The Breakthrough
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| The Breakthrough | ||||
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| Studio album by Mary J. Blige | ||||
| Released | December 20, 2005 | |||
| Recorded | 2004–2005 | |||
| Genre | R&B, hip hop soul, soul | |||
| Length | 72:15 | |||
| Label | Geffen | |||
| Producer | 9th Wonder, Bryan-Michael Cox, Cool & Dre, Dre & Vidal, D. Emile, Ron Fair, Rich Harrison, Jimmy Jam and Terry Lewis, Rodney Jerkins, J.U.S.T.I.C.E. League, Raphael Saadiq, Chucky Thompson for The Hitmen, will.i.am | |||
| Mary J. Blige chronology | ||||
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| Singles from The Breakthrough | ||||
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The Breakthrough is the seventh studio album by American R&B recording artist Mary J. Blige, released December 20, 2005, on Geffen Records. The album opened with over 729,000 units in the United States, becoming her highest first week sales of her career, and the second-highest first-week sales by a female R&B artist, only behind Alicia Keys' As I Am. The album is certified three-time Platinum by the Recording Industry Association of America and sold 7,000,000 copies worldwide. Upon its release, The Breakthrough received positive reviews from most music critics.
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[edit] Background
In spite of buzz circulating in the summer of 2004 that Blige's next release would be a retrospective aptly titled Reminisce, she and her label announced that an album of brand-new material was on the way instead.
Production on the album included Blige herself, Rodney Jerkins, will.i.am, Bryan-Michael Cox, 9th Wonder, Davel "Bo" Mckenzie, Jimmy Jam and Terry Lewis, Raphael Saadiq, Cool and Dre, and Dre & Vidal, and the album includes a duet with U2 on the cover of their 1992 hit, "One", which was released as the second single in Europe and Latin America.
[edit] Singles
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"Be Without You", the lead single from the album, proved to be a major return for Blige to her prime. It quickly raced up both the R&B and pop singles charts. "Be Without You" topped the R&B singles chart for a record-setting 15 consecutive weeks, and peaked at number 3 on the Hot 100. "One" was released as the second single in the U.S. on July 17, 2006. The song features Bono as vocal. In the UK, the song gave Mary her biggest hit to date, peaking at #2 on the Top 40.
"Enough Cryin", the album's third single, peaked at #32 on the Billboard Hot 100. It fared particularly well on the R&B charts, hitting #2 on Billboard's Hot R&B/Hip-Hop Songs chart. The song was originally supposed to feature rapper Foxy Brown, but Mary went on to record the verse herself because of Brown's sudden hearing loss. This launched the "Brook Lynn" rapping alter ego which went on to appear on other tracks (e.g. the remix of Busta Rhymes's "Touch It"). "Take Me as I Am" was the album's fourth single. It reached #3 on Billboard's Hot R&B/Hip-Hop Songs chart.
[edit] Other charting songs
The song "MJB Da MVP" was released as a radio only single prior to the release of Be Without You. It features the voice of rapper 50 Cent on the chorus. Due to strong airplay, the song charted on the Billboard Hot 100 at #75, before the first official single, "Be Without You" was released from "The Breakthrough". Another song, "Ain't Really Love", reached number 73 on Billboard's Hot R&B/Hip-Hop Songs chart in the U.S., although it was not released as a single.[1]
[edit] Reception
[edit] Commercial performance
The album debuted at #1 on both the R&B albums and Billboard 200 for sales of 729,000 copies in its first week, making it the fifth largest first-week sales for a female artist, and the fourth largest debut of 2005. It also marked the largest first week sales for a female R&B artist until November 2007, when Alicia Keys' As I Am sold 742,400 copies, a solid 13,400 more.
The album has been certified 3x platinum by the RIAA for shipments of more than 3,000,000 copies in the United States.[2] It has been proclaimed as her comeback album (after the disappointment of Love & Life). The album has shown signs of longevity, remaining in the top five of the Billboard 200 for 11 consecutive weeks (including 2 weeks at #1). The album also went gold in Australia on the ARIA charts.
