Cover art for the first volume of the manga
|Written by||Taiyō Matsumoto|
|Magazine||Big Comic Spirits|
|Original run||1993 – 1994|
|Directed by||Michael Arias
Hiroaki Ando (co-director)
|Produced by||Eiko Tanaka
|Written by||Anthony Weintraub|
|Licensed by||Sony Pictures|
|Released||December 22, 2006|
Tekkonkinkreet (鉄コン筋クリート Tekkonkinkurīto?, a child's mispronunciation of "Tekkin Konkurito" [steel reinforced concrete]) is a three-volume seinen manga series by Taiyō Matsumoto, which was originally serialized from 1993 to 1994 in Shogakukan's Big Comic Spirits and first published in English as Tekkonkinkreet: Black & White. It was adapted into a 2006 feature-length Japanese anime film of the same name, directed by Michael Arias and animated by Studio 4°C. The film Tekkonkinkreet premiered in Japan on December 23, 2006.
The story takes place in the fictional city of Takaramachi (Treasure Town) and centers on a pair of orphaned street kids – the tough, canny Kuro (Black) and the childish, innocent Shiro (White), together known as the Cats – as they deal with yakuza attempting to take over Treasure Town.
While the manga follows multiple plot threads, the film adaption consists of a few plots shown in the manga.
The film follows two orphans, Kuro and Shiro, as they attempt to keep control of the streets of the pan-Asian metropolis of Takaramachi, once a flourishing town and now a huge, crumbling slum fraught with warring between criminal gangs. Kuro is a violent and streetwise punk, considering Takaramachi to be "his town". Shiro is younger and appears to be mentally impaired, out of touch with the world around him and often living in a world of illusions. They call themselves "the Cats". Despite their extreme differences, they complement and support each other, similar to the Chinese Taoist principle of yin and yang.
During one of their "missions", they take on thugs and Kuro ends up beating up three Yakuza gang members who are menacing a street gangster friend of his. The Yakuza work for Snake, the head of a corporation called "Kiddy Kastle". Snake plans to tear down and rebuild Takaramachi as a theme park to fit his own goals and dreams. When Kuro interferes once too often, Yakuza are sent to kill him, but fail. Angered, Snake then sends the deadly "three assassins", near-superhuman hitmen, to finish the job.
In order to save Kuro and himself, Shiro has to kill the first assassin by tipping gasoline and setting it alight, burning him alive. The second assassin pursues Shiro and stabs him with a samurai sword. Shiro is then sent to the hospital. The police, who have been watching both Snake and the two youngsters, decide to take Shiro into protective custody "for his own good", while Kuro believes Shiro is dead and falls into a depressive state.
Alongside the children's narrative is a story is told through the eyes of Kimura, an average man who gets caught up in the Yakuza, leading him to have a violent encounter with Kuro. Eventually, Kimura is forced by Snake to kill his former boss and mentor, Suzuki, to remove possible competition. While Kimura fulfills his mission, he is deeply shocked by having murdered his mentor. Summoned once again by Snake, Kimura rebels and kills the Yakuza boss, before attempting to flee with his pregnant wife from Takaramachi. He is gunned down in a drive-by shooting by Snake's men.
While the police feel it is for the best for Shiro to remain with them outside Takaramachi, Shiro feels empty without Kuro there for support. In parallel, without Shiro, Kuro soon begins to lose grip on reality and allows his violence to consume him. He soon develops a split personality, with his dark side manifesting as the "minotaur". Things reach a climax when Shiro is brought back to Takaramachi by one of the officers and taken to a local fair. There, a delusional Kuro is trying to show people that "Shiro", in reality a mocked-up doll, has returned to life. When Kuro is attacked by Snake's two remaining assassins, the doll is damaged and Kuro flies into a murderous rage, killing the assassins. It is then that he is confronted by the real Shiro, and is forced to fight the "minotaur", who wishes to completely consume him. Kuro manages to triumph over his dark side and reunites with Shiro.
