Superman: Birthright

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Superman: Birthright
Cover from Superman: Birthright #1
Art by Leinil Francis Yu.
Publication information
Publisher DC Comics
Schedule Monthly
Format Limited series
Genre
Publication date September 2003 – September 2004
Number of issues 12
Main character(s) Superman (Clark Kent)
Creative team
Writer(s) Mark Waid
Artist(s) Leinil Francis Yu
Collected editions
(hardcover) ISBN 1-4012-0251-9

Superman: Birthright is a twelve-issue comic book limited series published by DC Comics in 2003 and 2004, written by Mark Waid and drawn by Leinil Francis Yu.[1]

Originally, this series was meant to be a non-canon version of Superman, showcasing his origin and updating him for the 21st century. Soon after, it was decided to make the series canon, and thus it replaced John Byrne's The Man of Steel series as Superman's canonical origin story.[2] This editorial position lasted until the 2005–2006 Infinite Crisis crossover event, and the release of the new origin story; Superman: Secret Origin in 2009.

Plot[edit]

The story begins with a retelling of the destruction of planet Krypton. Jor-El laments the fact that his world accomplished "miracles no one will remember" while he is busy preparing infant Kal-El's voyage. Kal-El's shuttle pod fires into space moments before the planet's destruction. Jor-El and his wife Lara regret that they will never know if Kal-El survives the journey.

Time winds forward to present day West Africa, where an ethnic conflict between the fictional Ghuri and Turaaba clans is claiming lives (this conflict is very reminiscent of the Hutu and Tutsi wars in Rwanda). Clark Kent, a freelance reporter in his early twenties, arrives to cover the conflict, and to meet with the Ghuri political leader and human rights activist, Kobe Asuru.

They first meet as Kent is forced to protect Asuru from an assassination attempt. Kent deflects a hail of bullets away from Asuru, but in the chaos and confusion of the firefight, is able to deflect suspicion of his superhuman powers. Over the course of several days, Clark and Asuru establish a rapport and become friends. Asuru emphasizes the Ghuri tradition of honoring ancestors through wearing symbolic clothing and working for human rights. While Clark and Kobe establish a quick connection, Kobe Asuru's sister Abena is suspicious of Kent's motives and at one point accuses him of cultural imperialism and acting in a condescending "white savior" manner to the Ghuri.

Alone in the African savannahs, Clark tries out his developing superpowers, flying ahead of birds and animals and playfully wrestling a lion.

Later, Clark interviews the Turaaba politician Rep. Kebile who dislikes Kobe and oppresses Ghuri rights. While protecting Abena Asuru from a thrown bomb, Clark hears a commotion and flies back to the rally (carrying Abena Asuru on his back) where Kobe has already been fatally stabbed. Enraged, Clark grabs the fleeing assassin and throws him into a wall, demanding to know who hired him. The terrified killer raises his arm—pointing directly at Kebile, who is incidentally surrounded by media. Kebile is besieged with questions and is later forced to resign. A final Africa scene reveals Abena Asuru, who has assumed her party's leadership role after her brother's death, now knows Clark is a super-powerful being, but she promises to remain silent.

Clark returns to Smallville, determined to learn more about his alien heritage. He tells his mother Martha that he wants to unearth his spaceship. He and Martha use the data tablet that came with Clark from Krypton to examine holographic records of Kryptonian history. Inspired by Kobe Asuru's stories of honoring tradition, Clark realizes the S insignia had great significance on Krypton and seemed to symbolize the Kryptonians' hope for a better tomorrow. He refuses to wear a mask while taking flight. Martha's solution is that only Clark's human half requires a disguise. She dresses him in professional, nerdy attire that stands apart from his usual look and gives him prescription glasses to wear. She promises they will refract light so no one will notice his startling blue eyes (which would otherwise give him away). Clark learns to slouch and act nervous and clumsy, to distance his civilian identity from tall, self-assertive Superman.

He travels to Metropolis to apply for a position at the Daily Planet. When he arrives, he finds robotic anti-terrorist helicopters criss-crossing the sky. Upon reaching the Planet building, he sees the publisher, Mr. Galloway, berating Jimmy Olsen for fetching him the wrong yogurt. Lois Lane appears and yells at Galloway for humiliating Jimmy. When Galloway storms off, Clark introduces himself to Lois and is immediately smitten with her. He finally meets Perry White for a one-on-one interview, but it does not go well. Moments later, a miniature robo-chopper hovering outside goes berserk and opens fire on the Daily Planet building. When no one is looking, Clark ducks out to change into his costume and flies off to repel the helicopters. When he rips a radio transmitter off one of the wrecked units, he uses his powers to trace the signal to the incomplete skyscraper in the distance: LexCorp.

Superman confronts Lex Luthor at LexCorp Tower.

