eberts
|Written by||Parker Bennett
|Based on||Super Mario Bros.
by Shigeru Miyamoto
|Narrated by||Dan Castellaneta|
|Music by||Alan Silvestri|
|Edited by||Mark Goldblatt|
|Distributed by||Buena Vista Pictures (US) Entertainment Film Distributors (UK)|
Super Mario Bros. is a 1993 American science fiction fantasy adventure comedy film directed by Rocky Morton and Annabel Jankel. A loose live-action adaptation of the 1985 Nintendo video game of the same name, the film stars Bob Hoskins as Mario, John Leguizamo as Luigi, Dennis Hopper as King Koopa, and Samantha Mathis as Princess Daisy. It tells the story of the Mario brothers, as they find a parallel universe, where King Koopa is a dictator. They have to rescue Princess Daisy and stop Koopa from attempting to merge the dimensions so that he could become a dictator of both worlds.
Super Mario Bros. was released on May 28, 1993 in the United States. Though a critical and financial failure, the film was nominated for two Saturn Awards (one for Best Costume, the other for Best Make-up).
Mario and Luigi are two Italian American plumbers living in Brooklyn, New York. They are driven out of business by a mafia Scapelli Construction Company, led by Anthony Scapelli. Later, Luigi falls in love with an orphaned NYU student, Daisy, who is digging under the Brooklyn Bridge for dinosaur bones. After a date, Daisy takes Luigi back to the bridge only to witness one of Scapelli's men sabotaging it by leaving the water pipes open. Since Luigi doesn't have any tools, he cannot fix the flooding. They rush back to his apartment where they inform Mario about the incident. The trio returned to the flooding where the Mario Bros. manage to fix it but are knocked unconscious by Iggy and Spike, who proceed to capture Daisy.
Moments later, Mario and Luigi awaken and head deeper into the caves following Daisy's screams and discover an interdimensional portal allowing the Mario Bros. to follow Daisy. They find themselves in a strange dystopian parallel world where a humanoid race evolved from dinosaurs rather than the mammalian ancestry of true humans in a Manhattan-like city. Sixty-five million years ago, a meteorite crashed into the Earth, causing the universe to split into two parallel dimensions. All the surviving dinosaurs of the time crossed over into this new realm. It turns out that Iggy and Spike are henchmen (and cousins) of the other world's germophobic and obsessive dictator, King Koopa, who descended from the most revered dinosaur, the Tyrannosaurus Rex. The Mario Bros. realize they didn't bring Daisy's rock, a meteorite fragment to which Koopa is trying to get in order to merge his world with the real world that was separated from his world during the strike. It is then revealed that Daisy is the long-lost Princess of the other dimension. When Koopa overthrew Daisy's father (and de-evolved him into fungus), her mother took her to Brooklyn using the inter-dimensional portal. The portal was then destroyed, killing Daisy's mother in the process, but Scapelli blasted the cave, reopening the portal. Upon hearing this, Koopa sent Spike and Iggy to find both Daisy and the rock to merge the dimensions and make him dictator of both worlds. However, after being subjected to one of Koopa's experiments, Spike and Iggy decide to turn against Koopa and side with the Mario Bros. Koopa believes only Daisy can merge the worlds, but the Mario Bros. were in a different place and time. Eventually, the Mario Bros. rescue Daisy, with the help of Toad, a good-natured guitarist who was punished by Koopa for performing music that protests his reign. Toad is then condemned to turn into a Goomba.
