Supercar (TV series)

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Supercar
Alt=series title over a cloudy sky
Genre Action
Adventure
Children's
Science fiction
Format Supermarionation puppetry
Created by Gerry Anderson
Written by Gerry Anderson
Sylvia Anderson
Reg Hill
Hugh Woodhouse
Martin Woodhouse
Directed by David Elliott
Bill Harris
Alan Pattillo
Desmond Saunders
Voices of Sylvia Anderson
Graydon Gould
David Graham
George Murcell
Cyril Shaps
Composer(s) Barry Gray
Country of origin United Kingdom
Original language(s) English
No. of series 2
No. of episodes 39 (List of episodes)
Production
Producer(s) Gerry Anderson
Editor(s) Gordon Davie
Cinematography John Read
Camera setup Single
Running time 25 mins approx. per episode
(excluding advertisements)
Production company(s) AP Films
Distributor ITC Entertainment
Broadcast
Original channel ATV
Picture format Black and white
Film (35 mm)
Audio format Mono
Original run 28 January 1961 (1961-01-28) – 29 April 1962 (1962-04-29)
Chronology
Preceded by Four Feather Falls
Followed by Fireball XL5

Supercar was a children's TV show produced by Gerry Anderson and Arthur Provis's AP Films for ATV and ITC Entertainment. 39 episodes were produced between 1961 and 1962,[1] and it was Anderson's first half-hour series. In the UK it was seen on ITV and in the US in syndication (the first Anderson series to be shown overseas). The format uses puppets in a technique called supermarionation, a name that was first seen in the closing titles of the last 13 episodes.

The plot of the show consisted of Supercar, a vertical takeoff and landing craft invented by Rudolph Popkiss and Horatio Beaker, and piloted by Mike Mercury. On land it rode on a cushion of air rather than wheels. Jets in the rear allowed it to fly like a jet and retractable wings were incorporated in the back of the car. Retrorockets on the side of the car slowed the vehicle. The car used "Clear-Vu", which included an inside television monitor allowing the occupant to see through fog and smoke. The vehicle was housed in a laboratory and living facility at Black Rock, Nevada, U.S.A. In the show's first episode, "Rescue", the Supercar crew's first mission is to save the passengers of a downed private plane. Two of the rescued, young Jimmy Gibson and his pet monkey, Mitch, are invited to live at the facility and share in the adventures.

The series inaugurated what would become an Anderson trademark, the launch sequence. Every one of his series up until Space: 1999 would include these – in Supercar's case, the charging and firing of port and starboard engines, the activation of an interlock, the opening of (overhead) hangar doors, and finally the vertical take-off.

Episodes[edit]

Series history and production[edit]

After Granada Television failed to renew Four Feather Falls, Anderson approached Lew Grade of ATV. Grade asked Anderson to reduce the budget by half. After working through the night, Anderson returned the next morning, with the budget reduced only by a third. Grade commissioned the series immediately.

The music for the series was composed and conducted by Barry Gray. The opening and closing theme song vocalist for the first season is Mike Sammes, for the second season Sammes's vocal group The Mike Sammes Singers re-recorded the theme.

There were two working models of Supercar. The larger hero model was made of light-weight wood and Plexiglass (Perspex) and measured about five feet in length. The smaller model, used in distance shots, was about nine inches in length. The vehicle was designed by art director Reg Hill. Fans such as Austin Tate have speculated Hill was inspired by the 1954 Ford FX-Atmos concept car.[2]

As photography on the series was getting underway, creator Gerry Anderson wed production assistant and voice actress Sylvia Thamm. After a brief mid-day ceremony the couple returned to the studio to help complete the opening title sequence.

Many of the first 26 scripts for Supercar were written by brothers Hugh and Martin Woodhouse, at the rate of one complete "shooting (camera-ready) script" per week, to fit Anderson's and Grade's cost and production schedule.

Anderson always claimed that he invented a futuristic vehicle as an excuse to reduce the amount of walking the puppets had to do, which could never be made to look realistic. This was taken to its conclusion in Captain Scarlet, in which the puppets are almost never seen walking.