[edit] Critical response
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Entertainment Weekly | B+[4] |
| The Guardian | |
| The Independent | |
| Los Angeles Times | |
| The New York Times | (favorable)[8] |
| Rolling Stone | |
| Slant Magazine | |
| Spin | (5/10)[11] |
| The Village Voice | (mixed)[12] |
The Breakthrough received positive reviews from most music critics.[13] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 20 reviews, which indicates "generally favorable reviews".[13] Allmusic editor Andy Kellman gave it four-and-a-half out of five stars and commented that "Beat for beat, the album features the best round of productions Blige has been handed since the mid-'90s".[3] Entertainment Weekly's David Browne noted a return of "drama to her music" and wrote that "its messy sprawl of conflicted emotions feels true to her fierce, prickly personality (not to mention life itself)".[4] Jon Pareles of The New York Times complimented its themes of "tribulations and true love" and stated "Blige brings together hip-hop realism and soul's higher aspirations, hip-hop's digitized crispness and soul's slow-building testimonies".[8] Rolling Stone writer Barry Walters noted its "particularly classy material" and commented that "what ultimately differentiates Blige's seventh studio album from previous discs is that its ballads truly matter".[9] Stylus Magazine's Thomas Inskeep viewed it as a "return to form" for Blige, dubbing it her "finest full-length since '99's Mary".[14]
However, Tom Breihan of Spin commented that "nearly all of its tracks sound like odes to her new husband" and criticized its production, writing that "too often, Blige’s voice doesn’t get the space it needs to cut loose with emotion [...] Because Blige never quite connects with the awkwardly programmed drums and cluttered synthetic arrangements of would-be club jams like 'Can’t Hide From Luv' and 'Gonna Breakthrough,' the songs’ chin-up aphorisms ring false".[11] Slant Magazine's Sal Cinquemani described the album as "the epitome of formulaic, giving you the feeling that you've heard this all before", and stated "it sports the kind of yucky, literal sentiment [...] that, however true it may be, should not be put to tape".[10] Jason King of The Village Voice viewed that the album "improves on 2003's Diddy-helmed misfire Love & Life but lacks the character of 1999's eclectic Mary", adding that "Mary's jones for hermetic, clinically slick production values doesn't complement her soul-baring aura".[12] Blender stated "Her ardent love songs ultimately come off not as love songs but standard ache-and-pain Mary tracks".[13] BBC Online's Matilda Egere-Cooper noted the album production's "ahigh quality", but viewed that it lacks the "attitude" of Blige's previous work.[15]
Caroline Sullivan of The Guardian expressed a mixed response to Blige "celebrating no more drama in her life", but complimented its "compellingly dark, percussive setting" and "the stunning power of [Blige's] voice", writing that "The lyrics may be wet, but she sings with cool conviction, not wasting a note".[5] Despite viewing many of its songs as overlong, Los Angeles Times writer Natalie Nichols commended its producers for "adeptly weaving beats and live instruments, vocals and rapping, melody and rhythm in configurations alternately stark and lush".[7] Mojo gave the album three out of five stars and commented that it "reveals a still intense and enthralling grittiness to her performances".[16] Dimitri Ehrlich of Vibe noted classicist soul music influences in "Blige's nostalgic flair".[17] Dele Fadele of NME gave the album an eight out of 10 rating and commented that "[Blige] draws on an eventful life to reach new levels of feeling".[18] Andy Gill of The Independent complimented Blige's "compelling delivery" and wrote that the album "may be her best, the most vivid realisation of her gripping, confessional style".[6]
[edit] Accolades
In December 2006, Blige received eight Grammy Award nominations at the 2007 Grammy Awards for The Breakthrough, the most of any artist for the 2007 awards. "Be Without You" was nominated for both "Record of the Year" and "Song of the Year". Mary won three Grammy Awards: "Best Female R&B Vocal Performance", "Best R&B Song" (both for "Be Without You"), and "Best R&B Album" for The Breakthrough.[19][20] Blige won nine Billboard Music Awards for work done on The Breakthrough.