Eventually, the two worlds merge and Koopa turns Scapelli into a chimpanzee before going after Mario, but Luigi and Daisy bring back the rock and the worlds separate again. In Dino-Manhattan, Mario confronts Koopa and eventually defeats him when he and Luigi blast him with a Bob-omb and throw him into a chain suspended vat, turning him into a ferocious, semi-humanoid Tyrannosaurus. Koopa jumps out of the vat, which is not far away from the Mario Bros., to deliver his final blow, but the Mario Bros. manage to destroy him by turning him further into an actual T-Rex, which is too intense for him to live through and instead turns him into primordial slime. Following Koopa's defeat, Daisy's father turns back to normal and reclaims control over the kingdom stating "I love those plumbers". The citizens immediately destroy anything under Koopa's influence. Luigi admits his love for Daisy and wants her to come to Brooklyn with him, but Daisy can't come until the damage caused by Koopa is repaired and thus, she wants to spend more time with her father. Heartbroken, Luigi kisses Daisy goodbye as he and Mario return home to Brooklyn, with Daisy watching them leave. Three weeks later, the Mario Bros. are getting ready for dinner when their story comes on the news and the anchorman says they should be called the "Super Mario Bros." The movie ends when the Mario Bros. answer a knock at the door; it was Daisy, carrying a flamethrower, asking for their help saying, "you're never gonna believe this!".
In a post-credits scene, two Japanese business executives talk about making a video game based on Iggy and Spike, who decide on the title: "The Super Koopa Cousins"; satirical to the Super Mario Bros. video game franchise.
- Bob Hoskins as Mario
- John Leguizamo as Luigi
- Dennis Hopper as King Koopa
- Samantha Mathis as Princess Daisy
- Fisher Stevens as Iggy
- Richard Edson as Spike
- Fiona Shaw as Lena
- Mojo Nixon as Toad
- Dana Kaminski as Daniella
- Francesca Roberts as Big Bertha
- Gianni Russo as Anthony Scapelli
- Don Lake as Sgt. Simon
- Lance Henriksen as The King
- Frank Welker as Yoshi, Goombas, and other creature voices
- Dan Castellaneta as Narrator
The suggestion for a film based on the Super Mario Brothers was first put forward by Roland Joffé during a script meeting at his production company Lightmotive. Joffé met the Nintendo of America president and Hiroshi Yamauchi's son-in law Minoru Arakawa. He presented Arakawa with an initial draft of the script. One month after their meeting, Joffé went to Nintendo's corporate headquarters in Kyoto spending 10 days waiting to meet Hiroshi Yamauchi. After some time, Joffé received a phone call summoning him to Yamauchi's office. He pitched to Yamauchi the storyline which led to Nintendo receiving interest in the project. When Joffé was questioned about Nintendo having to sell the rights to a small studio company instead of a major company, he believed that Nintendo would have more control over the film. Joffé left with a $2 million contract giving the temporary control of the character of Mario over to Joffé.
Four drafts of the script were made. The first draft written by Jim Jennewein and Tom S. Parker focused on a comedic take on fairy tale themes on a story focusing on Mario and Luigi attempting to rescue a princess named Hildy from Koopa.
Joffé visited Harold Ramis to offer him the job of being the director of the film. Ramis took up the meeting as he was a fan of the Super Mario Bros. game but declined the offer. Rocky Morton and Annabel Jankel were hired to direct based on their work on the television series Max Headroom.
After securing the rights to the film, Lightmotive went to work finding the casting for the characters. Danny DeVito was approached to play Mario and direct the film but wanted to read the script before signing. Arnold Schwarzenegger and Michael Keaton were both approached to play the part of King Koopa. All three actors decided not to accept the offers. Lightmotive managed to secure Tom Hanks for the role of Mario with some film executives believing that Hanks was worth more than the studio could afford. Hanks was later dismissed and Bob Hoskins was hired, who was believed to be a more profitable actor.
As of May 2013, review aggregator Rotten Tomatoes reports that 16% of critics gave positive reviews based on 32 reviews. The site's consensus states: "Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty." Gene Siskel of the Chicago Tribune and Roger Ebert of the Chicago Sun-Times gave the film two thumbs down on the television program Siskel & Ebert At the Movies, and the film was on their list for one of the worst films of 1993. Michael Wilmington of the Los Angeles Times disapproved of the film's script. However, Hal Hinson of the Washington Post gave a positive review, praising the film for its spirit and later went on to say, "In short, it's a blast." Janet Maslin of The New York Times gave another positive review, but said that the film "doesn't have the jaunty hop-and-zap spirit of the Nintendo video game from which it takes – ahem – its inspiration."
