The Big Trail
|The Big Trail|
Movie poster for The Big Trail
|Directed by||Raoul Walsh|
|Produced by||Winfield R. Sheehan|
|Edited by||Jack Dennis|
|Distributed by||Fox Film Corporation|
|Running time||122 min. 70 mm version, 108 min. 35 mm version|
In 2006, the United States Library of Congress deemed this film "culturally, historically, or aesthetically significant", and selected it for preservation in the National Film Registry and saying "the plot of a trek along the Oregon Trail is aided immensely by the majestic sweep provided by the experimental Grandeur wide-screen process used in filming."
A large caravan of settlers attempt to cross the Oregon Trail. Breck Coleman (John Wayne) is a young trapper who just got back to Missouri from his travels near Santa Fe, seeking to avenge the death of an old trapper friend who was killed the winter before along the Santa Fe Trail for his furs, by Red Flack (Tyrone Power, Sr.) and his minion Lopez (Charles Stevens). At a large trading post owned by a man named Wellmore, Coleman sees Flack and suspects him right away as being one of the killers. Flack likewise suspects Coleman as being somebody who knows too much about the killing. Coleman is asked by a large group of settlers to scout their caravan west, and declines, until he learns that Flack and Lopez were just hired by Wellmore to boss a bull train along the as-yet-unblazed Oregon Trail to a trading post north of Oregon, owned by another Missouri fur trader. Coleman agrees to scout for the train, so he can keep an eye on the villains and kill them as soon as they reach their destination. The caravan of settlers in their Prairie schooners would follow Wellmore's ox-drawn train of Conestoga Wagons, as the first major group of settlers to move west on the Oregon Trail. The action takes place between 1837 and 1845.[notes 1] This is historically accurate, as the first major wave of settlers on the Oregon Trail was in 1843 (though the details were completely different).
Coleman finds love with young Ruth Cameron (Marguerite Churchill), whom he'd kissed accidentally, mistaking her for somebody else. Unwilling to accept her attraction toward him, Ruth gets rather close to a gambler acquaintance of Flack's, Thorpe (Ian Keith), who joined the trail after being caught gambling. Coleman and Flack have to lead the settlers west, while Flack does everything he can to have Coleman killed before he finds any proof of what he'd done. The three villains' main reason for going west is to avoid the hangman's noose for previous crimes, and all three receive frontier justice instead. The settlers trail ends in the Willamette Valley of Oregon, where Coleman and Ruth finally settle down together amidst giant redwoods.
- John Wayne as Breck Coleman
- Marguerite Churchill as Ruth Cameron
- El Brendel as Gus, a comical Swede
- Tully Marshall as Zeke, Coleman's sidekick
- Tyrone Power, Sr. as Red Flack, wagon boss
- David Rollins as Dave "Davey" Cameron
- Frederick Burton as Pa Bascom
- Ian Keith as Bill Thorpe, Louisiana gambler
- Charles Stevens as Lopez, Flack's henchman
- Louise Carver as Gus's mother-in-law
- John Big Tree as Indian Chief
- Ward Bond as Sid Bascom
- Nino Cochise as Indian
- Iron Eyes Cody as Indian
|This section does not cite any references or sources. (October 2013)|
Director Walsh offered the lead to Gary Cooper, who couldn't accept it. Walsh asked friend and fellow director John Ford for suggestions: Ford recommended a then-unknown John Wayne because he “liked the looks of this new kid with a funny walk, like he owned the world.” When Wayne professed inexperience, Walsh told him to just “sit good on a horse and point.” [notes 2] Filming on The Big Trail began in April 1930. During production, John Wayne fell sick from dysentery and was nearly replaced.
Legend has it that the director Raoul Walsh had co-star Tyrone Power, Sr. almost beaten to death for forcing himself on the leading lady, Marguerite Churchill. Power would die just a year later from a heart attack.
The expensive shot-on-location movie was a box office bomb, possibly because it was widescreen release during a time when theatres would not change over due to the encroachments of the Great Depression. After making The Big Trail, Wayne found stardom only in low-budget serials and features (mostly Poverty Row westerns); it would take nine years—and the film Stagecoach—to return Wayne to mainstream prominence. Actor Ward Bond had a minor role in the film that had him on camera for much of the movie and foreshadowed many future appearances in Wayne projects, especially in films directed by John Ford. Bond developed a successful career playing character roles and later portrayed wagon-master Seth Adams in the similarly themed TV Western Wagon Train, which featured a scout dressed in buckskins similar to Wayne's outfit in The Big Trail. Bond, basically an extra in The Big Trail, can be seen somewhere in the frame in an extraordinary number of scenes.
The wagon train drive across the country was pioneering in its use of camera work and the scenery from the epic landscape. An effort was made to lend authenticity to the movie, with the wagons drawn by oxen and lowered by ropes down canyons when necessary. Tyrone Power's character's clothing looks realistic grimy, and the food supplies the immigrants carried with them were researched. Locations in five states were used in the film caravan's 2,000-mile (3,200 km) trek.
Preservation and re-releases
In the early 1980s, the Museum of Modern Art in New York City, which housed the 65 mm nitrate camera negative for The Big Trail, wanted to preserve the film but found that the negative was too shrunken and fragile to be copied and that no film lab would touch it. They went to Karl Malkames, a cinematographer and a specialist and pioneer in film reproduction, restoration, and preservation. He immediately designed and built a special printer to handle the careful frame-by-frame reproduction of the negative to a 35 mm anamorphic (CinemaScope) fine grain master. The printer copied at a speed of one frame a second, leading to a year-long undertaking.