The complete series is available on DVD in the United Kingdom, Australia and North America.

Casting and characters[edit]

Mike Mercury flying Supercar in the opening title sequence.

The cast for Supercar was put together weeks before shooting was to commence.[3] The lines were recorded in the rushes theatre, which was transformed in to a recording studio. Lines were recorded on a Sunday (once every month), because the studio was on a trading estate, meaning Sundays were the quietest days of the week. The recording sessions typically took place between 9:30 and 5:30, during which time the cast and sound engineers would try to get through at least three scripts.[3][4]

Canadian actor Graydon Gould (The Forest Rangers) voiced Mike Mercury, despite never auditioning for the part, but was offered it whilst doing a stage production that was shown on television. In an interview Gould recalls that, without owning a car, getting to Slough was difficult because “Sunday transport is about half of what it normally is, ”but considering he had a wife, a two-year old child and a three bedroom apartment, he was grateful for the money. Sylvia Anderson directed the sessions, and helped Gould with his American accent; he recalls “she would point out when my Canadian accent was slipping through”.[5]

David Graham voiced three characters for the series, Doctor Beaker, Zarin, and Mitch the Monkey and voiced the recurring character Bill Gibson. He had previously worked on the series Four Feather Falls[3][6] where he had shown his ability to provide a variety of different voices. Graham had based his voice for Dr. Beaker on veteran actor Felix Aylmer, while he also spent a day at London Zoo watching monkeys at the Monkey House, trying get a good interpretation to how Mitch should sound.[3][4]

George Murcell voiced Professor Popkiss and Masterspy for the first season. He had first work for AP Films when playing the character Diamond in the low budget B-Movie Crossroads to Crime alongside David Graham.[3][4] Graham believes that “because of his voice quality” Gerry thought he would make a good Masterspy,[4] while Gould remembers Murcell doing “all the European voices”.[5] Murcell left the series after 24 episodes, which explains why he and Popkiss do not appear in the last two episodes of the first series.[7]

Sylvia Anderson, then Sylvia Thamm pre her marriage to Anderson was credited as "voice direction", voiced Jimmy Gibson and all female characters in the series, however she was not credited for the first series.[8] Originally Sylvia was not to voice Jimmy, but she was given the opportunity when Gerry was not happy with the original voice of Jimmy that had already been recorded.[3][4] This marked Sylvia’s first involvement in voice acting.[4]

Cyril Shaps was brought in to voice Professor Popkiss and Masterspy for the second season.[4] David Graham was a friend of Cyril and suggested him for the part when George left.[4] At the time Cyril was performing in the West End play The Tenth Man, which David, Gerry, and Sylvia went to see.[4][9]

Comic book[edit]

Supercar was the first Gerry Anderson series to be adapted as a comic book in America, with the Gold Key company releasing four issues between November 1962 and August 1963.[1]

References[edit]

  1. ^ The Complete Gerry Anderson Episode Guide, A. Pirani, Titan Books Ltd, 1989
  2. ^ Supercar: Origin
  3. ^ a b c d e f La Rivière 57.
  4. ^ a b c d e f g h i Full Boost Vertical – The Supercar Story (DVD Documetry). Swinging Star Productions. 2004. 
  5. ^ a b Clark, Mike (19 July 2003). "Graydon Gould "Mike Mercury" Part One" (Doc). 
  6. ^ Marriott 60
  7. ^ Bentley, 47.
  8. ^ Bentley, 38.
  9. ^ La Rivière 65.
Bibliography
  • La Rivière, Stephen (2009). Filmed in Supermarionation: a History of the Future. Neshannock, Pennsylvania: Hermes Press. p. 185. ISBN 1-932563-23-7. 
  • Bentley, Chris (2003). The Complete Gerry Anderson: the Authorised Episode Guide. London: Reynolds and Hearn. pp. 38, 47. ISBN 978-1-903111-97-0. 
  • Marriott, John (1992). Thunderbirds Are Go!. London: Boxtree. p. 60. ISBN 1-85283-164-2. 

External links[edit]