The Aquabats performing in Anaheim, California in December 2012.
|Origin||Huntington Beach, California, U.S.|
|Genres||Rock, New Wave, ska, synthpop|
|Labels||Horchata, Goldenvoice, Fearless, Nitro|
|Associated acts||Digital Unicorn, DJ Lance Rock, GOGO13, The Sandfleas, Supernova|
|Members||The MC Bat Commander
Jimmy the Robot
Eagle "Bones" Falconhawk
Chainsaw the Prince of Karate
The Baron von Tito
The Aquabats are an American rock band formed in Orange County, California in 1994. Throughout many fluctuations in the group's line-up, singer The MC Bat Commander and bassist Crash McLarson have remained regular fixtures. Since 2006, the band's members also include keyboardist Jimmy the Robot, drummer Ricky Fitness, and guitarist Eagle "Bones" Falconhawk.
Easily identified by their masks and matching costumes, The Aquabats are perhaps most recognized for their theatrical persona in which they claim to be crime-fighting superheroes. This theme serves as subject for much of the band's music and as part of their stage shows, which regularly feature comedic stunts and fight scenes with costumed villains and creatures. Musically, The Aquabats have continually evolved over the course of their career, starting as an eight-member ska band before reinventing themselves in the early 2000s as a synthesizer-driven rock quintet. The band's present musical style blends elements of rock, punk, New Wave, ska, and synthpop.
Since their debut in 1996, The Aquabats have released five studio albums, two extended plays and one compilation, among other recordings. As of March 2012, The Aquabats! Super Show!, a live-action musical television series starring the band, currently airs on American cable channel The Hub.
In the early 1990s, musicians Christian Jacobs, Chad Larson and Boyd Terry befriended each other while living in Brea, California. Having all been active in various local punk rock and alternative bands, the three conceived the idea of forming a joke band satirizing the Orange County punk scene, which Jacobs described at the time as being overwhelmed with "testosterone, beer and people fighting". The idea was to start an unabashedly silly band boasting a happy, positive persona — an antithesis to aggressive and humorless punk bands — with the intention of performing at punk shows to poke fun at the scene. While later attending a ska show in Orange County, Jacobs was exposed to the area's burgeoning ska scene and was impressed by its ethos: as he recalled, "No one was fighting or pushing each other but having a good time". It was then decided they'd start a ska band instead, "to be part of the fun".
With Jacobs assuming vocal duties, Larson on bass guitar and Terry on trumpet, the trio recruited several more musician friends from other local bands to piece together a full ensemble. Each member of the original line-up had musical backgrounds in various genres, including ska, punk, surf and New Wave, all elements which were incorporated into the band's music and aesthetic: for example, the name "The Aquabats" was created to sound like a classic surf band, while a mutual admiration of Devo inspired the idea of matching costumes. Rehearsing only once in a house Jacobs and Larson shared at the time, The Aquabats played their first show a mere week after forming at a house party in August 1994. Larson recalled this show as merely "a joke...we weren't trying to be a band. We were trying to have fun". Nevertheless, one gig soon led to another, and The Aquabats eventually found themselves becoming familiar faces in the Orange County music scene.
1994–1996: Early years 
With professionalism far from foremost concern, The Aquabats' earliest band line-ups changed with almost every concert, occasionally featuring as many as twelve to fourteen musicians at a time onstage, with the majority typically playing brass instruments. As they gradually developed a steady following and began playing shows with more regularity, the band settled into a tighter and more manageable unit consisting of around eight to nine musicians, filled out by a horn section, two guitarists and a keyboardist. It was with this type of line-up that The Aquabats began recording, independently producing the demo tapes The Revenge of the Midget Punchers in 1994 and Bat Boy in 1995.
Originally, The Aquabats intended to make each of their performances unique by wearing a different set of matching costumes for every concert, ranging from chef's uniforms to grass skirts and fezzes, all with an individual persona — for example, during one show wearing chef outfits, the band hosted an actual onstage barbecue. When the group's props and get-ups soon became more cumbersome to transport than their musical equipment, it was decided a singular costume was ultimately required. Terry, a future apparel designer who was employed by the wetsuit manufacturing company Aleeda at the time, acquired a large amount of spare rubber and neoprene and fashioned together a set of helmets and rashguards for the band members. The addition of customized vinyl belts, donated to the band by then-unknown artist Paul Frank, effectively completed the style The Aquabats would maintain for the rest of their career.
