The 5,000 Fingers of Dr. T
|The 5,000 Fingers of Dr. T.|
Theatrical release poster
|Directed by||Roy Rowland|
|Produced by||Stanley Kramer|
|Screenplay by||Dr. Seuss
Peter Lind Hayes
|Music by||Frederick Hollander
Hans J. Salter
|Distributed by||Columbia Pictures|
|July 1, 1953|
The 5,000 Fingers of Dr. T. (1953) is a musical fantasy film, the only feature film written by Theodor Seuss Geisel (Dr. Seuss), who was responsible for the story, screenplay and lyrics. It was directed by Roy Rowland, with many takes directed, uncredited, by producer Stanley Kramer. (2015)
Young Bart Collins (Tommy Rettig) lives with his widowed mother Heloise (Mary Healy). The blight of Bart's existence are the hated piano lessons he endures under the tutelage of the autocratic Dr. Terwilliker (Hans Conried). Bart feels that his mother has fallen under Terwilliker's influence, and gripes to plumber August Zabladowski (Peter Lind Hayes), without result. While hammering at his lessons, Bart dozes off and enters a musical dream, much as did Judy Garland in The Wizard of Oz.
In the dream, Bart is trapped at the surreal Terwilliker Institute, where the piano teacher is a madman dictator who has imprisoned non-piano-playing musicians. He built a piano so large that it requires Bart and 499 other boys (hence, 5,000 fingers) to play it. Bart's mother has become Terwilliker's hypnotized assistant and bride-to-be, and Bart must dodge the Institute's guards as he scrambles to save his mother and himself. He tries to recruit Mr. Zabladowski, who was hired to install the Institute's lavatories ahead of a vital inspection, but only after skepticism and foot-dragging is the plumber convinced to help. The two construct a noise-sucking contraption which ruins the mega-piano's opening concert. The enslaved boys run riot, and the "atomic" noise-sucker explodes in spectacular fashion, bringing Bart out from his dream.
The movie ends on a hopeful note for Bart, when Mr. Zabladowski notices Heloise, and offers to drive her to town in his jeep. Bart escapes from the piano, and runs off to play.
|Tommy Rettig||Bart Collins|
|Mary Healy||Heloise Collins|
|Hans Conried||Dr. Terwilliker|
|Peter Lind Hayes||August Zabladowski|
In the wake of the success of Gerald McBoing-Boing, Geisel submitted a live-action storyline for The 5,000 Fingers of Dr. T in 1951.  Geisel followed it up with a 1200-page script, with "themes of world dominance and oppression coming out of World War II." Geisel relocated from La Jolla, California, to Los Angeles during filming to "enable him to be more involved in the production." His influence on set design and choreography is also evident in the film.
Hans Conried was enthusiastic about the role, saying in retrospect "I had never had any such part before, never have since and probably never will again. We rehearsed for eight weeks before I was engaged to shoot for eight weeks, an extravagance that I as a bit player had never known....If it had been a success, with my prominent part in the title role, it would have changed my life."
- Opening Credits / Butterfly Ballet - Dream Sequence
- Ten Happy Fingers
- Piano Concerto (Ten Happy Fingers variation)
- Dream Stuff
- Hypnotic Duel
- Get Together Weather
- Because We're Kids
- Dungeon Ballet
- We Are Victorious
- Elevator Song
- Dressing Song / Do-Me-Do Duds
- End Credits
Granting the good intentions of Dr. Seuss and Allan Scott, the first of whom wrote the story and the two of whom together wrote the script, the consequence of their effort is a ponderously literate affair, pictorially potential but devoid of sense or suspense. Director Roy Rowland staged it in Technicolor for sheer spectacle. Some of the music by Frederick Hollander has the whisper of wit or melody, but for the most part it, too, is ponderous and lacking in the comment it should give. And the performances by the actors—Tommy Rettig as the boy, Peter Lind Hayes as the plumber, Hans Conried as the piano teacher, Mary Healy as the mother and several more—are largely mechanical portrayals of boneless and bloodless characters in a theatrical dream.
Geisel regarded the film as a "debaculous fiasco", and omitted mention of it in his official biography. The film may have fared better over the years; it currently has a 79% positive Rotten Tomatoes rating.
In 2002, Peter Bradshaw said the film "has charm, a riotous imagination, and some very weird dream-like sets by production designer Rudolph Sternad and art director Cary Odell"; it's "surreal, disturbing, strong meat for young stomachs." In 2005, the Baltimore City Paper called the film "refreshingly tart and defiant for a children's film, its space-age-by-way-of-Caligari world parks right on the delicious side of creepy. Bring the kids, especially the smart ones."
Influences on other works
- In the 1985 Larry Niven & Jerry Pournelle science fiction novel Footfall, the character Harry Reddington (Harry Redd) says "She turned me on to The 5000 Fingers Of Dr T and I never thanked her."
- Quin, Eleanor. "The 5000 Fingers of Dr. T". Turner Classic Movies. Retrieved 2014-08-02.
- Eleanor Quin, "The 5,000 Fingers of Dr. T.", Turner Classic Movies.
- The 5000 Fingers of Dr. T - Songs and Music from the Original Soundtrack
- Thomas Fernsch, The Man Who Was Dr. Seuss (NY: New Century Books, 2001), pp. 104-105
- Crowther, Bosley (June 20, 1953). "5,000 Fingers of Dr. T With Hayes, Mary Healy, Tommy Rettig, is at Criterion". The New York Times.
- Judith Morgan and Neil Morgan, Dr. Seuss & Mr. Geisel: A Biography (NY: Da Capo Press, 1996). p. 136.
- Bradshaw, Peter (28 March 2002). "The 5,000 Fingers Of Dr T". The Guardian. Retrieved 2014-08-02.
- Glaze, Violet (June 20, 1953). "The 5,000 Fingers of Dr. T (1953)". Film Clips. Baltimore City Paper. Archived from the original on 2007-07-29. Retrieved 2014-08-02.
- "El - Media". Cherry Red Records. Retrieved 2014-08-02.