The Black Cauldron (film)
|The Black Cauldron|
Original theatrical release poster
|Directed by||Ted Berman
|Produced by||Joe Hale
|Story by||Ted Berman
|Based on||The Book of Three and
The Black Cauldron by
|Narrated by||John Huston|
|Music by||Elmer Bernstein|
|Editing by||Armetta Jackson
|Studio||Walt Disney Pictures
Walt Disney Productions
|Distributed by||Buena Vista Distribution|
|Running time||80 minutes|
The Black Cauldron is a 1985 American animated dark fantasy-adventure film produced by Walt Disney Feature Animation. The 25th film in the Walt Disney Animated Classics, it is loosely based on the first two books in The Chronicles of Prydain by Lloyd Alexander, a series of five novels which in turn is based on Welsh mythology. It is also known as Taran and the Magic Cauldron.
The film centers around the evil Horned King who hopes to secure the magical Black Cauldron and rule the world with its aid. He is opposed by the youths Taran and Princess Eilonwy, the bard Fflewddur Fflam, and a wild creature named Gurgi.
The film is directed by Ted Berman and Richard Rich, who had directed the previous Disney animated film The Fox and the Hound. It features the voices of Grant Bardsley, Susan Sheridan, Freddie Jones, Nigel Hawthorne, John Byner, and John Hurt. A video game based on the film was released in 1986. It was the first Disney animated film to receive a PG rating.
Taran is "assistant pig-keeper" on the small farm of Caer Dallben, home of Dallben the Enchanter. Taran dreams of becoming a great warrior, but must stop daydreaming because his charge, the oracular pig Hen Wen, is in danger. The Horned King, a fearsome, skeletal, undead king who wears antler horns on his head, hopes she will help him find the Black Cauldron, which has the power to restore a kind of life to the dead, as undead slaves called "the Cauldron-Born", which he will use to rule the world. Dallben directs Taran to take Hen Wen to safety, but the lad's daydreaming results in the pig's capture by the Horned King's forces.
Taran follows them to the Horned King's stronghold and acquires the small, pestering companion Gurgi along the way. Taran leaves Gurgi to sneak into the castle and rescues Hen Wen, who flees, but he is captured himself and thrown into the dungeon, soon to be released by Princess Eilonwy, a girl his age who is also trying to escape. In the catacombs beneath the castle, Taran and Eilonwy discover the ancient burial chamber of a king, where he arms himself with the king's sword. It contains magic that allows him effectively to fight the Horned King's minions and so to fulfill his dream of heroism. Along with a third captive, the comical, middle-aged bard Fflewddur Fflam, they escape the castle and are soon reunited with Gurgi.
Following Hen Wen's trail, the four stumble into the underground kingdom of the Fair Folk, small fairy-like beings who reveal that Hen Wen is under their protection. When the cheerful, elderly King Eiddileg reveals that he knows where the cauldron is, Taran resolves to go destroy it himself. Eilonwy, Fflewddur, and Gurgi agree to join him and Eiddileg's obnoxious right-hand man Doli is assigned to lead them to the Marshes of Morva while the Fair Folk agree to escort Hen Wen safely back to Caer Dallben. At the marshes they learn that the cauldron is held by three witches, the grasping Orddu, who acts as leader, the greedy Orgoch, and the more benevolent Orwen, who falls in love with Fflewddur at first sight; they cause a frighted Doli to abandon the group. Orddu agrees to trade the cauldron for Taran's sword, and he agrees, although he knows that to yield it will cost his chance for heroism. Before vanishing, the witches reveal that the cauldron is indestructible, and that its power can be broken only by someone who climbs in under his own free will, which will kill him. None of the companions will do that, so it seems Taran has traded his sword for nothing. Taran feels foolish for aspiring to destroy the cauldron alone, but his longer companions show their belief in him, and it appears that he and Eilonwy will kiss.
The Horned King's soldiers interrupt, finally reaching the marshes themselves. They seize the cauldron and everyone but Gurgi, and return to the castle. The Horned King uses the cauldron to raise the dead and his Cauldron-Born army begins to pour out into the world.