[edit] Track listing
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| # | Track | Songwriters | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "No One Will Do" | E Ortiz, K Crowe, C Brown III, D Young, B Sigler | J.U.S.T.I.C.E. League | 4:46 |
| 2. | "Enough Cryin" (featuring Brook Lynn) | M J Blige, R Jerkins, S Garrett, S Carter | Rodney "Darkchild" Jerkins | 4:20 |
| 3. | "About You" (featuring Nina Simone & will.i.am) | M J Blige, W. J, Adams, K Harris, A Newley, L Bricusse | Will.I.Am | 4:04 |
| 4. | "Be Without You" | M J Blige, B-Michael Cox, J Perry, J Austin | Bryan-Michael Cox | 4:06 |
| 5. | "Gonna Breakthrough" (featuring Brook Lynn) | M J Blige, Wynter Gordon, D'Mile, Q Wages, H Palmer | D'Mile | 4:00 |
| 6. | "Good Woman Down" | M J Blige, S Garrett, P Douthit, R Aries, F Jackson, M Morgan | 9th Wonder | 4:07 |
| 7. | "Take Me as I Am" | J Sucof, E Lewis, C Nelson, K Hilson, T Nkkerfante, L Smith | Infinity & Ron Fair | 3:57 |
| 8. | "Baggage" | M J Blige, J Harris III, T Lewis, B Avia, I Avia, J Right, D Young | Jimmy Jam & Terry Lewis | 3:35 |
| 9. | "Can't Hide from Luv" (featuring Jay-Z) | M J Blige, A Harris, V Davis, R Toby | Dre & Vidal | 3:52 |
| 10. | "MJB da MVP" (featuring 50 Cent) | C Jackson, J Taylor, A Lyon, M Valenzano, N Harris, R Backer, A Felder, J Johnson, P Rushen, K Evans, R Ayers | Cool & Dre | 3:21 |
| 11. | "Can't Get Enough" | M J Blige, Jam & Lewis, B Avila, I Avila | Jimmy Jam & Terry Lewis | 3:40 |
| 12. | "Ain't Really Love" | M J Blige, B Michael-Cox, J Austin, C Childress | Bryan-Michael Cox | 4:40 |
| 13. | "I Found My Everything" (featuring Raphael Saadiq) | M J Blige, R Saadiq, K Wooten, R Ozuna | Raphael Saadiq | 5:23 |
| 14. | "Father in You" | M J Blige, A Harris, V Davis, R Toby | Dre & Vidal | 5:23 |
| 15. | "Alone" (featuring Dave Young) | D McKenzie, D Young | Davel "Bo" McKenzie | 4:29 |
| 16. | "One" (with U2) | Bono, A Clayton, The Edge, L Mullen Jr | Ron Fair | 4:20 |
| # | Bonus track | Songwriters | Producer(s) | Length |
|---|---|---|---|---|
| 17. | "So Lady" (featuring Raphael Saadiq) [International and iTunes bonus track] | M J Blige, R Saadiq, T Moses | Raphael Saadiq | 4:16 |
| 18. | "Show Love" [UK, Japan, Amazon.com MP3 and iTunes bonus track] | M J Blige, S Garrett, C Thompson | Chucky Thompson | 3:40 |
| 19. | "Out My Head" [Japanese bonus track] | M J Blige | Rich Harrison | 3:41 |
[edit] Sample credits
Credits adapted from album liner notes.[21]
- "No One Will Do" contains excerpts from "I Swear I Love No One but You", written by Bunny Sigler and published by Warner-Tamerlane Publishing Corporation (BMI), performed by The O'Jays courtesy of Philadelphia Int'l Records.
- "About You" contains samples from "Feeling Good", written by Anthony Newley, Leslie Bricusse and published by Musical Company Productions (BMI) by arrangement with the Richmond Organization, as recorded by Nina Simone used courtesy of RCA Records, a unit of Sony BMG Music Entertainment.
- "Gonna Breakthrough" contains samples from The Mohawks recording and composition "Champ", written by Harry Palmer published by Embassy Music obo The Sparta Florida Music Group BMI, produced under license from Warner Strategic Marketing and Jet Star Phonographics.
- "Good Woman Down" contains excerpts from "Heart Breaking Decision", written by Robert Aries, Freddie Jackson and Mel'isa Jackson and published by EMI April Music Inc. ASCAP, Wick-Di Music ASCAP, and Universal MCA Music Pub ASCAP, as performed by Mel'isa Morgan, used under license from Capitol Records, a division of Capitol Records, Inc.
- "Take Me as I Am" contains samples from the composition "A Garden of Peace", written by Lonnie Liston Smith published by Songs of Universal Inc., performed by Lonnie Liston Smith courtesy of Sony BMG Music Entertainment.
