Tetsuo: The Iron Man

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Tetsuo: The Iron Man
Directed by Shinya Tsukamoto
Produced by Shinya Tsukamoto
Written by Shinya Tsukamoto
Starring Tomorowo Taguchi
Kei Fujiwara
Shinya Tsukamoto
Music by Chu Ishikawa
Cinematography Kei Fujiwara
Release date(s) Japan July 1, 1989
France October 5, 1994
Running time 70 min.
Country  Japan
Language Japanese
Followed by Tetsuo II: Body Hammer

Tetsuo: The Iron Man (鉄男: Tetsuo) is a 1989 Japanese Cyberpunk film by cult-film director Shinya Tsukamoto produced by Japan Home Video. This, his third film, is an extremely graphic but also strikingly-filmed fantasy shot in the same low-budget, underground-production style as his first two films. Tetsuo established Tsukamoto internationally and created his worldwide cult following. It was followed by Tetsuo II: Body Hammer.

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[edit] Synopsis

The film opens with a man (called only "the man", or sometimes the "Metal Fetishist") cutting open a massive gash in his leg and then shoving a rusty metal pipe into the wound. Later, upon seeing maggots festering in the wound, he screams, runs out into the street, and is hit by a car. The driver of the car (cult actor Taguchi Tomorowo) tries to cover up the mess by dumping the body into a ravine, but the dead man comes back to haunt him—by forcing his body to gradually metamorphose into a walking pile of scrap metal. This process starts when the driver finds a piece of metal stuck in his cheek while shaving. He tries to remove it, but realises it is growing from the inside. The first of several highly stylised chase scenes starts with the driver pursued through an underground station by a woman whose body has been taken over by the Metal Fetishist. The scene shifts to the driver at his home, seemingly with no regard as to the assault of the woman, where he and his girlfriend are having sex. Later, the driver receives a phone call, consisting of nothing but him and the other speaker continuously saying "Hello?" to each other. In one of the film's sequences, the man discovers his penis has mutated into a gargantuan power drill. This is how his terrified girlfriend meets her demise. The film ends with a duel between the man and the Fetishist with the pair transformed into a giant mutated monster, which then proceeds to "take over the world".

[edit] Cinematography

This was Tsukamoto's first movie to be shot on 16mm, all of his previous work being done with Super-8 cameras. The camera work was split between himself and Kei Fujiwara both of whom also play the roles of major characters. (Fujiwara has since directed several of her own films.)[1]

[edit] See also

[edit] References

  1. ^ Mes, Tom (2005). Iron Man. The Cinema of Shinya Tsukamoto. FAB Press. ISBN 1903254361

[edit] External links

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