That's Why God Made the Radio

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That's Why God Made the Radio
Studio album by The Beach Boys
Released June 5, 2012 (2012-06-05)
Recorded 2011–2012
Ocean Way Recorders
Genre Rock,[1] baroque pop
Length 38:53
Label Capitol
Producer Brian Wilson (except "Daybreak Over the Ocean", Paul Fauerso)
The Beach Boys chronology
The Smile Sessions
That's Why God Made the Radio
Fifty Big Ones
Singles from That's Why God Made the Radio
  1. "That's Why God Made the Radio"
    Released: April 25, 2012 (2012-04-25)
  2. "Isn't It Time"
    Released: September 2012

That's Why God Made the Radio is the twenty-ninth studio album by American rock band The Beach Boys, released on June 5, 2012 on Capitol. Produced by Brian Wilson, the album was recorded to coincide with the band's 50th anniversary, and is the first to feature original material since the release of Summer in Paradise in 1992.[2] The album is also the first to feature guitarist and backing vocalist David Marks since the release of Little Deuce Coupe in 1963. It is also the first Beach Boys album to be made since the 1998 death of lead guitarist and vocalist Carl Wilson and to feature both David Marks and Bruce Johnston.

Preceded by the single "That's Why God Made the Radio", the album reached number 3 on the Billboard 200 and was their highest charting studio album of new material since 1965, placing them second all-time with longest span of top 10 albums at 49 years (The Beatles would tie that record with On Air – Live at the BBC Volume 2 the following year). Frank Sinatra holds the record at 52 years of top 10 albums.


In late 2010 reports began to circulate that the surviving members of the Beach Boys would reunite for a 50th Anniversary tour and album. Despite some uncertainty[3] and initial denials,[4] on December 16, 2011 it was announced that Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks would reunite for a new album and 50th anniversary tour in 2012.[5] The studio reunion was kicked off by a re-recording of the band's 1968 single, "Do It Again", which originally appeared on their album 20/20 from the following year.


Wilson and Love discussed the upcoming album and tour in an interview on February 16, 2012. The duo said the album was halfway done with Wilson doing most of the writing and stating that all of the songs will flow into each other. The album was to end with a Pet Sounds- and Smile-inspired suite. The suite, originally six tracks and dubbed the "Life Suite,"[citation needed] ended up to be the final four tracks on the album: "Strange World," "From There to Back Again," "Pacific Coast Highway," and "Summer's Gone."[6] One song, "I'd Go Anywhere," was left off as it was unfinished, along with a couple of other tracks.[6] Wilson considers the title track, "That's Why God Made the Radio," to be one of the group's best.[7]

Many of the songs have a considerable history: "That's Why God Made the Radio" was written by Brian Wilson, Jim Peterik, Joe Thomas and Larry Millas back in the late 1990s.[6] The track "Summer's Gone" was originally meant to be the final song on the final Beach Boys album, according to Brian. The song was written in reflection of his mother's death and the end of Carl's life, who died two months after their mother.[6] Whereas songs like "Isn't It Time", "Shelter" and "The Private Life of Bill and Sue" were written for the new album.[6][not in citation given]. During the band's June 15, 2012 show they decided to change some of the lyrics to "Isn't It Time" for unknown reasons. The changes would continue to appear each time they performed the song following that show.[8] The song "Daybreak Over the Ocean" was originally recorded in 1978 by Mike Love for his first, as yet unreleased solo album, First Love (and also re-recorded for his equally unreleased solo album of a few years ago, Mike Love Not War a.k.a. Unleash The Love: this is the version - with additional Beach Boys vocals - that appears on the album).[citation needed]

According to the June 21, 2012 issue of Rolling Stone, which features a five page article on the group, 28 songs were written and recorded for the album.[9] Al Jardine stated that Carl Wilson's voice would be featured on the new album. Jardine said he found a song Carl had sung on and recorded and it will be used on the new song, "Waves of Love". Jardine said he only wished there was a way to include Dennis Wilson as well.[6] However, while pre-recorded segments from both Carl and Dennis Wilson are featured during concerts on the band's 50th Anniversary Tour, neither "Waves of Love" nor any vocals from Carl or Dennis are featured in the final version of the new album. Johnston contributed one song titled, "She Believes in Love Again",[citation needed] a song he wrote in 1985 (and that was recorded by the band on that year's The Beach Boys); however, the song was not included on the final version of the new album. According to Johnston, the album's track list was not determined by any of the band members.[citation needed]



The first single from the album, "That's Why God Made the Radio", made its national radio debut April 25, 2012, on ESPN's Mike and Mike in the Morning.[10][not in citation given][11][not in citation given] It was released to the band's YouTube channel later that same day, with accompanying lyrics. In addition, the song has been released and is now available as a single on digital outlets such as iTunes and Amazon. As of September 2012, the album's title track, "Isn't It Time", and "Summer´s Gone" have been the only songs from the album to be performed live.

