The Bird People in China
| The Bird People in China | |
|---|---|
The Bird People in China DVD cover |
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| Directed by | Takashi Miike |
| Produced by | Yasuhiko Furusato Toshiaki Nakazawa |
| Written by | Novel: Makoto Shiina Screenplay: Masa Nakamura |
| Starring | Masahiro Motoki Renji Ishibashi Mako |
| Music by | Kôji Endô |
| Cinematography | Hideo Yamamoto |
| Editing by | Yasushi Shimamura |
| Release date(s) | |
| Running time | 118 minutes |
| Country | Japan |
| Language | Japanese |
The Bird People in China (中国の鳥人 Chûgoku no chôjin) is a 1998 Japanese movie directed by Takashi Miike. The film is considerably more mellow in tone than some of the director's more famous works, but is not the only such film.
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[edit] Overview
The story tells of a Japanese businessman who is sent to assess some gems in a remote Chinese village and a yakuza, who is accompanying him to make sure his organization gets its proper share. The scenery of China is something not usually explored in Japanese Film and this was a massive change of pace for Miike, and a far cry from his oft-called upon violence and sexuality. Chinese locations in the movie are in Yunnan Province, Dali City, Yunnan the city characters enter through a stone arched gate. The Nujiang River is where they see people riding pulleys on steel cables over the water.
[edit] Cast
| Actor | Role |
|---|---|
| Masahiro Motoki | Wada (The Businessman) |
| Renji Ishibashi | Ujiie (The Yakuza) |
| Mako | Shen (Their Guide) |
| Li Li Wang | Yan, Si-chang |
| Michiko Kase | |
| Yuichi Minato | |
| Tomohiko Okuda | |
| Manzô Shinra |
[edit] Themes
The film explores themes of Ecology and Third world vs. First world, it depicts the 'East' as a legendary place having a kind of mystical knowledge not shared by the West (including Japan), but twists its message by inserting the figure of the Grandfather who is a former British pilot. Near the end, the yakuza decides to kill all foreigners in order to keep the village away from civilization, but is reminded that in order to get to the village he had to use trains and airplanes. All in all the movie's message is a mixed one, technology is a good thing and a bad thing, tradition is a good thing and a bad thing. Human suffering exists in both, but also human happiness. The film shares the same humanistic message and feel which can be found in most of Miike's output.
[edit] Awards
The film was screened at a number of festivals before being released in theatrical distribution, and it won the Audience Award at the 1998 Hawaii International Film Festival.
[edit] External links
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