Swing era

The Swing era was the period of time (1935–1946) when big band swing music was the most popular music in the United States. Though the music had been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Benny Moten, Ella Fitzgerald, Cab Calloway, Louis Armstrong and Fletcher Henderson, most historians believe that the Swing Era started with Benny Goodman's performance at the Palomar Ballroom on August 21, 1935, bringing the music to the rest of the country.

The swing era was precipitated by spicing up familiar commercial, popular material with a Harlem oriented flavour and selling it via a white band for a white musical/commercial audience.

Other musicians who rose during this time include Jimmy Dorsey, his brother Tommy Dorsey, Billie Holiday, Glenn Miller, Count Basie and Goodman's future rival Artie Shaw. Several factors led to the demise of the swing era: the recording ban from August 1942 to November 1944 (The union that most jazz musicians belong to told its members not to record until the record companies agreed to pay them each time their music was played on the radio), the earlier ban of ASCAP songs from radio stations, World War II which made it harder for bands to travel around as well as the "cabaret tax", which was as high as 20%, the change in music taste and the rise of bebop. Though Ellington and Basie were able to keep their bands together (the latter did briefly downsize his band; from 1950–1952), by the end of 1946, most of their competitors were forced to disband, bringing the swing era to a close.

Quotation

“	There was a time, from 1935–1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop charts and when influential clarinettists were household names. This was the swing era.	”
—Scott Yanow, Du Noyer, Paul (2003). The Illustrated Encyclopedia of Music (1st ed.). Fulham, London: Flame Tree Publishing. p. 128. ISBN 1-904041-96-5.

Songs from the swing era

The swing era produced many classic recordings. Some of those are:

• "Begin the Beguine" by Cole Porter
• "Bei Mir Bist Du Schön" by The Andrews Sisters with Vic Schoen and His Orchestra
• "Body and Soul" by Coleman Hawkins, music by Johnny Green and lyrics by Frank Eyton, Edward Heyman and Robert Sour
• "Cherokee" by Charlie Barnet, music and lyrics by Ray Noble
• "Daddy From Georgia Way" recorded by Bob Chester and his Orchestra on Columbia Records, lyrics and music by Daisy Lawton, a pen name for Gloria Parker.
• "HEY! Here Comes That Mood" recorded by Vincent Lopez, music and lyrics by Gloria Parker.
• "I Can't Get Started" by Bunny Berigan
• "In Santiago by the Sea" by Gloria Parker and recorded by Vincent Lopez and his Orchestra.
• "In the Mood" by Glenn Miller
• "It Don't Mean a Thing (If It Ain't Got That Swing)" by Duke Ellington
• "Jersey Bounce" by Benny Goodman
• "Jumpin' at the Woodside" by Count Basie
• "Minnie the Moocher" by Cab Calloway, Irving Mills, and Clarence Gaskill
• "Sing, Sing, Sing" by Louis Prima
• "Song of India" by Tommy Dorsey
• "Stardust", which has been recorded by everyone from Armstrong, to Miller to Shaw; music and lyrics by Hoagy Carmichael
• "Tonight Be Tender To Me" by Gloria Parker and recorded by Una Mae Carlisle.
• "Tuxedo Junction" by Erskine Hawkins