The band has appeared on various television shows throughout the tour performing the song including an hour long performance and interview segment on the shopping channel QVC in which close to 20,000 copies of the album were sold.[12] QVC will give away an exclusive eleven track greatest hits CD with the purchase of the album. The hits CD will not be available anywhere else.[13]

On May 1, 2012, Walmart scheduled an exclusive limited edition 50th anniversary collection 'ZinePak, to include a 72-page magazine with rare photos and new interviews with the group, as well as an 11-song CD including the group's recent re-recording of "Do It Again".[14] The reunion album, That's Why God Made the Radio, was set for release on June 5, 2012.[15]

Doin' It Again, an hour-long documentary that aired during the summer of 2012 on PBS, was released on DVD and Blu-ray August 28, 2012. The documentary features a new biography with new interviews of the current lineup, footage of the band recording the new album, and live performances from the 50th anniversary tour. In November 2012, a DVD and Blu-ray titled The Beach Boys Live in Concert: 50th Anniversary was released featuring a performance by the band from July 2012 in Phoenix, AZ. The release featured a heavily edited performance which was cut down to sixty minutes and only 21 of the 50 songs performed were featured leaving some fans angry that the entire show wasn't released.[16] There was also mention of plans to release a DVD of their performance at Red Rocks although nothing has been officially announced.[17]

Critical reception[edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 64/100[18]
Review scores
Source Rating
Allmusic 3.5/5 stars[19]
Rolling Stone 3/5 stars[20]
Digital Spy 4/5 stars[21]
Entertainment Weekly (B+)[22]
Consequence of Sound 3.5/5 stars[23]
Los Angeles Times 3/4 stars[24]

According to Bruce Johnston, the album's overall aesthetic compares to their 1970 album Sunflower.[25] It received generally favorable reviews, and reviewers unanimously highlighted the album's four-song closing suite as its crowning moment,[18] which Consequence of Sound called "a funeral dirge full of majesty"[23] and The Guardian touted "the best thing Brian Wilson has put his name to in the last 30 years."[26]

Most critics were disparaging of the other more upbeat and lighthearted tracks in comparison,[24][27][28] and cited the album's use of autotune as glaring.[20][29] Others accredited the album's low points specifically to Mike Love's contributions,[30] as Joshua Erret of NOW Magazine wrote "Since 'Ronald Reagan-lite Love' thinks the Beach Boys’ best period was their most profitable, we get bankable early 60s simplicity and zero evidence that these guys were once the coolest, funniest, strangest guys in music."[31]

Writing for Beats Per Minute, Alex Phillimore summed up, "The album as a whole isn't flawless, yet by sounding utterly enchanting during its climax it leaves a listener feeling genuinely touched."[32] That's Why God Made the Radio has gone on to become the best reviewed Beach Boys studio album since 1977's Love You.[18][not in citation given]

In 2013, Mike Love expressed to various news outlets that he was "disappointed" with the album's direction, claiming that he was denied much songwriting input by an unnamed third party.[33] "I was hoping to get together with Brian on That's Why God Made the Radio, but a guy who was involved in the production of that album engineered it otherwise,"[34] Love explains, "I talked to Brian about a year before we even started doing any of the recording for [the album]. He and I talked about doing a project and he was excited about doing it, but it never came to fruition at all. It was given another direction—not by me and not by Brian but by others. We were supposed to be allowed to get together to write songs from scratch like we did in the '60s, but that was never to be."[35]

Commercial performance[edit]

It debuted at No. 3 and became the group's highest charting album in 37 years—since 1974's compilation Endless Summer and highest charting studio album since 1965's Summer Days (And Summer Nights!!). It also became the band's first top 10 studio album since 1976's 15 Big Ones and the highest debuting album of their entire career..[36] The album made its debut in the UK charts at number 15 giving the group their highest studio album debut since 1971's Surf's Up. The album debuted at number 15 on the Canadian Albums Chart.[37]

Track listing[edit]