Gurgi manages to free the captives and Taran resolves to cast himself into the cauldron, but Gurgi stops that and advances himself instead. The undead army collapses. When the Horned King spots Taran at large, he infers the turn of events and throws the youth toward the cauldron, but the cauldron's magic is out of control. It consumes the Horned King and destroys the castle, using up all its powers.
The three witches come to recover the now inert Black Cauldron. Taran has finally realized Gurgi's true friendship, however, and he persuades them to revive the wild thing in exchange for the cauldron, giving up his magical sword permanently. Fflewddur goads the reluctant witches to go ahead and demonstrate their powers by the revival, which they do.
The four friends then journey back to Caer Dallben where Dallben and Doli watch them in a vision created by Hen Wen, and Dallben finally praises Taran for his heroism.
- Grant Bardsley as Taran
- Susan Sheridan as Princess Eilonwy
- Nigel Hawthorne as Fflewddur Fflam
- John Byner as Gurgi/Doli
- John Hurt as The Horned King
- Freddie Jones as Dallben
- Arthur Malet as King Eidilleg
- Eda Reiss Merin as Orddu
- Adele Malis-Morey as Orwen
- Billie Hayes as Orgoch
- Phil Fondacaro as Creeper
- Tudor Owen as Liquor-Man
- Peter Renaday as Artificial Uncle
- James Almanzar as Freddy
- Wayne Allwine as Dotch
- Steve Hale as Noppe
- Phil Nibbelink as Leon
- David Frankham as Ace
- Jack Laing as Henchmen
- John Huston as Narrator
- Brandon Call as Fairy #1
- Gregory Levinson as Fairy #2
- Lindsay Rich as Fairy #3
For The Black Cauldron, a new way to transfer drawings to cels was invented, called the APT process. But as the APT-transferred line art would fade off of the cels over time, most or all of the film was done using the xerographic process which had been in place at Disney since the late 1950s.
The Black Cauldron is notable for being the world's first full-length animated feature film to incorporate the use of computer generated imagery in its animation for bubbles, a boat, and the cauldron itself. The film is also well-known for being the first motion picture made by The Walt Disney Company to use the new and widely recognizable Walt Disney Pictures logo, which features the white silhouette of the Sleeping Beauty castle in front a clear blue background. The then-new logo replaced the Buena Vista Pictures Distribution logo and the "Walt Disney Productions Presents" title card at the beginning; it also didn't feature the "The End" title card at the film's conclusion. The film is also notable, in addition, for becoming the first Disney animated feature film since Alice in Wonderland to feature closing credits at the film's conclusion. All of the Disney animated feature-length and short-length films made prior to The Black Cauldron (and except for Alice in Wonderland) featured the credits at the beginning of each film and a "The End. A Walt Disney Production." at the end. Ever since The Black Cauldron, Walt Disney Feature Animation used the Walt Disney Pictures logo in the beginning of their films and only three more films, The Great Mouse Detective, Aladdin, and The Hunchback of Notre Dame, would use the "The End" title card before it would be abandoned for good.
Revision and Editing
Shortly before the film's release to theaters, newly appointed Disney studio chairman Jeffrey Katzenberg ordered several scenes from The Black Cauldron be cut, due to both its length and the fear that the graphic nature of them would alienate children and family audiences. Since animated films were typically edited in storyboard form using Leica reels (later known as animatics: storyboards shot sequentially and set to temporary audio tracks), producer Joe Hale objected to Katzenberg's demands. Katzenberg responded by having the film brought into an edit bay and editing the film himself.
Told what Katzenberg was doing by Hale, Disney CEO Michael Eisner called Katzenberg in the editing room and convinced him to stop. Though he did as Eisner insisted, Katzenberg demanded the film be revised, and delayed its scheduled Christmas 1984 release to July 1985 so that the film could be reworked.
