The Blob (1988 film)

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The Blob
Promotional film poster
Directed by Chuck Russell
Produced by Jack H. Harris
Elliott Kastner
Screenplay by Chuck Russell
Frank Darabont
Story by Irving H. Millgate
Based on The Blob 
by Theodore Simonson
Kay Linaker
Starring Kevin Dillon
Shawnee Smith
Donovan Leitch
Jeffrey DeMunn
Candy Clark
Joe Seneca
Music by Michael Hoenig
Cinematography Mark Irwin
Edited by Tod Feuerman
Terry Stokes
Palisades, California Inc.
Distributed by TriStar Pictures
Release dates
  • August 5, 1988 (1988-08-05)
Running time 95 minutes
Country United States
Language English
Budget $19 million
Box office $8,247,943

The Blob is a 1988 monster horror film written by Chuck Russell and Frank Darabont, and directed by Russell. It stars Kevin Dillon, Shawnee Smith, Donovan Leitch, Jeffrey DeMunn, Candy Clark and Joe Seneca. This film is a remake of the 1958 film The Blob, which starred Steve McQueen.


A meteorite crashes near the town of Arborville, California. An elderly transient discovers, within the sphere, a jelly-like substance (the Blob) that attaches itself to his hand. Three high school students, Brian Flagg, Meg Penny and Paul Taylor, encounter the man and take him to a hospital. After Brian leaves, Paul witnesses the lower half of the transient melting from exposure to the Blob. As he calls for help, the Blob drops on top of him. Meg arrives to see Paul being devoured by the growing Blob. While trying to free him, his arm dissolves off, Meg is thrown against a wall and knocked unconscious, and the Blob oozes out of the hospital.

After Brian and Meg have unsatisfactory encounters with the police, they meet at a diner where Meg tells Brian about the Blob. Brian's disbelief is shattered when the diner's handyman is grabbed and pulled head first through the sink drain by the Blob. It pursues them to the diner's walk-in freezer, but the Blob suddenly retreats once it enters the freezer. After eating the diner's owner and the town's sheriff, the Blob reenters the sewers. Meg and Brian return to the police station, where the dispatcher tells them Deputy Briggs is near the meteor-landing site. They discover a military operation led by a scientist, Dr. Meddows, who orders the town quarantined. Brian escapes a military van and collects his motorbike. Meg is taken to town where she learns her younger brother, Kevin, is missing. Meg learns he and his friend, Eddie, have sneaked into the local theater to see a slasher film thanks to Eddie's usher brother, Anthony. The Blob infiltrates the theater and attacks the staff and then the audience. Meg arrives as the audience is fleeing the theater and manages to rescue Eddie and Kevin.

Brian eavesdrops on Meddows and learns that the Blob is a biological warfare experiment created during the Cold War. Learning that the Blob has entered the sewers, Meddows decide to trap it there, even if that means allowing Meg, Kevin, and Eddie to die. Brian is discovered listening in and evades military personnel by driving his motorcycle into the sewers. In the sewers, Meg and Kevin flee from the Blob when it emerges and devours Eddie. Kevin escapes to the surface by scaling a pipe and squeezing through a grate. Meg is saved by Brian, who confronts Meddows in front of the townsfolk and Briggs. After failing to convince everyone Brian is contaminated and must die, Meddows attempts to shoot Brian, but is killed by the Blob as it oozes into his chemical suit and drags him into the sewer. The Blob proceeds to feast upon the population, proving impervious to the military's attempts to stop it (getting shot multiple times while in the sewer and blown up, which only angered it). In the ensuing panic, the town's Reverend Meeker proclaims the scene to be the prophesied end of the world, after which a failed flamethrower attack on the Blob sets him ablaze. Meg saves him with a fire extinguisher, and in the process blasts the Blob with it. The monster backs off. Remembering that it left them alone in the walk-in freezer and again with the fire extinguisher, she realizes that it cannot stand cold.

The surviving humans retreat to the town hall and hold the Blob at bay with furniture-barricades and fire extinguishers, but it's a losing battle, as a result with the Blob engulfing half of the building and devouring Briggs. Brian goes to the town's garage and gets a snow maker truck that has canisters of liquid nitrogen attached. Just as the Blob is about to devour Meg and her family, Brian drives to town hall and shoots snow at the creature, which is angered and knocks the truck over. As the Blob surges toward Brian, Meg lures it away from him toward the canisters. She has rigged the canisters with an explosive charge taken from a dying soldier. She tries to get clear, but snags her foot between two pieces of metal, leaving her dangling upside down. Brian regains consciousness and runs over to free her. The Blob is about to overrun them when the charge goes off, blowing up the canisters and covering the Blob with liquid nitrogen. The creature is flash-frozen, shattering into a mass of crystallized pieces. Moss Woodley (Beau Billingslea) has its remains hauled away to the town ice house.

The film cuts to a tent-meeting church service in a field, where Meeker, disfigured by his burn injuries, is now crazed, preaching a doomsday sermon sounding like the Blob's attack. Asked when the time of reckoning will come, he replies "Soon... Madame... soon... the Lord will give me a sign." He holds up a glass jar containing a fragment of the Blob, which is slowly moving.