To accompany their distinct new uniforms, The Aquabats developed a backstory which alleged they were actually superheroes hailing from the distant island of "Aquabania", though Larson admits the entire mythology was simply made up piece by piece as they went along from one interviewer to the next. As their mythology grew, the members soon adopted superhero stage names and identities, and began tailoring their live shows around a comic book aesthetic by incorporating onstage stunts and mock battles with costumed villains, antics which were originally ploys to get the band's friends into shows for free. Jacobs' brothers Parker, a cartoonist, and Tyler, a graphic artist, were brought in to help develop the band's visual style, designing the group's logos and promotional material, as well as playing characters in The Aquabats' stage shows and mythology.
In 1996, The Aquabats independently produced and recorded their debut album, The Return of The Aquabats, pressing the CDs themselves. Having already amassed a sizable cult following in the southern California music scene for their eccentric stage shows, the band managed to sell a respectable 20,000 copies of their album without any marketing or distribution. With the growing mainstream popularity of ska music, The Aquabats quickly rose to prominence within Orange County's booming ska scene, regularly touring alongside the likes of such commercially successful bands as No Doubt, Sublime, Reel Big Fish and Save Ferris and bringing them to the brink of achieving mainstream recognition.
1997–1998: The Fury of The Aquabats! and mainstream breakthrough 
By late 1996, ska had broken through into the American mainstream to become one of the most popular forms of alternative music, driven by the multi-platinum success of No Doubt and Sublime. With record labels now turning their attention towards ska bands, The Aquabats were promptly signed to Goldenvoice Records and released their second album The Fury of The Aquabats! in October 1997 through Time Bomb Recordings. While still predominantly a ska album, The Fury showcased a more ambitious musical streak than The Return, incorporating stronger elements of punk and surf, as well as featuring instrumentals, parodies of ragtime and tango music, and a variety of unconventional instruments including sousaphones and banjos. Released at the commercial height of the American ska revival, The Fury soon became The Aquabats' most successful album to date, peaking at number 172 on the Billboard 200 and number 12 on its Top Heatseekers, while lead single "Super Rad!" found regular airplay on MTV and Los Angeles' influential KROQ-FM.
The Aquabats spent 1997 and 1998 touring extensively behind The Fury, carrying out both supporting and headlining tours of the United States and traveling internationally as part of the 1998 Warped Tour. By this time, the band had settled into a stable touring line-up of Jacobs (The Bat Commander), Larson (Crash McLarson), Terry (Catboy), drummer Travis Barker (The Baron Von Tito), guitarists Charles Gray (Ultra Kyu) and Courtney Pollock (Chainsaw, the Prince of Karate), trumpeter Adam Deibert (Prince Adam) and keyboardist/saxophonist James Briggs (Jaime the Robot, later Jimmy the Robot). This line-up would last The Aquabats up until 1998, when, in the middle of a tour with pop punk trio Blink-182, Blink unexpectedly fired their drummer Scott Raynor and recruited Barker as a last-minute replacement to sit in for the rest of the tour. By the tour's close, the band were so impressed with Barker's performance that they invited him to join Blink-182 as a full-time member, an offer which Barker accepted, amicably parting ways with The Aquabats. Barker was succeeded by Gabe Palmer (Doctor Rock), solidifying a line-up which would last the band the remainder of the decade.
With the band now finding enough success to generate both an adequate income and media attention, Jacobs — a former child actor with ties in the entertainment industry — began to conceive the idea of adapting The Aquabats' superhero mythology into a television series. After pitching the concept to several networks, Buena Vista Television eventually agreed to help produce a short live-action pilot in 1998, directed by comedian Bobcat Goldthwait. Titled simply The Aquabats!, the pilot followed the fictional misadventures of the eight band members in an intentionally campy style similar to Saturday morning cartoon shows. The pilot, which has yet to be made available for public viewing, ultimately failed to generate any network interest and was later openly disowned by the band themselves.