- "Can't Hide from Luv" contains excerpts and a sample of the recording "I Wanna Be Where You Are", written by Arthur Ross and Leon Ware and published by Jobete Music Co ASCAP, as performed by Willie Hutch. (P) 1977 Motown Records, a division of UMG Recordings, Inc. Courtesy of Motown Records under license from Universal Music Enterprises.
- "MJB da MVP" contains excerpts from "Rubberband" (Baker, Felder, Harris) published by Golden Fleece Music/Mured Music Co. BMI as performed by The Tramps. Used by permission courtesy of Sony/Buddah. It also contains resung lyrics from the composition "All Night Long", written by James Johnson and published by Stone City Music (ASCAP), from the composition "Remind Me", written by Patrice Rushen and Karen Evans and published by Baby Fingers Music ASCAP, and from the composition "Everybody Loves the Sunshine", written by Roy Ayers and published by Chrysalis Music (ASCAP).
[edit] Personnel
Credits for The Breakthrough adapted from Allmusic.[22]
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[edit] Charts
| Chart (2006) | Providers | Peak position |
Certification |
|---|---|---|---|
| Australian Albums Chart | ARIA | 19 | Gold |
| Austrian Albums Chart | Media Control | 42 | |
| Canadian Albums Chart | Nielsen SoundScan | 13 | |
| Danish Albums Chart | IFPI | 20 [23] | |
| Dutch Albums Chart | MegaCharts | 12 | |
| French Albums Chart | SNEP/IFOP | 25 | |
| German Albums Chart [24] | Media Control | 28 | |
| Irish Albums Chart | IRMA | 55 | |
| Italian Albums Chart | FIMI | 12 | Gold |
| Japanese Albums Chart | Oricon/RIAJ | 18[25] | Gold[26] |
| Norwegian Albums Chart | VG Nett | 18 | |
| Spanish Albums Chart | PROMUSICAE | 74 | |
| Swedish Albums Chart | GLF | 13 | Platinum |
| Swiss Albums Chart | Media Control | 7 | |
| UK Albums Chart | BPI/The Official UK Charts Company | 22 | Gold |
| U.S. Billboard 200 | RIAA | 1 | 3× Platinum |
| U.S. Billboard Top R&B/Hip-Hop Albums | 1 | ||
| U.S. Billboard Top Internet Albums | 1 |
[edit] Chart precession and succession
| Preceded by Curtain Call: The Hits by Eminem |
Billboard 200 number-one album (First Run) January 1, 2006 – January 7, 2006 |
Succeeded by Unpredictable by Jamie Foxx |
| Preceded by Unpredictable by Jamie Foxx |
Billboard 200 number-one album (Second Run) January 22, 2006 – January 28, 2006 |
Succeeded by Unpredictable by Jamie Foxx |
[edit] References
- ^ http://www.billboard.com/bbcom/retrieve_chart_history.do?model.vnuArtistId=43746&model.vnuAlbumId=748913 billboard.com
- ^ "Gold and Platinum". RIAA. http://riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&action=&title=The%20Breakthrough&startMonth=1&endMonth=1&startYear=1958&endYear=2009&sort=Artist&perPage=25. Retrieved 19 December 2009.
- ^ a b Kellman, Andy (December 20, 2005). The Breakthrough - Mary J. Blige | AllMusic: Review. Allmusic. Retrieved on 2011-04-16.
- ^ a b Browne, David (December 19, 2005). The Breakthrough | Music | EW.com. Entertainment Weekly. Retrieved on 2011-04-16.
- ^ a b Sullivan, Caroline (December 9, 2005). CD: Mary J Blige, The Breakthrough | Music | The Guardian. The Guardian. Retrieved on 2011-04-16.
- ^ a b Gill, Andy (December 9, 2005). Album: Mary J Blige - Reviews, Music - The Independent. The Independent. Retrieved on 2011-04-16.
- ^ a b Nichols, Natalie (December 11, 2005). For Blige, time to give back - Los Angeles Times. Los Angeles Times. Retrieved on 2011-04-16.
- ^ a b Pareles, Jon (December 19, 2005). Listen Up, All My Troubled Sistahs - New York Times. The New York Times. Retrieved on 2011-04-16.
