Tales of Terror
|Tales of Terror|
Theatrical release poster
|Directed by||Roger Corman|
|Produced by||Samuel Z. Arkoff
James H. Nicholson
|Written by||Richard Matheson|
|Music by||Les Baxter|
|Edited by||Anthony Carras|
|Distributed by||American International Pictures|
|Running time||89 min.|
|Box office||$1.5 million|
Tales of Terror (1962) is an American International Pictures horror film starring Vincent Price, Peter Lorre, and Basil Rathbone; it is the fourth in the so-called Corman-Poe cycle of eight films largely featuring adaptations of Edgar Allan Poe stories directed by Roger Corman and released by AIP. The film was released as a double feature with Panic in Year Zero!.
The three short sequences are based on the following Poe tales: "Morella", "The Black Cat" which is combined with another Poe tale, "The Cask of Amontillado", and "The Facts in the Case of M. Valdemar". Each sequence is introduced by Vincent Price who also appears in all three narratives. The story Morella was remade in the 1990s as The Haunting of Morella.
When Lenora Locke (Maggie Pierce) travels from Boston to be reunited with her father (Vincent Price) in his decrepit and cobwebbed mansion, she finds him drunk, disordered, and depressed. He refuses her company, insisting that she killed her mother Morella (Leona Gage) in childbirth. Lenora then discovers her mother's body decomposing on a bed in the house. Lenora cannot return to Boston and remains in the house to care for her father. His feelings soften towards her when he learns she has a terminal illness. One night Morella's spirit rises, and kills Lenora in revenge for her childbed death. Morella's body is then resurrected, becoming as whole and as beautiful as she was in life. This is in exchange for Lenora's, which is now decomposing where Morella lay. Morella strangles her horrified husband as a fire breaks out in the house. Then Morella and Lenora return to their original bodies, Lenora smiling as she lies on her dead father, rotten Morella cackling as the flames consume the house. The cast includes Edmund Cobb as a coach driver.
"The Black Cat"
Montresor Herringbone (Peter Lorre) hates his wife Annabelle (Joyce Jameson) and her black cat. One night on a ramble about town, he happens upon a wine-tasting event and challenges the world's foremost wine taster, Fortunato Luchresi (Vincent Price), to a contest. Herringbone becomes drunk. Luchresi escorts him home and meets his wife. Time passes, and Annabelle and Luchresi become intimate. The cuckolded Herringbone then inters them alive in an alcove in the basement. The authorities become suspicious and two policemen (John Hackett and Lennie Weinrib) visit the house to investigate. Hearing screeching behind a basement wall, they knock the wall down to discover the dead lovers — and Annabelle's black cat, which Herringbone had accidentally walled up with the lovers. Cast includes Wally Campo as bartender Wilkins and Alan DeWitt as the Wine-Tasting Chairman.
"The Facts in the Case of M. Valdemar"
Dying from a painful disease, M. Valdemar (Vincent Price) employs a hypnotist, Mr. Carmichael (Basil Rathbone), to alleviate his suffering by putting him under various trances. He then remains between the world of the living and the dead. In a trance, Valdemar begs Carmichael to release his soul so he can die but Carmichael cruelly refuses. Months pass and Valdemar's putrefying body remains in his bed under the complete control of Carmichael. The hypnotist tries to force Valdemar's wife Helene (Debra Paget) to marry him. When she refuses, he attacks her. Valdemar's putrid body rises from the bed and kills Carmichael. Helene is rescued by Valdemar's physician (David Frankham) and carried from the scene of horror.
- Vincent Price as Fortunato/Valdemar/Locke
- Maggie Pierce as Lenora Locke
- Leona Gage as Morella Locke
- Edmund Cobb as Driver
- Debra Paget as Helene Valdemar
- David Frankham as Valdermar's physician
- Peter Lorre as Montresor Herringbone
- Joyce Jameson as Annabel Herringbone
- Basil Rathbone as Mr. Carmichael
The film was announced in September 1961.
Corman commented on how Tales of Terror differed from his earlier film adaptations released by AIP:
- With Tales of Terror, we tried to do something a little different. The screenplay was actually a series of very frightening, dramatic sequences inspired by several of the Poe stories. To break things up, we tried introducing humor into one of them..."
Price explained how the effect of slow decomposition was achieved in "The Facts in the Case of M. Valdemar": "We settled for an old-fashioned mud pack - it dries and draws the skin up and then cracks open." To give the impression of Vincent Price's face melting away, a mixture of glue, glycerin, corn starch and make-up paint was heated and then poured over his head. The substance was so hot that Price could only stand it for a few seconds.
Richard Matheson's favourite of the stories was the final one, M. Valdemar. He thought it was "pretty well done. It was pretty straight, except I added the doctor and Valdemar's wife to the story... They acted it pretty well for a change."
The film was released on DVD; Dell Comics published a comic book adaptation of the film.
A novelization of the film was written in 1962 by Eunice Sudak adapted from Richard Matheson's screenplay and published by Lancer Books in paperback.
- Spotlight: Tales of Terror from Turner Classic Movies
- Roger Corman & Jim Jerome, How I Made a Hundred Movies in Hollywood and Never lost a Dime, Muller, 1990 p 84
- FILMLAND EVENTS: Poe-Pourri Film Cooks for Corman Los Angeles Times (1923-Current File) [Los Angeles, Calif] 07 Sep 1961: B9.
- Lawrence French, "The Making of The Raven", The Raven novelisation by Eunice Sudak, based on script by Richard Matheson, Bear Manor Media 2012
- July 5, 1962 review of Tales of Terror and Burn, Witch, Burn from The New York Times
|Wikimedia Commons has media related to Tales of Terror.|
- Tales of Terror at the Internet Movie Database
- Tales of Terror at AllMovie
- Tales of Terror at Rotten Tomatoes