1999–2004: Career decline and semi-hiatus 
By the time The Aquabats began writing new material for their next studio album, the group had begun to feel pigeonholed by their public status as a "cheesy ska band" and consciously decided to start exploring more diverse musical styles rather than merely perpetuate their ska-based sound. As such, the band's third album, The Aquabats vs. the Floating Eye of Death!, marked an abrupt stylistic shift, completely abandoning the ska rhythms which dominated their previous albums in favor of more punk and New Wave-influenced textures, emphasizing guitar and synthesizer-driven melodies over brass and woodwinds. With the total absence of The Aquabats' formerly marketable ska sound, Goldenvoice expressed mixed feelings over Floating Eye, reportedly telling the band that the album had no potential single material and would be difficult to promote. In a 2005 interview, Larson retrospectively lamented upon Floating Eye's lack of a commercial sound, noting that while he and the band felt the material was strong, it "probably wasn't the record we should have put out at that time".
True to their predictions, Floating Eye failed to match the commercial success of its predecessor, charting only at a mere 35 on Billboard's Top Heatseekers. Despite the album's underwhelming performance, Goldenvoice nevertheless granted The Aquabats a small budget for a music video, which the band instead used to independently film a five-minute promotional video as another prospective television pilot, The Aquabats! In Color!, an action-oriented series styled similarly to Japanese tokusatsu shows. Despite potential interest from the Fox Family Channel prior to their acquisition by Disney which cancelled all development deals, the pilot again failed to attract network interest, bringing The Aquabats' career to a standstill.
Following the huge financial losses Goldenvoice suffered from the inaugural Coachella Valley Music and Arts Festival in 1999, the company was eventually forced to cease operations, leaving the Aquabats without a record label. After an unsuccessful search for a new label, the band eventually turned to the internet to independently manage and promote themselves while the members resumed their day jobs to continue funding the band. Jacobs likened the experience to a superhero's alter ego, working by day and fighting crime [read: being an Aquabat] by night. While The Aquabats could not secure a proper recording contract, the band did negotiate a distribution deal with Fearless Records, releasing a collection of outtakes and demos from the Floating Eye sessions entitled Myths, Legends, and Other Amazing Adventures, Vol. 2 before slipping back into a period of relative inactivity.
With a lack of label support leaving the band to finance themselves entirely out-of-pocket, The Aquabats indefinitely postponed all plans for future recording or extensive touring, limiting their activity primarily to sporadic shows in the southwest United States. The loss of touring income, coupled with the band members' increased focus on their day jobs and families, eventually contributed to the departure of several key members: in 2000, guitarist Gray left the band, followed by Palmer and co-founder Terry in 2002. To avoid the financial constraints of hiring two new members, Adam Deibert assumed a dual role as trumpeter and guitarist for the band's live shows, while Palmer was replaced by former Assorted Jelly Beans drummer Ricky Falomir (Ricky Fitness). With this more stable and compact line-up, The Aquabats returned to the studio to record original music for Evan Dorkin's Welcome to Eltingville, a 2002 animated television pilot which aired on Adult Swim but was ultimately not picked up as a series. The following year, the band would release their first DVD, Serious Awesomeness!, featuring a full live performance filmed in Pomona, California and numerous clips spanning their entire career.
In 2004, with almost five years passed since having released any official studio material, The Aquabats independently recorded and released the five-track EP Yo! Check Out This Ride! as an attempt to both satisfy the band's fanbase and serve as a potential demo to attract interest from record labels. As their first recording with only six members and no use of a horn section, Yo! Check Out This Ride! marked the most drastic shift yet in The Aquabats' sound, taking the band further into synthesizer-structured melodies and a stronger focus on rock and New Wave-influenced songwriting. This would also mark Deibert's final recording with the band, as he would officially retire from the group later in the year, effectively reducing The Aquabats down to a quintet.
2005–2009: Charge!! and renewed success 
In the summer of 2004, The Aquabats were signed to independent label Nitro Records and began work on a new studio album in the fall. Despite this fortuitous turn of events, the group were still uncertain of their future following their semi-hiatus and radical shift in line-up; Jacobs later admitted that the band spent the recording sessions under the belief that it could possibly be their last album. After several months of production and much online hype, The Aquabats released their fourth album Charge!! on July 7, 2005. Continuing with the direction set by Yo! Check Out This Ride!, Charge!! was a bold introduction to The Aquabats' new musical style of guitar-driven, New Wave-influenced rock.