The film was ultimately cut by 12 minutes, including whole sequences involving the world of the Fairfolk. Some existing scenes were rewritten and re-animated for continuity. Some of the cut scenes involved the undead "Cauldron Born", who are used as the Horned King's army in the final act of the film. While most of the scenes were seamlessly removed from the film, one particular cut involving a Cauldron Born killing a person by slicing his neck and another one killing another person by slicing his torso created a rather recognizable lapse due to the fact that the removal of the scene creates a jump in the film's soundtrack. One particular deleted scene featured Princess Eilonwy being partially naked with her dress being ripped — probably after or during a skirmish with a couple of the Horned King's henchmen — as she's hanging for her life with Taran and Fflewddur Fflam before or after The Horned King summoned the Cauldron-Born warriors from the Black Cauldron. One deleted scene featured Taran killing his foes with his sword while escaping The Horned King's castle with Eilonwy by his side. Another scene cut featured a henchman of The Horned King being dissolved by the mist of the cauldron itself.
|The Black Cauldron|
|Soundtrack album by Elmer Bernstein|
|Released||1985 (original release)
April 3, 2012 (re-release)
|Length||30:25 (original release)
|Label||Varèse Sarabande (original release)
Walt Disney / Intrada (re-release)
|Producer||George Korngold, Randy Thornton|
|Walt Disney Animation Studios music chronology|
2012 re-release cover
The Black Cauldron: Original Motion Picture Soundtrack is the soundtrack album to the film. It was composed and conducted by the well-known Elmer Bernstein (The Great Escape, Hawaii, The Magnificent Seven, The Ten Commandments, To Kill a Mockingbird, True Grit) and originally released in 1985. The tracks were performed by Utah Symphony Orchestra.
Unlike most other Disney animated films, the film contained no songs. At the time, Bernstein just came off the success of his Academy Award-nominated score for the 1983 film Trading Places as well as the score for the 1984 film Ghostbusters. Like in the latter of the two, The Black Cauldron saw the use of the ghostly ondes Martenot to build upon the dark mood of Prydain.
Because of the film's last minute revisions, much of Bernstein's score was cut and unused. In its minority, the score was re-recorded for the album original release by Varèse Sarabande in 1985. The album soon fell out of print and many of the film's tracks did not resurface until a bootleg copy entitled "Taran" was supplied to soundtrack specialty outlets in 1986.
|1.||"Escape from the Castle"||2:30|
|5.||"The Horned King"||2:55|
|6.||"The Fair Folk"||3:10|
|7.||"Hen Wen's Vision"||3:44|
The soundtrack was re-released in 2012 as part of Intrada Records partnership with Walt Disney Records to re-release several Disney films soundtracks. The album features a new expanded and remastered version of the score.
|2.||"Dalben and the Warrior"||3:56|
|3.||"A Special Pig and a Vision"||2:46|
|8.||"The Horned King"||1:23|
|9.||"A Second Vision"||2:21|
|12.||"Rats and Tombs"||2:21|
|15.||"In the Forest"||1:27|
The score received positive reviews from music critics, and today is regarded as one of best works by Bernstein and for a Disney animated film, despite its obscurity. Jason Ankeny from AllMusic gave to the soundtrack a positive review, stating that "Bernstein's bleak arrangements and ominous melodies vividly underline the fantasy world portrayed onscreen, and taken purely on its own terms, the score is an undeniable success". The film score review website Filmtracks wrote: "The score for The Black Cauldron was for Bernstein what Mulan was for Jerry Goldsmith in the next decade: a fascinating journey into a fresh realm that required its music to play a more significant role in the film".
|United States||1985||Cassette, CD, LP||Varèse Sarabande||B000OODDXS|
|April 3, 2012||CD, digital download||Intrada Records||D001744102|
The Black Cauldron was finally released in North America on July 26, 1985. The film was also screened at the Radio City Music Hall in New York City. While it both was the most expensive animated film ever made at the time and tied with Cleopatra and Heaven's Gate as the most expensive film (unadjusted) made at the time, costing $44 million to produce, it grossed only $21 million at the North American box office and it is considered one of the worst box-office failures from Walt Disney Animation Studios. It was so poorly received that it was not distributed as a home video release for more than a decade after its theatrical run. Adding insult to injury, the film was also beaten at the box office by The Care Bears Movie, which was released several months earlier by Disney's much-smaller rival animation studio Nelvana. The film was however more successful outside North America notably in France where it had 3,074,481 admissions and was the fifth most attended film of the year.
The film was the last Disney animated film completed at the original Walt Disney Studios Animation Building in Burbank, California. The animation department was moved to the Air Way facility in nearby Glendale in December 1984, and, following corporate restructuring, became a subsidiary of the Walt Disney Studios known as Walt Disney Feature Animation (later Walt Disney Animation Studios); it returned to the Burbank studios in a new building in 1995.