- ^ a b Walters, Barry (January 12, 2006). The Breakthrough by Mary J. Blige | Rolling Stone Music | Music Reviews. Rolling Stone. Retrieved on 2011-04-16.
- ^ a b Cinquemani, Sal (December 22, 2005). Mary J. Blige: The Breakthrough | Music Review | Slant Magazine. Slant Magazine. Retrieved on 2011-04-16.
- ^ a b Breihan, Tom (February 2006). Mary J. Blige, 'The Breakthrough' (Geffen) | SPIN.com. Spin. Retrieved on 2011-04-16.
- ^ a b King, Jason (January 17, 2006). The Royal She - Page 1 - Music - New York - Village Voice. The Village Voice. Retrieved on 2011-04-16.
- ^ a b c The Breakthrough Reviews, Ratings, Credits, and More at Metacritic. Metacritic. Retrieved on 2011-04-16.
- ^ Inskeep, Thomas (January 17, 2006). Mary J. Blige - The Breakthrough - Review - Stylus Magazine. Stylus Magazine. Retrieved on 2011-04-16.
- ^ Egere-Cooper, Matilda (March 10, 2006). BBC - Music - Review of Mary J. Blige - The Breakthrough. BBC Online. Retrieved on 2011-04-16.
- ^ Mary J Blige - Breakthrough CD Album. Muze. CD Universe. Retrieved on 2011-04-16.
- ^ Ehrlich, Dimitri (March 2006). "Mary J. Blige – The Breakthrough (Geffen)". Vibe (Vibe Media Group) 13 (3): 186. http://books.google.com/books?id=8CYEAAAAMBAJ&pg=PA186#v=onepage&q&f=false. Retrieved 2011-04-16.
- ^ Fadele, Dele (January 7, 2006). "Mary J Blige – The Breakthrough (Geffen)". NME (IPC Media): 29. http://au.zinio.com/reader.jsp?issue=121269916&o=int&prev=si. Retrieved 2011-04-16.
- ^ Reviewed by David Browne (2005-12-19). "The Breakthrough Review | Music Reviews and News". EW.com. http://www.ew.com/ew/article/0,,1141320,00.html. Retrieved 2012-02-08.
- ^ www.prefixmag.com/reviews/mary-j-blige/the breakthrough/14823/
- ^ (2005) Album notes for The Breakthrough by Mary J. Blige. Geffen Records.
- ^ The Breakthrough - Mary J. Blige | AllMusic: Credits. Allmusic. Retrieved on 2011-04-16.
- ^ Steffen Hung. "Mary J Blige - The Breakthrough". danishcharts.com. http://www.danishcharts.com/showitem.asp?interpret=Mary+J+Blige&titel=The+Breakthrough&cat=a. Retrieved 2012-02-08.
- ^ "Die ganze Musik im Internet: Charts, News, Neuerscheinungen, Tickets, Genres, Genresuche, Genrelexikon, Künstler-Suche, Musik-Suche, Track-Suche, Ticket-Suche". musicline.de. http://www.musicline.de/de/chartverfolgung_summary/artist/Blige%2CMary+J./?type=longplay. Retrieved 2012-02-08.
- ^ "ザ・ブレイクスルー - メアリー・J.ブライジ/ オリコンランキング情報サービス「you大樹」" (in Japanese). Oricon. http://ranking.oricon.co.jp/free_contents/search/detail.asp?itemcd=632794&samecd=1. Retrieved 2010-11-11.
- ^ "ゴールド等認定作品一覧 2006年3月" (in Japanese). RIAJ. 2006-04-10. http://www.riaj.or.jp/data/others/gold/200603.html. Retrieved 2010-11-11.
[edit] External links
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- 2005 albums
- Albums produced by 9th Wonder
- Albums produced by Bryan-Michael Cox
- Albums produced by Cool & Dre
- Albums produced by Rodney Jerkins
- Albums produced by Jimmy Jam and Terry Lewis
- Albums produced by Raphael Saadiq
- Albums produced by Rich Harrison
- Albums produced by Ron Fair
- Albums produced by will.i.am
- Geffen Records albums
- Mary J. Blige albums
- Interscope-Geffen-A&M albums
- Albums produced by J.U.S.T.I.C.E. League
- Albums certified gold by the Recording Industry Association of Japan
- Albums produced by Dre & Vidal
- Grammy Award for Best R&B Album