Released to a largely positive critical reception with many critics praising the band's shift in genre, Charge!! effectively revitalized The Aquabats' career as the band recommitted themselves to regular touring. Days after the album's release, The Aquabats headlined a successful 34-city tour of the United States with similarly theatrical bands The Epoxies and The Phenomenauts, followed by tours of the United Kingdom and Japan, the latter supporting Nitro Records founders The Offspring. On September 23, 2005, The Aquabats made their national television debut on the G4 program Attack of the Show, performing Charge!!'s lead single, "Fashion Zombies!".
While the following year would present even more touring opportunities for The Aquabats, the band's renewed success would ultimately have its consequences. In May 2006, it was announced that guitarist Pollock had reluctantly departed the group after 12 years, claiming the band's increased touring activity was conflicting with his business schedule. Pollock was succeeded by former Death by Stereo member Ian Fowles (Eagle "Bones" Falconhawk), though he would continue to contribute guitar tracks to The Aquabats' studio albums and perform with the band as a second guitarist for their southern California concerts and major festival shows. After releasing a limited-print tongue-in-cheek "One Year Anniversary Edition" of Charge!!, The Aquabats carried out another national tour before announcing a brief hiatus in January 2007 to focus on writing their next album.
During this period, Jacobs had been pursuing a career in television production with his creative partner and longtime Aquabats collaborator Scott Schultz, developing independent pilots for family-friendly television series. In 2007, Jacobs and Schultz successfully sold one of their pilots, a preschooler show called Yo Gabba Gabba!, to Viacom's Nick Jr. channel. As a musically oriented series, Yo Gabba Gabba! featured several guest appearances by The Aquabats, both performing old and new songs and starring in various sketches. The series went on to become an award-winning international sensation, bringing a moderate amount of media attention towards both Jacobs and The Aquabats, enough to persuade Gabba's production company Wild Brain to produce a new pilot again based on the band.
Shot on location throughout California in late 2007 and early 2008, The Aquabats' third television pilot, titled The Aquabats! Super Show!, was a fully realized half-hour episode featuring both live-action and animated storylines starring and featuring original music by the band. The Aquabats spent the remainder of 2008 heavily promoting the Super Show! pilot through extensive viral advertising and further touring, including appearances at the 2008 San Diego Comic-Con International, where the pilot was publicly debuted for fans, high-profile festivals including the Bamboozle Left and Groezrock in April 2009, and opening for Blink-182 on two dates of their 2009 reunion tour.
Though The Aquabats continued to be a popular touring draw, the band experienced a tumultuous period of pre-production on their proposed fifth studio album lasting for nearly two years. Though a July 2007 news update announced that preliminary recording had already begun, no new material ever surfaced from these sessions or was ever performed live. As the band resumed touring throughout the United States and Europe, fewer updates were reported on the album's progress until all plans were abruptly ceased in April 2009, when The Aquabats were dropped from Nitro Records due to "trying economic times and a struggling musical landscape", according to Jacobs. With a glum confirmation of "no record company, no record", The Aquabats' future seemed once again shadowed in doubt.
2010–present: Hi-Five Soup! and The Aquabats! Super Show! 
The Aquabats continued to tour internationally throughout 2010 and 2011, headlining tours of the United States and the United Kingdom, as well as appearing at the 2010 Soundwave festival in Australia — the band's first visit to the continent. In August 2010, The Aquabats announced plans on their website that they would be independently releasing their next studio album in November of that year. However, following a last-minute distribution deal with Fearless Records, the album's release date was postponed to 2011 to provide for proper marketing and promotion, and an EP containing its first single, Radio Down!, was released in its place. Hi-Five Soup!, The Aquabats fifth full-length album, was released on January 18, 2011, becoming the band's highest-charting album since The Fury, debuting at number 181 on the Billboard 200 and number 5 on Top Heatseekers. In promotion of the album, the band embarked on a 21-city national tour supporting Reel Big Fish, followed by a performance at the 2011 Coachella Valley Music and Arts Festival.