In addition to becoming a failure at the box office, The Black Cauldron also received negative reviews, with some critics criticizing the film's lack of appeal on the dark nature of the Prydain book pentology and its absence of great storytelling, directing, and sense of Disney magic. It has earned a "rotten" score of 55% at Rotten Tomatoes, with the consensus "Ambitious but flawed, The Black Cauldron is technically brilliant as usual, but lacks the compelling characters of other Disney animated classics." Roger Ebert gave a positive review of the film, while the Los Angeles Times' Charles Solomon praised its "splendid visuals". London's Time Out magazine deemed it "a major disappointment", adding that "the charm, characterization and sheer good humor" found in previous Disney efforts "are sadly absent". Jeffrey Katzenberg, then-Chairman of the Walt Disney Studios, was dismayed by the product and the animators felt that it lacked "the humor, pathos, and the fantasy which had been so strong in Lloyd Alexander's work. The story had been a once-in-a-lifetime opportunity and it was heartbreaking to see such wonderful material wasted."
First, I have to say, there is no resemblance between the movie and the book. Having said that, the movie in itself, purely as a movie, I found to be very enjoyable. I had fun watching it. What I would hope is that anyone who sees the movie would certainly enjoy it, but I'd also hope that they'd actually read the book. The book is quite different. It's a very powerful, very moving story, and I think people would find a lot more depth in the book.
Following many requests from fans, The Black Cauldron was first released on VHS in 1998 in a pan-and-scan transfer. A DVD release with a non-anamorphic letterboxed 2.35:1 transfer followed in 2000, featuring an art gallery, a new game "The Quest for the Black Cauldron", and the 1952 Donald Duck short Trick or Treat.
Disney released a 25th Anniversary Edition DVD on September 14, 2010 in the US and UK, containing a new 2.35:1 16:9 anamorphic widescreen transfer, a deleted scene called "The Fairfolk", and a new game called "The Witches' Challenge" along with the features from the 2000 DVD release. Plans for a Blu-ray release of the film have not been announced.
A video game of the same name was designed by Al Lowe of Sierra On-Line and released in 1986. It was made shortly after the first King's Quest game, so it resembled that adventure in many ways. Along with The Dark Crystal it remains one of only a few adventure games by Sierra to be based on films.
The player character is a young assistant pig-keeper, Taran, undertaking a quest to stop the evil Horned King, who sought for Hen Wen, the magical pig of the wizard Dallben, for her visionary abilities. With these abilities, the King would be able to discover the Black Cauldron and rule the land. Taran's first mission is to lead her to the Fair Folk while the King's dragons are looking for them. Should the pig be captured (the game allows either possibility), Taran can go to the King's castle and rescue her. Once inside, Taran will meet and rescue Eilonwy with her magic bauble and Fflewddur Fflam, as well as discover a Magic Sword. The Cauldron is in the possession of three witches of Morva who will trade it for the Sword. Unfortunately a dragon grasps the cauldron and Taran goes back to encounter the evil man himself. The game actually featured plot branches and multiple endings depending on many variables, such as whether Hen Wen the pig was saved, how the cauldron was destroyed, and what reward was chosen afterwards. This use of multiple endings predated the more famous use in Lucasfilm's game Maniac Mansion by a year.
In order to make the game more accessible to children, Sierra used an innovative idea that would not reappear in the genre for the next 10 years: the text parser was removed in favor of the function keys that performed various actions:
F3 would choose an inventory item,
F4 would use it,
F6 would perform "Use" near the character's location, and
F8 would "look". The simplification of the two actions "Look" and "Use" was not reused in Sierra's later games. However, it somewhat resembles the control system of other later simpler point-and-click adventure games, such as the King's Quest VII or The Dig whose interfaces only consisted of "Look" and "Use". Being based on a Disney film, the graphics present some relative "flexibility", compared to the monolithic and straight sceneries of previous and later games.
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- The Black Cauldron at the Big Cartoon DataBase
- The Black Cauldron at the Internet Movie Database
- The Black Cauldron at Rotten Tomatoes
- The Black Cauldron at Box Office Mojo
- The Black Cauldron (video game) at MobyGames