Clark bursts into Lex Luthor's office, just as Luthor is speaking to someone via radio. He tells Luthor he saw the signals and knows he sabotaged the Army choppers. Luthor is amused that he thinks anyone could possibly convict him on such evidence and demands to know who designed the technology that allows him to fly. At that moment, LexCorp's armored security barges in, with Lois and Jimmy right behind them. When Lois asks what Lex's connection is to Metropolis' new hero, Lex pretends to endorse the caped figure, saying, "He is a friend to Lex Luthor". The next day, the Daily Planet webpage dubs the hero "SUPERMAN". Luthor is ready with a cover story: a disgruntled Army employee was behind the attacks. LexCorp has stepped in to produce the robotic helicopters now that the Army's model has been recalled. But the LexCorp connection is an unprecedented black mark on Luthor's sterling reputation; Perry decides that Clark has earned his shot.

Lois and Clark visit Luthor at the massive towers that form his corporate headquarters. Luthor greets them both, but when Clark extends his hand as if they are old acquaintances, Luthor coldly dismisses it, claiming to have never met him. He presses a button on the console in his desk and the room transforms into a holographic theater. Luthor asserts that he is first and foremost an astrobiologist, and describes many lucrative LexCorp inventions that were designed solely on his theories of possible space life. He then pulls up images of Superman and makes an official statement; Superman is not of this Earth. Clark reports Luthor's findings to Perry, who orders he write it up. Clark protests, knowing that the revelation that Superman is an alien will drive people away and points out that they have no real proof. Perry insists, saying Luthor is the leading authority on this matter, which is proof enough. When Superman now goes out to rescue those in need, people are too fearful to even go near him.

While sulking in an empty restaurant, Clark hears a commotion as a suspension bridge across town inexplicably blows up. Superman speeds off to reconnect the bridge cables, but another explosion rocks the bridge. In his office, Lex Luthor watches the disaster and triggers bombs along the support column, making it appear that Superman is the one tearing it down. As the finishing touch, a mechanical drone in the water aims kryptonite radiation at Superman, causing him to collapse.

Martha and Jonathan, with revised continuity. Both Jonathan and Martha closely resemble their Smallville counterparts, Annette O'Toole and John Schneider.

Realizing he has made an enemy in Lex Luthor, Clark looks back on his childhood in Smallville when a young Lex arrived in town. Lex was a quiet genius, but his intelligence alienated him from everyone around him. Lex's parents were unloving and ruthlessly trained him to become the next Einstein. Clark muses that "they were underestimating him". Despite his contemptuous exterior, Lex warmed to Clark when he discovered they shared a common interest: astronomy. Unfortunately, Lex was so "fundamentally disturbed" that he started spending increasing amounts of time locked in his makeshift laboratory next to the Luthor mansion. During one of these periods of seclusion, Clark visited Lex, who allowed Clark inside to unveil his new invention, a sub-space communicator. Lex hoped that with a piece of meteor rock (Kryptonite), he would finally be able to open a wormhole into visions from an alien civilization. While aware of the radiation emanating from the rock, Lex assured Clark that it was perfectly harmless. Clark, stricken with sudden pain, staggered back looking ghastly; he was experiencing his first bout of Kryptonite poisoning. Lex misread Clark's expression and believed he had become afraid of him like everyone else. Dismissing him from the lab and commencing with his experiment, he managed to open a portal into events and times of the planet Krypton for a moment, but his generator overloaded and exploded, engulfing the house in flames. Lex, his hair burned off, staggered through the flames to uncover the piece of Kryptonite that was integral to his machine. He neglected his father, who was buried beneath rubble and burning alive. In the present day, Lex begins piecing together instruments to recreate his failed experiment from long ago in the bowels of the research facility, hoping to retrieve the alien visions he saw before. As expected, the Kryptonite creates a wormhole and Luthor is greeted with a wealth of visions from the history of Krypton.

The next day, the newspapers blare warnings of an upcoming alien invasion, showing photos of alien warships bearing Superman's insignia. At the Daily Planet, Clark hears that the footage has been analyzed by experts and has been confirmed to be un-doctored and 100% legitimate. Having seen footage from the data tablet that was in his spacecraft, Clark knows Luthor must have used similar methods to uncover these images. Soon afterward, Metropolis is besieged by giant, monstrous-looking warships that bear Superman's logo on their face, including a giant mechanical spider. They begin killing indiscriminately. Troops empty out of the vehicles in Kryptonian garb, all bearing red capes and S-shields with their faces covered. Just as Superman is about to intervene, Luthor uses the spires of his skyscraper to project a city wide "web" of Kryptonite radiation from which Superman cannot hide. When the city police start firing on the vulnerable Superman, he assumes his Clark guise and meets up with Lois, who comments on how sick he looks. Upon returning to the newsroom, which is in chaos, Perry yells at Clark for coming to the office without a story on this crisis. Stripped of his powers and faced with imminent dismissal, Clark leaves a notice of resignation on his desk. When Lois catches him leaving, she calls him a "spineless worm" and then storms off.