On March 23, 2011, it was formally announced via press release that the Hasbro/Discovery-owned cable television channel The Hub had acquired The Aquabats! Super Show! for a season run of 13 episodes. After spending the remainder of the year in production, the series premiered on March 3, 2012 to a largely positive critical reception and consistently high ratings for the channel. In addition to starring roles, The Aquabats contribute original music and songs for each episode; Jacobs has expressed plans for the possibility of releasing either a new Aquabats album or a soundtrack accompaniment in wake of the series.
The first season of The Aquabats! Super Show! concluded on June 16, 2012, having met with a largely positive critical reception and later earning a Daytime Emmy nomination for Outstanding Children's Series. In October, production began on the series' second season, which will begin airing on June 1, 2013. Currently, The Aquabats continue to tour internationally; following a brief European tour in April 2013, the band will be once again touring for part of the Warped Tour throughout the summer.
Musical style 
Over the course of their nearly two decades-long career, The Aquabats have experienced several radical evolutions in their sound and musical style.
"Super Rad!", the leading single from The Fury..., exemplifies the rhythmic ska influence typical of the band's early material.
With guitar riffs and synthesizers taking precedence over brass melodies, Floating Eye marked The Aquabats' transition from ska into more textured punk and New Wave sounds.
Charge!!, The Aquabats' first album as a quintet, established the band's current musical style of guitar-driven rock and punk.
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Having originally formed as a part of Orange County's burgeoning third wave ska scene, much of the band's early material was rooted in such. Boasting an eight-piece line-up featuring two lead guitarists, a keyboardist and a horn section consisting of two trumpets and a saxophone, The Aquabats' style of ska was primarily driven by brass and guitar, incorporating elements of surf rock and punk rock. Their second album, 1997's The Fury of The Aquabats!, while predominantly ska-based, found the band starting to expand their sound into newer territory, featuring more pronounced punk and surf influences and tongue-in-cheek experimentalism, including instrumental songs, eccentric parodies of ragtime and tango music, and utilizing such genre-unconventional instruments as clarinets, electric sitars and even manualism.
In 1999, The Aquabats underwent a significant shift in style for their third studio album The Aquabats vs. the Floating Eye of Death! and its companion piece Myths, Legends and Other Amazing Adventures, Vol. 2, further exploring the multi-genre eclecticism which had been hinted at with The Fury. A conscious decision by the band to write more diverse material, these albums saw a complete forfeit of the brass-driven ska of their previous albums in favor of more guitar and synthesizer-structured songwriting, embracing a punk rock and New Wave sound greatly influenced by Devo and Oingo Boingo, two of The Aquabats' biggest inspirations. The band also began widening their genre experimentation to encompass such disparate styles as electronica, synthpop and even hip-hop, elements which persist in their sound to present day.
During The Aquabats' career lull in the early 2000s, several of the band's key members departed from the line-up, eventually reducing the former octet down to a mere quintet of vocals, guitar, keyboards, bass and drums. This understandably had a profound impact on The Aquabats' sound, in particular the complete loss of their once characteristic horn section. 2005's Charge!!, the first release featuring this reduced line-up, marked an abrupt shift from the eclecticism of their previous records, firmly establishing The Aquabats' current rock-based musical style, a sound also incorporating elements of punk, New Wave and ska. In recent years, The Aquabats have introduced a stronger presence of synthesizers into this style, with critics noting their 2011 album Hi-Five Soup! as featuring stronger elements of synthpop and electronica.
Departure from ska genre 
Having moved away from an overtly ska-based sound in the early 2000s, The Aquabats have since distanced themselves from their association with the ska scene, currently referring to themselves as simply a "rock band". In a 2012 interview, singer Christian Jacobs stated "I don't think we ever considered ourselves a ska band. We were just The Aquabats. And some of the songs we happened to play were ska", noting elsewhere, "It was never a deliberate thing [to stop playing ska], but I think it just naturally happened, because there's a lot of different styles of music that we play. I've always been into bands like Ween and things like that, that can chameleon-like drift from genre to genre and play whatever music they want...there's no boundaries. If you set yourself up as a punk band, then you pretty much just have to play punk. Or if you're a ska band, you just play ska". Chad Larson, speaking on the same matter, explained "Having the same guitar rhythm for every song gets kind of boring...even on the earlier albums that had ska rhythms we were focusing more on the 'adventure' songs than really 'ska' songs. So as we grew as musicians, we wanted to experiment with different rhythms", jokingly adding "we were never really a good ska band anyway".
