|This article is missing information about the film's production,release, and reception. (January 2015)|
Theatrical release poster
|Directed by||Abel Ferrara|
|Produced by||Preston L. Holmes
|Written by||Nicholas St. John|
|Music by||Joe Delia|
|Edited by||Mayin Lo|
|Distributed by||October Films|
|October 6, 1995|
The Addiction is a 1995 American vampire film directed by Abel Ferrara, starring Lili Taylor, Edie Falco, Paul Calderón, Kathryn Erbe and Christopher Walken. It was written by Ferrara's regular screenwriter, Nicholas St John, filmed in black-and-white and released simultaneously with Ferrara's period gangster film, The Funeral.
The film has been considered an allegory about drug addiction, as well as an allegory of the theological concept of sin. It contains philosophical, theological and other intellectual content, including references to Husserl, Nietzsche, Feuerbach, and Descartes. The film also features a vampire quoting the highly conservative Reformed Theologian R. C. Sproul, who is a critic of Roman Catholicism.
|This section requires expansion. (October 2014)|
Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying." Eventually Kathleen meets Peina (Walken), who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.
After the party, kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.
Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R. C. Sproul to her. Conklin gives in to her new fate as an immortal vampire. She is shown walking away from a grave with her own name on it, in broad daylight. Coincidentally, her birthdate on the tombstone is Hallowe'en, 1967. The date of her death is November 1, 1994. The movie ends with the line “self revelation is annihilation of self.”
- Lili Taylor as Kathleen Conklin
- Christopher Walken as Peina
- Annabella Sciorra as Casanova
- Edie Falco as Jean
- Paul Calderon as Professor
- Fredro Starr as Black
- Kathryn Erbe as Anthropology Student
- Michael Imperioli as Missionary
- Jamal Simmons as Black's Friend (as Jamel 'RedRum' Simmons)
- Robert W. Castle as Narrator / Priest (as Father Robert Castle)
- Michael A. Fella as Cop (as Michael Fella)
- Louis Katz as Doctor (as Dr. Louis A. Katz)
The film was nominated for the Golden Bear award at the 45th Berlin International Film Festival where it won the Blue Angel Award. Lili Taylor won Best Foreign Actress Sant Jordi Award. Film also received Best Actress (Taylor), Best Film (Abel Ferrara) and Special Mention Award for outstanding acting performance of Academy Award-winner actor Christopher Walken in Málaga International Week of Fantastic Cinema. The film was also nominated for two Independent Spirit Awards and won Critics Award in Mystfest and was also nominated for Best Film. The film has received high praise from the critic Peter Bradshaw, who named it as one of his top ten favourite films in a 2002 Sight and Sound poll.
- Rodríguez Sánchez, Juan Antonio. "Vampirism as a Metaphor for Addiction in the Cinema of the Eighties (1987-1995)". Universidad de Salamanca Press.
- "Berlinale: 1995 Programme". berlinale.de. Retrieved 2011-12-29.
- Awards for The Addiction at the Internet Movie Database
- The Addiction at the Internet Movie Database
- The Addiction at AllMovie
- The Addiction at the
- Essay review of The Addiction at Refracted Input