The "alien commander", a man dressed in armor, calls himself "Van-Gar" and declares war on Earth. Clark, his confidence restored by Lois' sermon, dons his costume and charges Van-Gar's troops before they can open fire on a crowd of innocents. When Superman labels him and his men "actors", Van-Gar beats downs the weakened hero and whispers to him they're "not in it for the money". They believe Luthor is right and that Superman will turn on those weaker than him. Meanwhile, Lois sneaks back into the LexCorp building, which Luthor ordered abandoned. She sees Luthor giving orders to his men over his tele-screen and grabs his priceless shard of the Kryptonite with the "S" engraving out of its energy core, disabling the entire machine. However she fails to notice Luthor, who emerges from the shadows behind her. With the Kryptonite removed, most of the robots attacking Metropolis are revealed as holograms and vanish, along with the Kryptonite web over the city.

Back at LexCorp, Luthor grabs the Kryptonite crystal from Lois' hands and demands she tell him how much she knows. When Lois tells him everyone will know about his hoax, Lex drags Lois to a wall, where he uses a remote control to open out to a balcony. He reveals that he placed a Kryptonite bomb inside the suit of every "Kryptonian" soldier and that they are primed to go off and take out Superman in the blast. However, his men don't know about the bombs, since Luthor "sort of left that part out of the hiring brief." He then shoves Lois off the skyscraper balcony. Superman is still down below and grappling with Van-Gar, whose armor suddenly starts glowing green. Superman soars up with Van-Gar in his grip, ripping the bomb off moments before it explodes. In the instant before Lois hits the ground, Superman rushes up and catches her just in time.

Superman returns to LexCorp, where Luthor is feverishly trying to reconnect with the static images to Krypton, this time to establish direct contact. Luthor begins requesting to be sent weapons before the machine overloads in his face, embedding several Kryptonite pellets in his face. Visions of the imminent destruction of Krypton swirl on the view screen; back on Krypton, many years in the past, one of the Kryptonians points to the sparring adversaries and says he can see them on his viewing screen, and he wonders if they are real. A desperate Luthor screams out "No! I am real!... We can save each other!" Jor-El and Lara appear seconds after they have launched baby Kal-El and say goodbye to one another. An awestruck Superman realizes that is his name: Kal-El. Luthor attacks Superman from behind, telling him he's doing him a favor, it's agony to be alone in the world. Superman tells Luthor he wasn’t always alone, he made his choice, and punches him several times across the jaw. A bloodied Luthor lies defeated as Superman runs up and calls out something into the void; but the transmission is cut off too soon, and Superman thinks his parents never heard what he was trying to tell them. In the aftermath, Luthor is scarred from the Kryptonite shrapnel that sprayed in his face, and is facing indictment. Clark Kent writes the article that ruins Luthor's reputation, although Luthor has already assembled his lawyers and will probably beat the charges. "Van-Gar" was actually the leader of a group of extremist survivalists. Clark and Lois resolve their differences, with Lois revealing she intercepted Clark's resignation letter, knowing he would not quit. Clark takes the opportunity to try to ask her out and is instantly rebuffed. He jokingly asks if Lois would like him better if he could "leap tall buildings in a single bound". Lois, stuttering, asks Clark if he thinks she has a "lame crush" on Superman, implying that she does.

During the last moments of Krypton, Jor-El and Lara look at a viewing screen with a static image crackling from it. A figure, barely visible and wearing the S-shield on his chest, says, "Mother... Father... I made it!" Realizing that their efforts were successful, Jor-El and Lara kiss as the building collapses around them.

Behind the scenes[edit]

The project was given to Mark Waid with the original request to give readers an origin to redefine Superman for the 21st century, a series that anyone on Earth can pick up and get in on the Superman story. To Waid, this was something he had wanted to do since seeing Superman: The Movie, considering this series as the Mark Waid Superman story because he wanted to have everything he ever loved of the character in it.[3]

By comparison to other origin retellings, Waid wanted some differences. His Superman is not infallible, as Waid argues that it is not Superman but Clark Kent that readers should relate to. Doing this made Waid avoid a "Clark-is-dull" trap as showing a Clark who gets chewed by the boss, whose dry cleaning gets lost, who longs to connect and be accepted, help make the character a touchstone. Another difference was having Africa in the origin which, as Waid has it, helps establish Kal-El/Clark as a citizen of the world, laying important ground and making him a journalist and not a typist.[4]

Changes in continuity[edit]