Live performances 
Since their formation, The Aquabats have earned a reputation for their theatrical live performances featuring a variety of comedic antics based around the band's superhero persona.
During the 1990s, when their concerts were at their most elaborately staged, a typical Aquabats performance would often include such theatrics as choreographed fight scenes, giant inflatable props, food fights, acrobatic stunts and varying degrees of pyrotechnics, ranging from shooting fireworks to The MC Bat Commander fire breathing. While many of these elements were eventually phased out of the band's concerts in the 2000s, the one consistent staple of every Aquabats live show has remained the band's onstage "battles" with costumed villains and monsters. These villains, typically played by The Aquabats' road crew, will crash the stage and exchange humorous banter with the band before engaging in a mock fight scene. These fights have ranged from short, improvised fistfights to fully choreographed stage combat utilizing breakable props, maneuvers such as flying kicks and back flips, and sometimes spreading out into the audience, with The Aquabats ultimately winning most— but not all— encounters. At some shows, in place of a villain, The Aquabats will feature a sketch with one of their "allies": for example, to segue into their song "Magic Chicken", the titular character— a man in a chicken suit— will come onstage to hand out fried chicken to crowd members.
Audience participation is a common element of The Aquabats' concerts. Both the band and their onstage characters regularly interact with the crowd, including initiating mass games of beach ball volleyball or spraying them with substances like Silly String and fire extinguishers. Additionally, some of The Aquabats' enemies are known only to be "defeated" by the audience from being pelted with projectiles supplied by the band, usually large quantities of plastic balls. Acknowledging the younger members of their fanbase, The Aquabats often incorporate any children in the audience as part of their shows, inviting them to dance onstage with the band at the end of their sets. With parents' permission, these children also take part in onstage games and activities with the aide of the audience. The most common of these have included "pool floatie races", where two selected children and members of The Aquabats mount inflatable pool toys to race across the venue via crowd surfing, and assisted stage diving, in which between songs the MC Bat Commander will gently throw children into a waiting audience so they may experience their "first punk rock moment".
On the visual end of these performances, keeping in line with their cartoon and pop culture-inspired aesthetic, The Aquabats' stage shows are accompanied by a large video screen backdrop which plays montage clips of various cartoons, movies, TV shows, and stock footage specifically edited to match each song. This screen also plays prerecorded comedy videos starring the band which introduce and close each show, as well as fake commercials for fictional Aquabats-brand products which serve as impromptu "commercial breaks" between songs. These visuals, along with the band's props and costumes, are regularly changed to accommodate special seasonal performances, in particular The Aquabats' annual holiday shows.
Superhero mythology 
One of the most defining characteristics of The Aquabats is the band's theatrical mythology in which they claim to be crime-fighting superheroes on a quest to save the world, a theme which has been reflected in the band's music, costumes, stage shows, and promotional material for the entirety of their professional career.
Detailed in their lyrics, liner notes, comprehensive website and now television series, The Aquabats have developed a small but elaborate universe surrounding this mythology, describing the band's fictional adventures as well as conceiving an extensive roster of enemies and allies, many of whom are the subjects of specific songs and have appeared as part of the band's stage shows in mock fight scenes or comedic skits. Over the years, this mythology, and in particular the fictional backstory regarding their origins, has continually changed, evolved and occasionally been retconned to explain changes in the band's line-up.
The Aquabats' origin story can be separated into two distinct eras. For the first half of their career, the band maintained a canonical backstory established over the course of their first two albums, alleging the band members were actually humanoid bat creatures hailing from a distant island called "Aquabania". According to legend, Aquabania had been invaded by the villainous Space Monster "M", forcing its inhabitants to flee into the ocean. Eventually washing ashore in California, the survivors were taken in by Professor Monty Corndog, a mad scientist who used "chemicals" to give them superpowers. Donning costumes including "radioactive rashguards", "power belts", and "anti-negativity helmets", The Aquabats decided to channel their powers through music in order to "take over the world" by attracting legions of fans to aide them in combating Space Monster "M" and reclaiming their homeland, fighting the numerous villains and monsters who'd attempt to thwart their musical quest along the way.
