The Big Red One
|The Big Red One|
Theatrical release poster
|Directed by||Samuel Fuller|
|Produced by||Gene Corman|
|Written by||Samuel Fuller|
Bobby Di Cicco
|Music by||Dana Kaproff|
|Edited by||Morton Tubor|
|Distributed by||United Artists (original release)
Warner Bros. (reconstruction)
|Release dates||July 18, 1980|
113 minutes (1980 Theatrical Version)162 minutes (2004 Restored Version)
It was heavily cut on its original release, but a restored version, The Big Red One: The Reconstruction, was premièred at the 2004 Cannes Film Festival, seven years after Fuller's death. Fuller wrote a book, with the same title, which was more a companion novel than a novelization of the film, although it features many of the scenes that were originally cut.
Fuller was a World War II veteran and served with the 1st Infantry Division, which is nicknamed The Big Red One for the red numeral "1" on the Division's shoulder patch. He received the Silver Star, Bronze Star and Purple Heart during his service. He was present at the liberation of the Falkenau concentration camp.
The film begins in black and white in November 1918 at the end of World War I. A private (Marvin), using his trench knife, kills a German soldier who was approaching with his arms raised and muttering in German. When he returns to his company's headquarters, the private is told that the war ended "about four hours ago." The 1st Division patch is shown in color.
The film then moves to November 1942, when the soldier, now a sergeant (Sgt. Possum) in the 'Big Red One', leads his squad of infantrymen through North Africa. Over the next two years the squad serves in campaigns in Sicily, Omaha Beach at the start of the Battle of Normandy, the liberation of France and the invasion of western Germany.
Throughout the film, the Sgt. Possum's German counterpart, Schroeder, participates in many of the same battles and displays a murderous loyalty to Hitler and Germany. At different times he and the sergeant express the same sentiment that soldiers are killers but not murderers.
During the advance across northern France the squad crosses the same field where the sergeant killed the surrendering German at the start of the film, where a memorial now stands. The following short conversation takes place:
- Johnson: Would you look at how fast they put up the names of all our guys who got killed?
- Sgt. Possum: That's a World War One memorial.
- Johnson: But the names are the same.
- Sgt. Possum: They always are.
The squad's final action in the war is the liberation of Falkenau concentration camp in Czechoslovakia. Shortly after this, the sergeant is in a forest at night, having just buried a young boy he had befriended after liberating a concentration camp. Schroeder approaches, attempting to surrender, but the sergeant stabs him. His squad then arrives and informs him that the war ended "about four hours ago." This time, as the squad walks away, Pvt. Griff (Mark Hamill) notices that Schroeder is still alive; the sergeant and his men work frantically to save his life as they return to their encampment.
- Lee Marvin - Sgt. Possum - A First World War veteran, he leads the squad through World War II.
- Mark Hamill - Pvt. Griff - A skilled marksman who initially refuses to "murder" but overcomes this reluctance after seeing the horrors at Falkenau concentration camp
- Robert Carradine - Pvt. Zab - Author of a novel (the "Dark Deadline") and the film's narrator.
- Bobby Di Cicco - Pvt. Vinci - Of Italian descent, he proves an important asset to his squad in Sicily.
- Kelly Ward - Pvt. Johnson - A farmer and a medic.
- Siegfried Rauch - Feldwebel Schroeder - The German counterpart to "The Sergeant".
- Stéphane Audran - Underground Walloon fighter at an asylum in Belgium.
|This section does not cite any references or sources. (April 2012)|
- Extended scene after the beach landing in North Africa when the squad is resting and eating, more quirky scene involving an Arab boy.
- The Sarge and the 'Horsemen' are trapped in an ancient Roman colosseum, and are relieved by French Spahi Moroccan cavalry. The scene ends with the Moroccan Goums cutting off the ears of dead Germans.
- Extended Sicilian landings where the squad engages a machine-gun nest.
- Omaha Beach, D-Day, extended scene in which the whole infantry company, including Zab, encounter casualties (this was how director Fuller earned his Silver Star on D-Day).
- Schroeder receives a massage from a French woman whose husband has been killed by German soldiers.
- Aftermath of the attack on the lunatic asylum, where Griff has sex with a Walloon.
- Belgian innkeeper uncovers a German infiltrator as the squad eats a meal.
- Scene showing the Sarge's World War I commander, now the Big Red One's commanding general, giving an interview to a war correspondent (played by Sam Fuller). While this scene was not in the original 1980 release, the actor, Charles Macauley, was credited as "Captain/General".
- Tree-shelling scene extended to include the German artillery piece being destroyed by a Bazooka.
- Schroeder booby-trapping a castle, then killing the Frau of the house after he finds that she hates Hitler.
- The squad approaches a derelict castle, losing one man to a sniper. They capture the sniper, only to discover him to be an adolescent boy, a so-called "Hitler-Jugend".
- The squad encounters a protest march of old Germans who refuse to let the squad pass until the Sarge threatens to shoot their leader.
- Schroeder removing his equipment and thus ending his responsibility to fight.
Warner Brothers Studio was interested in filming The Big Red One in the late 1950s, sending Fuller on a trip to Europe to scout locations. Fuller directed Merrill's Marauders as a dry run for the film. When Fuller argued with Jack Warner and his studio over cuts they made to Merrill's Marauders, the plans for the film The Big Red One were dropped.
Peter Bogdanovich helped set the film up at Paramount Pictures who paid Fuller to write a script. However when Paramount head Frank Yablans left the studio, the project was in turnaround. It shifted over to Lorimar with Bogdanovich to produce (he says Fuller wanted him to play the Robert Carradine part) but then Bogdanovich pulled out and brought in Gene Corman to produce.
The film was shot on location in Israel and Ireland, with some snow scenes featuring Marvin shot in and around Big Bear National Park. Trim Castle in Trim, County Meath was used as the derelict castle where the adolescent sniper kills one of the GIs (Boyne) as he crosses the river.
In his review of the original, theatrical version of the film, Roger Ebert wrote:
While this is an expensive epic, he hasn't fallen to the temptations of the epic form. He doesn't give us a lot of phony meaning, as if to justify the scope of the production. There aren't a lot of deep, significant speeches. In the ways that count, "The Big Red One" is still a B-movie -- hard-boiled, filled with action, held together by male camaraderie, directed with a lean economy of action. It's one of the most expensive B-pictures ever made, and I think that helps it fit the subject. "A" war movies are about War, but "B" war movies are about soldiers.
It is currently listed 'Certified Fresh' by the critical website Rottentomatoes.com with a 91% rating and aggregate score of 7.7 based on 44 reviews.
- Fuller, Samuel A Third Face Alfred A. Knopf (2002)
- John Gallagher, "Between Action and Cut", August 2004 accessed 3 June 2013
- "Empire's 500 Greatest Movies Of All Time". Empire Online. 2006-12-05. Retrieved 2012-12-09.
- "Festival de Cannes: The Big Red One". festival-cannes.com. Retrieved 2009-05-25.
- "The Big Red One." Chicago Sun-Times.
- The Fighting First: The Untold Story of The Big Red One on D-Day by Flint Whitlock - 2004. ISBN 0-8133-4218-X
- The Big Red One (novel version) by Samuel Fuller - 1980; republished in 2004.
- The Big Red One at the Internet Movie Database
- The Big Red One at AllMovie
- The Big Red One at the TCM Movie Database
- Review of the Reconstruction
- Sam Fuller's Last Testament
- D-Day 67 Years On by Robert Farley on Lawyers, Guns and Money" - June 6, 2011 Video Interview of Mark Hamill on his meeting with director Sam Fuller