  • In this series, Clark has the power to see the "aura" that surrounds all living things and fades away at the moment of death, something not shown in the Man of Steel mini-series. Clark can literally "see" when a person or animal dies, an experience that he finds profoundly disturbing. Because of this, Clark refuses to take a life, making him a vegetarian. This was influenced by a passage in Elliot S! Maggin's novel Miracle Monday. This "Soul Vision" created controversy among some segments of fandom, and as of now, its status in continuity has yet to be explored. However, in other comics he informs both Lex Luthor (in Lex Luthor: Man of Steel) and Superboy that he can see their souls.
  • The Superman: Birthright miniseries reinstated several Silver Age elements of Superman, one of which is Kandor. After the mini-series was completed, its place in canon was shown in Superman (vol. 2) #200. Superman was thrown out of time and saw both versions of his origin: the Man of Steel and Birthright limited series. Entering the universe of the Birthright limited series, he experienced temporary amnesia. Afterward, he discovered/remembered the new history:
    • The city had been shrunken and was kept in the Fortress of Solitude.
    • When shrunken in Kandor, Superman again has no more powers in the Red Sun Krypton-like environment.
    • The city is once again from Krypton (but populated by non-Kryptonian aliens as well as native Kryptonians).
    • The citizens also recall Brainiac stealing their city from Krypton, and not the wizard Tolos.
    • It was not explained how Tolos got a hold of the "bottle city" from Brainiac. It had been speculated and later confirmed by Geoff Johns that Brainiac encountered the wizard and he stole one of the bottle cities from Brainiac's collection.[citation needed]
    • Apparently, a hundred years have passed in the city (while the world outside has aged normally). Because of this, Superman (or the ideal of him) had grown to god-like status and is worshiped in Kandor.
  • Among alterations to Superman's power spectrum, Superman's enhanced vision was strengthened, capable of detecting x-rays (hence his ability to see through walls), as well as "seeing" the transmissions and detection radii of satellites, enabling him to fly between and around their fields of vision to travel incognito. He has been able to see radio waves as early as the 1980s, as he traced his enemy the Toyman's radio broadcast in Alan Moore's Superman: Whatever Happened to the Man of Tomorrow? two-part story. This is primarily a case of showing how Superman deals with today's ever advancing communications technology.
  • As in the Silver Age comics, Superman uses his eidetic memory combined with his super-speed to learn and comprehend vast amounts of knowledge.
  • Franklin Stern, a character from post-Crisis continuity, is no longer publisher of the Daily Planet. That position belongs to Mr. Galloway, a rotund, obnoxious man.
  • Lex Luthor is stated several times during the story to be a leading astrobiologist. In pre-Crisis continuity, Luthor was a brilliant scientist with no specialty, then later an industrialist in post-Crisis continuity. Birthright's version of Luthor is a combination of both versions of the character, and though his knowledge as a general scientist is apparently unmatched (he is referred to as the smartest man in the world), astrobiology is his particular forte.
  • Lex Luthor is shown to have spent some time in Smallville, Superman's hometown. He attended high school with Clark Kent for at least a few months, befriending him in the process. This is a departure from the previous continuity, where he was born and raised in Metropolis' notorious Suicide Slum neighborhood. Though the Birthright limited series is no longer canon, it is known that Clark met Lex at some point early on before he became Superman, having been referenced in the 52 maxiseries (which was co-written by Birthright author Mark Waid). Also, Luthor now admits to being from Smallville, while in Birthright, he refused to admit he had ever been to the town and had erased all evidence of his being there.

Removal[edit]

The Infinite Crisis storyline altered Superman's history so that Birthright and John Byrne's The Man of Steel mini-series were removed as Superman's canonical origin. This was reinforced by then-monthly Superman writer Kurt Busiek's statement that the post-Infinite Crisis Superman's origin had yet to be established.[5] The new origin was later revealed in the Superman: Secret Origin mini-series.[6]

In Other Media[edit]

Elements of Superman: Birthright can be found in the 2013 film Man of Steel, starring Henry Cavill as the titular character. Clark Kent's journey to find his place, as well as the discovery that the "S" symbol was a symbol of hope on Krypton, are all inspired by Birthright.

References[edit]

  1. ^ Waid, Mark (w), Yu, Leinil Francis (p), Alanguilan, Gerry (i). Superman: Birthright (2003 - 2004), New York: DC Comics, ISBN 1-4012-0252-7
  2. ^ Singh, Arune (11 March 2004). "Super-Stars (Part 1): Mark Waid's "Birthright", the Official Origin". Comic Book Resources. Retrieved 20 August 2009. 
  3. ^ Superman.nu, Mark Waid and Gail Simone talk Superman: Birthright.
  4. ^ Superman.nu, Mark Waid and Gail Simone talk Superman: Birthright.
  5. ^ Bailey, Neal (April 2007). "Byrne is Dead... Long Live... YOD!". Superman Homepage. 
  6. ^ Superman: Secret Origin (September 2009 - February 2010)

External links[edit]