In the Nintendo Power 20th anniversary retrospective issue, as they chronicled the games and other related releases over the magazine's life span, the film's release was listed. The issue stated that despite the film's poor quality, the fact that it was made shows how much the game series had impacted popular culture.
Bob Hoskins spoke critically of Super Mario Bros., saying that it was "the worst thing I ever did" and that "the whole experience was a nightmare" in a 2007 interview with The Guardian. In another interview with The Guardian, Hoskins answered Super Mario Bros. to three of the questions he was asked, "What is the worst job you've done," "What has been your biggest disappointment," and "If you could edit your past, what would you change?"
John Leguizamo also admitted in 2007 that he too disliked his role as Luigi in the film, and expressed dissatisfaction with the film's direction. He said in his biography that perhaps the reason why the film turned out the way it did was that the studio wanted a more family friendly film while the directors wanted it to be more adult-like. He also said that both he and Bob Hoskins did not enjoy working on the film, frequently getting drunk to go through it, knowing that it would turn out bad. Despite this, Leguizamo has since stated that he has developed a somewhat more positive outlook of the film.
Dennis Hopper was also disparaging of the production, "It was a nightmare, very honestly, that movie. It was a husband and wife directing team who were both control freaks and wouldn't talk before they made decisions. Anyway, I was supposed to go down there for five weeks, and I was there for 17. It was so over budget."
Shigeru Miyamoto, Mario's creator, stated, "[In] the end, it was a very fun project that they put a lot of effort into," but also said, "The one thing that I still have some regrets about is that the movie may have tried to get a little too close to what the Mario Bros. video games were. And in that sense, it became a movie that was about a video game, rather than being an entertaining movie in and of itself." Nintendo since has not produced any more live-action theatrical films based from their video game franchises. Since then, a Metroid film was put into development but plans eventually fell through.
The Rifftrax crew, consisting of Michael J. Nelson, Bill Corbett and Kevin Murphy, the former stars of Mystery Science Theater 3000, added Super Mario Bros. to their library of video-on-demand titles on their website Rifftrax.com on March 21, 2014.
|Super Mario Brothers|
|Soundtrack album by Various|
|Released||May 10, 1993|
|Genre||Pop, Rock, Metal, Funk, Hip hop, Soul, Jazz rap|
The soundtrack, released on Capitol Records, featured two songs from Roxette: "Almost Unreal" which was released as a single, and "2 Cinnamon Street" which is an alternate version of the song "Cinnamon Street" from Roxette's album "Tourism". The music video for "Almost Unreal" was inspired by the film, featuring scenes from the film and a de-evolution theme. "Almost Unreal" was originally written for the film Hocus Pocus but was never used and ended up attached to the Mario film instead. The change angered Roxette co-founder Per Gessle. The film's score was composed by Alan Silvestri. It has not been officially released, though bootleg copies do exist.
George Clinton (who covered the Was (Not Was) song - "Walk The Dinosaur") released a single in 1993 that contained various other versions of the same song, including a Club Remix, a "Funky Goomba" Remix, a "Goomba Dub Mix" and an Instrumental version.
- "Almost Unreal" - Roxette
- "Love Is the Drug" - Divinyls (cover of a song by Roxy Music)
- "Walk the Dinosaur" - George Clinton & The Goombas (cover of a song by Was (Not Was))
- "I Would Stop the World" - Charles and Eddie
- "I Want You" - Marky Mark and the Funky Bunch
- "Where Are You Going?" - Extreme
- "Speed of Light" - Joe Satriani
- "Breakpoint" - Megadeth
- "Tie Your Mother Down" - Queen
- "Cantaloop (Flip Fantasia)" - Us3
- "Don't Slip Away" - Tracie Spencer
- "2 Cinnamon Street" - Roxette
Note: "2 Cinnamon Street" (sung by Marie Fredriksson) is an alternative version of "Cinnamon Street" sung by Per Gessle on Roxette's 1992 album "Tourism".
