|Birth name||Marie-Clémentine Valadon|
|Born||23 September 1865
|Died||7 April 1938
|Field||Painter and artist's model|
Suzanne Valadon (23 September 1865 – 7 April 1938) was a French painter born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
The daughter of an unmarried laundress, Suzanne Valadon became a circus acrobat at the age of fifteen, but a year later, a fall from a trapeze ended that career. In the Montmartre quarter of Paris, she pursued her interest in art, first working as a model for artists, observing and learning their techniques, before becoming a noted painter herself. She modelled for Henri de Toulouse-Lautrec (who gave her painting lessons), Pierre-Auguste Renoir, and Pierre-Cécile Puvis de Chavannes, and is known to have had affairs with the latter two. In the early 1890s she befriended Edgar Degas who, impressed with her bold line drawings and fine paintings, purchased her work and encouraged her efforts. She remained one of Degas' closest friends until his death.
Valadon painted still lifes, portraits, flowers, and landscapes that are noted for their strong composition and vibrant colors. She was, however, best known for her candid female nudes, particularly because it was unusual in the nineteenth century for a woman artist to make female nudes her primary subject matter. A perfectionist, she worked on some of her oil paintings for up to 13 years before showing them. She also worked in pastel. Her first exhibitions, held in the early 1890s, consisted mostly of portraits. She regularly showed work at the Galerie Bernheim-Jeune in Paris. Her later works, such as Blue Room (1923), are brighter in color and show a new emphasis on decorative backgrounds and patterned materials.
The most recognizable image of Valadon would be in Renoir's Dance at Bougival from 1883 (see Gallery), the same year that she posed for City Dance. In 1885, Renoir painted her portrait again as Girl Braiding Her Hair. Another of his portraits of her in 1885, Suzanne Valadon, is of her head and shoulders in profile. Valadon frequented the bars and taverns of Paris along with her fellow painters, and she was Toulouse-Lautrec's subject in his oil painting The Hangover.
Paintings by Valadon
Portraits of Valadon
Portrait of Suzanne Valadon, by Henri de Toulouse-Lautrec
Despite her financial success and the recognition gained for her artistic achievements, her fame was eclipsed by that of her son. She gave birth to the boy in 1883, when she was 18, naming him Maurice Valadon. He later adopted the paternal family name of a close friend of his mother, Miguel Utrillo y Morlius, who owned the Auberge du Clou, a tavern frequented by the residents, shop owners, workers, and artists of Montmartre. The tavern had a shadow theatre in its basement; and Miguel also created the scenery, ombres, and stage settings for the productions. After being taught to paint and mentored by his mother, as Maurice Utrillo, he became one of Montmartre's best-known artists.
Among her works is a portrait of the composer Erik Satie, with whom she had a six-month affair in 1893. A smitten Satie proposed marriage after their first night together. For Satie, the intimacy of his relationship with Valadon would be the only one of its kind in his life, leaving him at its end, he said, with "nothing but an icy loneliness that fills the head with emptiness and the heart with sadness." Satie's composition "Vexations" is said to be an outcome of his grief after the split.
Valadon's 1896 marriage to stockbroker Paul Moussis ended in 1909 when she left him for painter André Utter, who was half her age. She married Utter in 1914, and he managed her career as well as her son's. Valadon and Utter regularly exhibited work together until the couple divorced in 1934.
Suzanne Valadon died on 7 April 1938, at age 72, and was buried in the Cimetière de Saint-Ouen in Paris. Among those in attendance at her funeral were her friends and colleagues André Derain, Pablo Picasso, and Georges Braque.
Novels and plays
A novel based on her life by Elaine Todd Koren was published in 2001, entitled Suzanne: of Love and Art. An earlier novel by Sarah Baylis, entitled Utrillo's Mother, was published first in England and later in the United States. Timberlake Wertenbaker's play The Line (2009) traces the relationship between Valadon and Degas.
- "Suzanne Valadon". National Museum of Women in the Arts. Retrieved December 20, 2012.
- Betterton, Rosemary (Spring 1985). "How Do Women Look? The Female Nude in the Work of Suzanne Valadon". Feminist Review 19: 3–24 .
- "Suzanne Valadon". Brooklyn Museum of Art. Retrieved December 20, 2012.
- "Suzanne Valadon". Museum of Modern Art. Retrieved March 7, 2013.
- Smee, Sebastian. "At MFA, dancing the night away in the arms of Renoir". The Boston Globe. Retrieved April 10, 2013.
- "Henri de Toulouse-Lautrec". Harvard Art Museums. Retrieved December 20, 2012.
- Jimenez, Jill Berk (2001). Dictionary of Artist's Models. London: Routledge. p. 529.
- Daniel Marchesseau, Suzanne Valadon, exhibition catalogue, Martigny, Fondation Pierre Gianadda, 1996
- June Rose, Suzanne Valadon: The Mistress of Montmartre. New York: St. Martin's, 1999. ISBN 0-312-19921-X
- John Storm, The Valadon Drama. New York: E.P. Dutton, 1958. Online http://www.archive.org/details/valadondramathel027482mbp
|Wikimedia Commons has media related to Suzanne Valadon.|