No. Title Writer(s) Lead vocals Length
1. "Think About the Days"   Brian Wilson, Joe Thomas The Beach Boys 1:27
2. "That's Why God Made the Radio"   Wilson, Thomas, Larry Millas, Jim Peterik Brian Wilson 3:19
3. "Isn't It Time"   Wilson, Mike Love, Thomas, Millas, Peterik Brian Wilson, Bruce Johnston, Al Jardine, Mike Love, and Jeff Foskett 3:45
4. "Spring Vacation"   Wilson, Love, Thomas Mike Love, Bruce Johnston, and Brian Wilson 3:06
5. "The Private Life of Bill and Sue"   Wilson, Thomas Brian Wilson 4:17
6. "Shelter"   Wilson, Thomas Brian Wilson and Jeff Foskett 3:02
7. "Daybreak Over the Ocean"   Love Mike Love 4:20
8. "Beaches in Mind"   Wilson, Love, Thomas Mike Love 2:38
9. "Strange World"   Wilson, Thomas Brian Wilson 3:03
10. "From There to Back Again"   Wilson, Thomas Al Jardine and Brian Wilson 3:23
11. "Pacific Coast Highway"   Wilson, Thomas Brian Wilson 1:47
12. "Summer's Gone"   Wilson, Jon Bon Jovi, Thomas Brian Wilson 4:41
Total length:


The Beach Boys[edit]

Additional musicians[edit]

  • Vocals: Jeffrey Foskett (all tracks), Adrian Baker, Christian Love, Hayleigh Love (all 7)
  • Electric guitar: Jeff Baxter (4, 8), Tom Bukovac (2, 4, 6, 10), Jim Riley (4, 8), Nick Rowe (2), Scott Totten (7), Nick Walusko (2, 4, 12)
  • Acoustic guitar: Tom Bukovac (5, 12), Jeffrey Foskett (2, 4, 5, 6), Probyn Gregory (5, 8), Scott Totten (7)
  • Bass guitar: Cliff Hugo (7), Larry Millas (3), Michael Rhodes (2, 4, 9, 10, 12), Brett Simons (5, 8, 12)
  • Ukulele: Jim Peterik (3)
  • Banjo: Probyn Gregory (5)
  • Piano: John Hobbs (2, 5), Joe Thomas (1, 11, 12)
  • Tack piano: John Hobbs (6, 9, 10), Joe Thomas (12)
  • Organ: Scott Bennett (2, 4, 8), Joe Thomas (8)
  • Clavinet: Scott Bennett (4, 8)
  • Harpsichord: Joe Thomas (6)
  • Keyboards: Paul Fauerso (7)
  • Accordion: Gary Griffin (9)
  • Violin: Joel Deroulin, Sharon Jackson, Peter Kent, Songa Lee, Julie Rogers, John Wittenberg (all 10, 11)
  • Cello: Alisha Bauer, Vanessa Freebarin-Smith (all 10, 11)
  • Double bass: David Stone (12)
  • String arrangements: Paul Mertens (9, 10, 11)
  • Flute: Paul Mertens (10, 11, 12)
  • Oboe: Chris Bleth (12)
  • French horn: Probyn Gregory (1, 6, 11, 12)
  • Baritone saxophone: Paul Mertens (5)
  • Vibes: Scott Bennett (1, 5, 12), Darian Sahanaja (2, 5)
  • Percussion: Nelson Bragg (5, 6, 9, 11, 12), Paul Fauerso (7), Jim Peterik (3)
  • Snaps: Jessica Bish, John Cowsill, Jeffrey Foskett, Joe Thomas (all 5)
  • Drums: Eddie Bayers (12), Curt Bisquera (7), John Cowsill (5, 8), Chad Cromwell (2, 4, 9)
  • Radio voiceover: Skip Masters (5)

Recording personnel[edit]

  • Brian Wilson – producer and arranger
  • Mike Love – executive producer
  • Joe Thomas – recording
  • Paul Fauerso - producer and recording (7)
  • Frank Pappalardo – recording, mixing engineer
  • Michael Czaszwicz – additional engineering
  • Wesley M. Seidman – additional engineering
  • Larry Millas – additional engineering
  • Tom Gordon – additional engineering
  • Bob Ludwig – mastering


  • Lawrence Azerrad – graphic design
  • Guy Webster – photography

Chart positions[edit]

Chart Peak
Australian Albums Chart[41] 31
Austrian Albums Chart[42] 42
Belgian Albums Chart (Flanders) [43] 35
Belgian Albums Chart (Wallonia)[44] 46
Canadian Albums Chart [45] 14
Danish Albums Chart[46] 12
Dutch Albums Chart[47] 24
Finnish Albums Chart[48] 31
French SNEP Albums Chart[49] 80
German Media Control Albums Chart[50] 36
Japanese Oricon Albums Chart[51] 18
Norwegian VG-lista Albums Chart[52] 8
Spanish Albums Chart[53] 49
Swedish Albums Chart[54] 13
Swiss Albums Chart[55] 36
UK Albums Chart[56] 15
U.S. Billboard 200 [45] 3


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