Screenwriter Frank Darabont first met director Chuck Russell in 1981, while working as a production assistant on the film Hell Night.[1] Before working together on The Blob, the two also collaborated on the script for A Nightmare on Elm Street 3: Dream Warriors.[1]

Actor Del Close had been scheduled to direct a "mock opera" about Ronald Reagan at New York's Lincoln Center for the Performing Arts during the filming of The Blob.[2] The opera, entitled Ron Giovanni, was to feature the writing of Tony Hendra and the music of Paul Jacobs in a story that combined details of Reagan's life with the story of Don Juan.[3] Rehearsals were to run during November and December of 1987, with an opening date of January 22, 1988.[3] However, the production was cancelled by Lincoln Center's artistic director Gregory Mosher, out of concern that the show's satire was not as funny and unbelievable as some recent actions performed by the real Reagan, such as the controversy over his visit to the German cemetery at Bitburg housing the bodies of members of the Waffen-SS.[4] As a result, the Chicago-based Close was unexpectedly available to audition for The Blob in New York at a time when Russell was conducting auditions in the city.[5] Fortuitously for Close, he had recently written a blob-themed story for the DC Comics horror anthology Wasteland, while Russell had just watched an example of Close's work as the in-flight movie on his flight in to New York, Brian DePalma's The Untouchables.[6] Close had worked in the past as a fire eater and human torch, and he was set on fire for some insert shots within the film.[7] He also lost a substantial amount of weight at the request of Russell, dropping from 198 pounds to 173 pounds during the course of the production.[8]

Production began on January 11, with the cast and crew of approximately 150 staying at a Travelodge in Abbeville, Louisiana.[9] Due to the large amount of night shooting, the cast often slept during the day.[10] On off days, they watched videos at the hotel and ate crawfish, a popular item of local cuisine.[10]

Special effects in the film were handled by Tony Gardner.[11] Gardner was originally supposed to provide only a few small effects, but after personnel changes he ended up running a crew of 33, including artist Chet Zar and mechanical effects designer Bill Sturgeon.[11] Close's makeup for his role as Reverend Meeker required extensive preparation time: five and a half hours for scenes where Meeker had fresh burns, and seven and a half hours for scenes after his burns had healed.[10]


The film functions as a conspiracy theory film. The threat of the original film was an alien entity from outer space. The remake differs in making the threat a biological weapon, created by a secret government agency. The Blob is closely followed by soldiers and scientists in protective suits. The change reflects the mentality of a more cynical era. [12] The sinister government agents are opposed by rebellious teenager Brian Flagg (Kevin Dillon). His depiction as a rebel and a "tough guy punk" includes wearing a leather jacket, sporting long hair, driving a motorcycle, and distrusting authority figures. [13]

Jacqueline Foertsch argues that the blob of the original film served as a symbol of communist ideology. The more "deathlike" 1980s version served as a metaphor for the AIDS pandemic. [14] The dull-red colors of the original changes here to a glistening, pearly grey. The change makes the creature resemble a mucous membrane. [14] While the original creature rolled and lumbered on, the newer version slides and strikes aggressively, using phallic tentacles. [14] The original blob was a singular organism which increased its size, strength, and velocity by feeding. The newer version not only enlarges itself, but also splits into multiple parts. Allowing for simultaneous attacks in multiple locations. Indeed the largest part of the creatures is eventually frozen and contained. But a crazed preacher hoards a few shards, implying the survival of the threat. [14]

Foertsch calls attention to another significant shift from the original. The blob invades the bodies of its victims. Then springs from the remnants of a previous host to seize a new victim. For example, Vicki is infiltrated by the creature and becomes its host. When Scott reaches to touch her breast, the creature emerges to engulf him. [14]


The film was released theatrically in the United States by TriStar Pictures in August 1988. It grossed $8,247,943 at the box office.[15]


The Blob received mixed reviews from critics. As of January 17, 2014, it holds a 61% 'Fresh' rating on Rotten Tomatoes, with an average rating of 5.8/10.[citation needed]

Home media[edit]

The film was released on DVD in the United States by Sony Pictures Home Entertainment in September 2001.[16]

It is also scheduled to be released on Blu-ray by Twilight Time on October 14, 2014.[17]



  1. ^ a b Emery, Robert J. The Directors - Take Four. Allworth Communications, Inc., 2003, p. 201. ISBN 1581152795
  2. ^ Johnson, Kim "Howard". The Funniest One in the Room: The Lives and Legends of Del Close. Chicago Review Press, 2008, p. 300. ISBN 1556527128
  3. ^ a b Gerard, Jeremy. "Lincoln Center Drops Play", The New York Times, December 24, 1987.
  4. ^ Johnson, pp. 301-302.
  5. ^ Johnson, p. 303.
  6. ^ Johnson, pp. 303-304.
  7. ^ Johnson, pp. 305-306.
  8. ^ Johnson, p. 306.
  9. ^ Johnson, p. 304-305.
  10. ^ a b c Johnson, p. 305.
  11. ^ a b Timpone, Anthony. "Men, makeup, and monsters". Macmillan, 1996, p. 187. ISBN 0-312-14678-7
  12. ^ O'Neill (2007), unnumbered pages
  13. ^ Donovan (2011), p. 129
  14. ^ a b c d e Foertsch (2001), p. 182-184
  15. ^ "The Blob". Retrieved 1 April 2011. 
  16. ^ "The Blob". Retrieved 1 April 2011. 
  17. ^ Twilight Time Release Schedule

External links[edit]