With the heavy line-up changes in the early-to-mid 2000s which left only two of the original members remaining, The Aquabats eventually phased the Aquabania elements out of their backstory, reestablishing themselves as a group of freelance superheroes of indeterminate origin who travel the countryside, fighting evil and "destroying boredom". This loose framework would later serve as the basis for the band's television series, The Aquabats! Super Show!, where each member's character was further developed to showcase their own individual powers and personalities, transitioning the Aquabats' mythology from a story arc to a character ensemble. Though the series has since featured several characters from The Aquabats' history, most notably Space Monster "M", they've been introduced in a context unique to the show rather than a continuation of the band's original mythology.
The Aquabats Cadet Faction 
The Aquabats Cadet Faction is the official fan club of the band, and its members are commonly referred to as Aquacadets. While the benefits of enrollment are regularly updated with each re-issuing of the membership packages, Aquacadets are usually allowed access to exclusive merchandise, an official newsletter, a personalized ID card and entrance to semi-annual fan conventions known as Cadet Summits. These Summits are held in southern California and include meet and greets with the band, raffles and door prizes, and live performances by The Aquabats and their related side projects. There have been five such Summits held over the years, with the first held on October 25, 1997 in Fountain Valley and the most recent held on July 22, 2006 in San Diego, which included a complete performance of The Return of the Aquabats album in celebration of the tenth anniversary of its release.
Fans are encouraged to attend these events and the band's concerts in costume. These costumes often include official items that are available as part of the band's merchandise catalogue, but also consist of homemade and personalized outfits, a practice The Aquabats actively encourage and sometimes award at Cadet Summits. Some fans have also independently formed splinter factions of the Aquacadets such as the "Astrobats", "Piratebats" and "Ninjabats", outfitting themselves with accordingly themed customized apparel to show their support for the band.
- Studio albums
- The Return of The Aquabats (1996)
- The Fury of The Aquabats! (1997)
- The Aquabats vs. the Floating Eye of Death! (1999)
- Charge!! (2005)
- Hi-Five Soup! (2011)
Band members 
Revenge of the Midget Punchers
|1995 - 1997
The Return of The Aquabats
The Fury of the Aquabats!
|1998 - 2000
The Aquabats vs. the Floating Eye of Death!
Myths, Legends, and Other Amazing Adventures, Vol. 2
|2000 - 2002
live shows only
|2002 - 2004
Yo! Check Out This Ride! EP
|2004 - 2006
Current members 
- The M.C. Bat Commander (Christian Jacobs) - vocals (1994–present)
- Crash McLarson (Chad Larson) - bass guitar, backing vocals (1994–present)
- Jimmy the Robot (James Briggs) - keyboards, saxophone, other brass and wind instruments, backing vocals (1997–present)
- Ricky Fitness (Richard Falomir) - drums, percussion, backing vocals (2002–present)
- Eagle "Bones" Falconhawk (Ian Fowles) - guitar, backing vocals (2006–present)
Former members 
- Gumby (Matt Van Gundy) - guitar (1994 - 1995)
- Nacho (Chad Parkin) - keyboards (1994 - 1997)
- Roddy B. (Rod Arellano) - drums (1994 - 1997)
- Ben the Brain (Ben Bergeson) - guitar (1994 - 1997)
- Jeffery McFerson – trombone (1995)
- The Baron von Tito (Travis Barker) - drums, percussion (1997 - 1998)
- Ultra Kyu/The Mysterious Kyu (Charles Gray) - guitar, other string instruments, synthesizer, backing vocals (1994 - 2000)
- Catboy (Boyd Terry) - trumpet, other brass instruments, backing vocals (1994 - 2002)
- Doctor Rock (Gabe Palmer) - drums (1998 - 2002)
- Prince Adam (Adam Deibert) - trumpet, synthesizer, guitar, backing vocals, hand accompaniment (1994 - 2004)
- Chainsaw the Prince of Karate (Courtney Pollock) - guitar (1995 - 2006)
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- The Aquabats official website
- The Aquabats on Fearless Records
- The Aquabats at Facebook
- The Aquabats on Myspace