The Adventures of Barry McKenzie
|The Adventures of Barry McKenzie|
UK 30th Anniversary DVD
|Directed by||Bruce Beresford|
|Produced by||Phillip Adams|
|Written by||Bruce Beresford,
|Based on||the comic strip by Barry Humphries drawn by Nicholas Garland|
|Music by||Peter Best|
|Edited by||John Scott, William Anderson|
|Distributed by||Philip Adams
Columbia Pictures Video Ltd.
|Running time||114 minutes|
The Adventures of Barry McKenzie is a 1972 Australian film starring Barry Crocker, telling the story of an Australian 'yobbo' on his travels to the United Kingdom. Barry McKenzie was originally a character created by Barry Humphries for a cartoon strip in Private Eye. The movie was the first Australian film to surpass one million dollars in Australian box office receipts. A sequel, Barry McKenzie Holds His Own, was produced in 1974.
Barry Humphries appears in several roles, including: a hippie, Barry McKenzie's psychiatrist Doctor De Lamphrey, and as Aunt Edna Everage (later Dame Edna Everage). Humphries would later achieve fame with the character of Dame Edna in the UK and USA.
Barry 'Bazza' McKenzie (Barry Crocker) travels to England with his aunt Edna Everage (Barry Humphries) to advance his cultural education. Bazza is a young Aussie fond of beer, Bondi and beautiful 'sheilas'. He settles in Earls Court, where his old friend Curly (Paul Bertram) has a flat. He gets drunk, is ripped off, insulted by pretentious Englishmen and exploited by record producers, religious charlatans and a BBC television producer (Peter Cook). He reluctantly leaves England under the orders of his aunt, after exposing himself on television. His final words on the plane home are, "I was just starting to like the Poms!".
- Barry Crocker as Barry McKenzie
- Barry Humphries as Aunt Edna/Hoot/Meyer de Lamphrey
- Peter Cook as Dominic
- Spike Milligan as landlord
- Dick Bentley as detective
- Dennis Price as Mr Gort
- Julie Covington as Blance
- Avice Landon as Mrs Gort
- Joan Bakewell as herself
- Paul Bertram as Curly
- Mary Anne Severne as Lesley
- Jonathan Hardy as Groove Courtney
- Jenny Tomasin as Sarah Gort
- Chris Malcolm as Sean
- Judith Furse as Claude
- Maria O'Brien as Caroline Thighs
- John Joyce as Maurie Miller
- Margo Lloyd as Mrs McKenzie
- Brian Tapply as avant-garde composer
- John Clarke as underground filmmaker
- Wilfred Grove as customs officer
- William Rushton as man on plane
- Bernard Spear as taxi driver
- Jack Watling
- Alexander Archdale
Bruce Beresford was living in London and knew Barry Humphries socially when he heard about government funding being given to Australian films.
I said to Barry Humphries that we should do a script from the comic strip because they had money available to make films but it hadn't occurred to them that they had no one to make them. I said, 'I don't think they've thought about that but if we whip back to Australia with a script, with you starring in it and we're all set to go, we have a good chance of getting the money. There wouldn't be all that many going for it'. And that's more or less what happened.
The film was entirely funded by the Australian Film Development Corporation. Shooting started in London in January 1972, with the unit moving to Australia in February. Local unions complained about the presence of British technicians in the crew, but a compromise was reached where Australian technicians joined the crew. Filming ending in March.
Philip Adams insisted on distributing the film himself initially. The film was very popular at the box office in Australia and London, and the production company repaid the government most of its money within three months of release. Bruce Beresford:
Personally, it was a massive mistake for me to do it, a massive mistake, because the film was so badly received critically. Instead of getting me work, even though it was successful commercially, it put me out of work.
This was the first Australian film to surpass $1 million at the national box office, and it led the Australian box office in 1972. The film recovered its $250,000 budget within a few months after release.
The film explores the cultural distance between Australian popular culture and the manners and mores of England. Barry is the extreme embodiment of "Ockerism" of the late fifties and mid-sixties Australia. Swearing, excessive drinking, vomiting, rowdiness and other crassness is glorified. The film also plays with the ideas of the era where the sixties cultural revolution had swept aside the "certainties" of classical education.
- Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p265
- Don Groves, "Beresford reflects on his 'colossal mistake': A TV screening of an iconic Australian comedy brings back mixed memories for the filmmaker." SBS, 23 March 2010.
- "Australianscreen.com.au - The Adventures of Barry McKenzie". National Film and Sound Archive. Retrieved 22 December 2008.
- "Interview with Bruce Beresford", Signet, 15 May 1999 accessed 17 November 2012
- Gordon Glenn & Scott Murray, "Phil Adams: Producer", Cinema Papers, March–April 1976 p340
- David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p44
- Ben Davies, "Our lost Golden Age", The Spectator, 2 June 2010.
- A Film Victoria report on box office results states that The Adventures of Barry McKenzie took $47,000 at the box office in Australia, which is equivalent to $399,500 in 2009 dollars. Film Victoria - Australian Films at the Australian Box Office, archive copy here. However, this figure may be an error, since it is inconsistent with the many other sources that describe the film as a major box office success that recouped its $250,000 budget in a few months. See also the notes at the entry for The Adventures of Barry McKenzie at Oz Movies, raising similar doubts about the Film Victoria box office figures.
- The Adventures of Barry McKenzie at the Internet Movie Database
- The Adventures of Barry McKenzie at Australian Screen Online
- ""Barry Mckenzie fan site""
- The Adventures of Barry McKenzie at Oz Movies