|Character||Japanese Cast||English Cast**|
|Kuro(Black)/The Minotaur||Kazunari Ninomiya||Scott Menville|
|Shiro(White)||Yu Aoi||Kamali Minter|
|Kimura||Yusuke Iseya||Rick Gomez|
|Sawada||Kankuru Kudo||Tom Kenny|
|Suzuki||Min Tanaka||David Lodge|
|Fujimura||Tomomichi Nishimura||Maurice LaMarche|
|The Boss||Mugihito||John DiMaggio|
|Choco||Nao Omori||Alex Fernandez|
|Vanilla||Yoshinori Okada||Quinton Flynn|
|Dawn||Yukiko Tamaki||Yuri Lowenthal|
|Dusk||Mayumi Yamaguchi||Phil Lamarr|
|Snake||Masahiro Motoki||Dwight Schultz|
|Kimura's Wife*||Marina Inoue||Kate Higgins|
|The Doctor*||Osamu Kobayashi||Steven Jay Blum|
|The Three Assassins||Crispin Freeman
- "*" - Minor Role
- "**" - Not credited on the DVD
Tekkonkinkreet is a three-volume seinen manga series by Taiyō Matsumoto, which was originally serialized in Japan from 1993 to 1994 in Shogakukan's Big Comic Spirits and first published in English as Tekkonkinkreet: Black & White.
All three manga issues were adapted into a 2006 feature-length Japanese anime film of the same name, directed by Michael Arias and Hiroaki Ando and animated by Studio 4°C. The film Tekkonkinkreet premiered in Japan on December 23, 2006.
|This section requires expansion. (October 2011)|
Joseph Luster, speaking on the film, felt that the brotherly bond between the protective Black and the endearing White was the heart of the manga. "While it may not be what anime fans have come to expect for a traditional film, the end result is something that while predictable is surprisingly engaging." — Chris Beveridge, Mania. "Regardless of how much you watch this one, though, this is a film that no serious anime fan should miss." — Chris Johnston, Newtype USA.
The manga won the 2008 Eisner Award for "Best U.S. Edition of International Material—Japan". Tekkonkinkreet won the prestigious Best Film Award at the 2006 Mainichi Film Awards. It was also named Barbara London's top film of 2006 in the annual "Best of" roundup by the New York Museum of Modern Art's Artforum magazine. In 2008, it received 'best original story' and 'best art direction' from the Tokyo International Anime Fair. It won the 2008 Japan Academy Prize for Animation of the Year.
- Wallace, Julia (2007-04-24). "Tracking Shots: Tekkonkinkreet". Film (The Village Voice). Retrieved 2007-04-26.
- "Michael Arias's Tekkonkinkreet". The Museum of Modern Art 2007 Film Exhibitions. MoMA.org. 2007. Archived from the original on 2007-05-03. Retrieved 2007-04-26.
- Amid (2006-03-21). "Studio 4°C's TEKKON KINKURITO". Cartoon Brew. Retrieved 2007-04-26.
- Schilling, Mark (2006-12-21). "Outlander gazes into Showa's soul". The Japan Times. Retrieved 2007-04-25.
- Beveridge, Chris (October 5, 2007). "Tekkon Kinkreet". Mania.
- Johnston, Chris (October 2007). "Tekkon Kinkreet". Newtype USA 6 (10): p. 97. ISSN 1541-4817.
- (Japanese) "映画「鉄コン筋クリート」OFFICIAL BLOG － TOL ブログ(Blog) 芸能人・有名人・ツタヤのお店がエンタメを語る～". Archived from the original on 2007-05-09. Retrieved 2007-04-27.
- "GreenCine Daily: Artforum. Best of 2006". Retrieved 2007-04-27.
- Eva 1.0 Wins Tokyo Anime Fair's Animation of the Year - Anime News Network
- (Japanese) "Animation of the year". Archived from the original on 2008-03-16. Retrieved 2008-03-30.
- (Japanese) Tekkonkinkreet official site
- Tekkonkinkreet official site at Sony Pictures
- Tekkonkinkreet trailer
- Tekkonkinkreet (manga) at Anime News Network's encyclopedia
- Tekon kinkurîto at the Internet Movie Database
- Making Taiyo Matsumoto’s "Tekkon Kinkreet" into anime
- Otaku USA interview with Michael Arias
- IONCINEMA.com interview with Michael Arias
- Daily Yomiuri/de-VICE interview with Michael Arias
- Interview with Arias