The 70 mm version was seen on cable television at a time when only the 35 mm version had been released to VHS and DVD. A two-disc DVD was released in the US on May 13, 2008, followed by a Blu-ray edition in September 2012.
|This section does not cite any references or sources. (October 2013)|
Beyond the format difference, the 70 mm and 35 mm versions vary substantially from each other. They were shot by different cameras, and footage for each format was edited separately in the cutting room. Some scenes were shot simultaneously by both cameras, the only difference being the angle (with the better angle usually given to the 70 mm camera). Some scenes were shot first by one camera, and then retaken with the other camera. The 70 mm cameras could not focus well up close, so the shots were mainly panoramas with very few close-ups. The 35 mm cameras could move in and focus at short distances. Thus scenes in the 70 mm version might show two characters talking to each other in the same take, while in the 35 mm would have close-up shots cutting back and forth between the two characters.
In the editing of the films, some scenes were edited out for one version but allowed to remain in the other version. The 35 mm version was edited to be shorter (108 minutes rather than 122 minutes), so many scenes in the 70 mm version are not found in the 35 mm film. However, there are a few scenes in the 35 mm version not found in the 70 mm.
The 70mm version has been released on VHS as well as DVD in its widescreen original, but also reformatted to fit a traditional TV screen, despite the availability of the 35 mm version which is closer to that format. The 35 mm version is included along with the 70 mm version in the 2008 2-disc DVD release.
Foreign language versions
A fairly common practice in the early sound era was to produce at least one foreign-language version of a film for release in non-English speaking countries, an approach later replaced by simply dubbing the dialogue. There were at least four foreign-language versions made of The Big Trail, using different casts and different character names:
- French: La Piste des géants (1931), directed by Pierre Couderc, starring Gaston Glass (Pierre Calmine), Jeanne Helbling (Denise Vernon), Margot Rousseroy (Yvette), Raoul Paoli (Flack), Louis Mercier (Lopez). La Piste des géants at the Internet Movie Database
- German: Die Große Fahrt (1931), directed by Lewis Seiler and Raoul Walsh, starring Theo Shall (Bill Coleman), Marion Lessing (Ruth Winter), Ullrich Haupt (Thorpe), Arnold Korff (Peter), Anders Van Haden (Bull Flack), Peter Erkelenz (Fichte), Paul Panzer (Lopez). Die Große Fahrt at the Internet Movie Database
- Italian: Il grande sentiero (1931), starring Franco Corsaro and Luisa Caselotti.[notes 3]
- Spanish: La Gran jornada (1931), directed by David Howard, Samuel Schneider, and Raoul Walsh, starring Jorge Lewis (Raul Coleman), Carmen Guerrero (Isabel Prados), Roberto Guzmán (Tomas), Martin Garralaga (Martin), Al Ernest Garcia (Flack), Tito Davison (Daniel), Carlos Villarías[notes 4] (Orena), Charles Stevens[notes 5] (Lopez). La Gran jornada at the Internet Movie Database
- Elyes, Allen. John Wayne. South Brunswick, N.J.: A.S. Barnes and Co., 1979. ISBN 0-498-02487-3.
- Ruth tells Honey Girl that there are 26 stars in the flag, dating the movie between Jan., 1837 and March 1845.
- Almost a decade later, John Ford claimed that he had discovered Wayne as a prop man when casting Stagecoach, despite the fact that Wayne had done more than 30 movies by the time Stagecoach was produced.
- Luisa Caselotti's younger sister, Adriana Caselotti, was the voice of Snow White in Walt Disney's animated classic Snow White and the Seven Dwarfs (1937).
- Villarías is best known for playing the title character in the Spanish-language version of Dracula (1931).
- Stevens plays the same part in both the English and Spanish versions of The Big Trail.
- Motion Picture News, 24 May 1930 - http://archive.org/stream/motionnew41moti#page/n821/mode/2up
- "Films Added to National Film Registry for 2006" (Press release). Library of Congress. December 27, 2006. Retrieved 2013-10-12. "The story goes that director Raoul Walsh was seeking a male lead for his new Western and asked his friend John Ford. Ford recommended an unknown actor named John Wayne because he “liked the looks of this new kid with a funny walk, like he owned the world.” When Wayne professed inexperience, Walsh told him to just “sit good on a horse and point.” The plot of a trek along the Oregon Trail is aided immensely by the majestic sweep provided by the experimental Grandeur wide-screen process used in filming. However, Wayne’s starring role in the movie did not lead to stardom. He languished in low-budget pictures until John Ford cast him in the 1939 classic “Stagecoach.”"
- McKelvey, Tara (9 October 2013). "Searching for John Wayne in the Alabama Hills". BBC News Magazine. Retrieved 2013-10-12.
- Magnified Grandeur – The Big Screen, 1926–31, David Coles, 2001
- "Wide Film Cinematography: Some Comments on 70 mm Camerawork From a Practical Cinematographer", Arthur Edeson, A.S.C., American Cinematographer, September 1930.
- The Big Trail at the Internet Movie Database
- The Big Trail at AllMovie
- The Big Trail at the TCM Movie Database
- The Big Trail at Rotten Tomatoes