- "Super Mario Bros.". Box Office Mojo. Internet Movie Database. Retrieved August 13, 2010.
- "Super Mario Bros.". Allrovi. Rovi Corporation. Retrieved September 19, 2011.
- "Why the Super Mario Movie Sucked". Wired. 2012-04-23.
- Reeves, Ben (2011-10-10). "Mario's Film Folly: The True Story Behind Hollywood's Biggest Gaming Blunder". Gameinformer.
- "Super Mario Bros: Scripts". Super Mario Bros. The Movie Archive. Retrieved August 10, 2012.
- Kohler, Chris (2009-06-17). "Harold Ramis Glad He Turned Down Mario Movie". Wired.
- "Mario: The Movie". The Times-News. January 11, 1991. p. 13.
- Vejvoda, Jim (October 23, 2012). "Schwarzenegger and Hanks Were Almost in Super Mario Bros.". IGN. Retrieved November 18, 2012.
- "Super Mario Bros.". Rotten Tomatoes. Flixster. Retrieved July 13, 2011.
- "Siskel & Ebert Review "Super Mario Bros."". YouTube. 2008-08-18. Retrieved 2011-12-16.
- "Siskel & Ebert At the Movies 1993-Worst of 93 pt 1". YouTube. 2009-02-10. Retrieved 2011-12-16.
- Wilmington, Michael (May 29, 1993). "Movie Review: No Offense Nintendo: Super Mario Bros. Jump to Big Screen in Feeble Extravaganza". Los Angeles Times. Retrieved June 24, 2011.
- Hinson, Hal (May 29, 1993). "Super Mario Bros.". Washington Post. Retrieved June 24, 2011.
- Maslin, Janet (May 29, 1993). "Movie Review - Super Mario Bros.". The New York Times. Retrieved June 24, 2011.
- "20 Years of Nintendo Power"
- Hattenstone, Simon (August 3, 2007). "The Method? Living it out? Cobblers!". The Guardian (London). Retrieved May 24, 2010.
- Greenstreet, Rosanna (June 18, 2011). "Q&A: Bob Hoskins". The Guardian (London). Retrieved June 24, 2011.
- "Random Roles: Dennis Hopper". AV Club. December 12, 2008. Retrieved August 2, 2010.
- "MIYAMOTO: THE INTERVIEW". Edge Magazine. November 27, 2007. Retrieved August 9, 2010.
- "Whatever Happened to the Metroid Movie?". IGN. December 28, 2012. Retrieved October 16, 2013.
- "Rifftrax treatment of "Super Mario Bros." now available via Video-On-Demand at Rifftrax.com!". Legend FIlms & Rifftrax. Retrieved March 21, 2014.
- Greenberg, Adam. "Super Mario Brothers - Original Soundtrack". Allmusic. Retrieved 2013-03-22.
- Browne, David (1993-06-18). "Review of the Soundtracks for Sliver, Poetic Justice, What's Love Got To Do With It, Posse, Last Action Hero, Made in America and Super Mario Bros.". Entertainment Weekly. Retrieved 2013-03-22.
- liner notes to Roxette album, Don't Bore Us, Get to the Chorus!
- Information taken from: www.roxservice.com, section: Boogleg.
|Wikiquote has quotations related to: Super Mario Bros. (film)|
- Super Mario Bros. at the Internet Movie Database
- Super Mario Bros. at AllMovie
- Super Mario Bros. at Rotten Tomatoes
- Super Mario Bros. The Movie Archive