The Casual Vacancy

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Casual Vacancy
The Casual Vacancy.jpg
First edition worldwide cover
Author J. K. Rowling
Country United Kingdom
Genre Fiction, tragicomedy
Publisher Little, Brown and Company
Publication date
27 September 2012
Pages 503
ISBN 9781408704202

The Casual Vacancy is a 2012 novel written by British writer J. K. Rowling. The book was published worldwide by the Little, Brown Book Group on 27 September 2012. A paperback edition was released on 23 July 2013. It was Rowling's first publication since the Harry Potter series, her first apart from that series, and her first novel for adult readership.[1]

The novel is set in a suburban West Country town called Pagford and begins with the death of beloved Parish Councillor Barry Fairbrother. Subsequently, a seat on the council is vacant and a conflict ensues before the election for his successor takes place. Factions develop, particularly concerning whether to dissociate with a local council estate, "the Fields", with which Barry supported an alliance. However, those running for a place soon find their darkest secrets revealed on the Parish Council online forum, ruining their campaign and leaving the election in turmoil.

Major themes in the novel are class, politics, and social issues such as drugs, prostitution and rape. The novel was the fastest-selling in the United Kingdom in three years[2] and had the second best-selling opening week for an adult novel there since Dan Brown's The Lost Symbol. It became the 15th best-selling book of 2012 during its first week of release. Within the first three weeks the book's total sales have topped one million copies in English in all formats across all territories, including the US and the UK[3] The book also set a Goodreads record for the all-time biggest "started reading" day,[4] later winning the Best Fiction category in the Goodreads Choice Awards 2012.

The book is being adapted into a BBC television drama for release in 2014.[5]

Contents[edit]

The book is dedicated to Rowling's husband, Dr. Neil Murray.[6] This was the third time Murray has received a dedication from his wife, after he shared a dedication in the fifth Harry Potter book, Harry Potter and the Order of the Phoenix and the seventh and final Harry Potter book, Harry Potter and the Deathly Hallows.

The book is split into seven parts, and features varying narratives. Each section is headed by a definition from Charles Arnold-Baker's book Local Council Administration.

Plot summary and main characters[edit]

Fictional town Pagford is located in the West Country, much like Rowling's birthplace Yate, Gloucestershire

The novel is split into seven parts, the first depicting the aftermath of the death of local Pagford Parish Councillor, Barry Fairbrother, who suffers a burst aneurysm in the car park of a local golf course. The inhabitants of the town share the news with their friends and relatives and chaos ensues. The problem arises in deciding whether local council estate "The Fields" should remain as part of Pagford, or instead join local city Yarvil and the fate of the methadone rehabilitation clinic, Bellchapel.

After the election date is announced, the children of some of the councillors and election candidates decide to make damaging, yet often accurate, posts on the Parish Council online forum. Andrew, son of Simon Price, is the first person to do so, operating under the name "The_Ghost_Of_Barry_Fairbrother" and informing everyone that his father had bought a stolen computer. Sukhvinder (who, like Andrew, learns about hacking in ICT class) follows, posting that her mother, Dr. Parminder Jawanda, was in love with Barry. Thirdly, Fats Wall posts, claiming his adoptive father Cubby (a Deputy Headteacher) suffers from obsessive fear of having molested a child without any memory of the fact. Finally, in a desperate attempt to relieve the guilt weighing on him for costing his father his job, Andrew confides in Simon and posts that Council leader, Howard Mollison, is having an affair with his business partner Maureen. Howard's son, Miles Mollison, is the winning candidate, much to the displeasure of his wife, Samantha, who confesses she no longer loves him, only to eventually reconcile.

Another focus of the novel is the traumatic life of Krystal Weedon. 16-year-old Krystal lives in The Fields with her mother Terri who is a prostitute and heroin addict and 3-year-old brother Robbie. Social worker Kay is determined for Terri to stop her drug use and take responsibility for the care of Robbie, however, Terri relapses and her drug dealer Obbo rapes Krystal. Spurred on to start a family elsewhere, Krystal has unprotected sex with Fats in an attempt to become pregnant. It is during one of these instances that Robbie runs away from the pair in a park, eventually falling and drowning in a river, despite Sukhvinder's attempts to save him. Krystal is so distraught she commits suicide by taking a heroin overdose, the novel culminating with the siblings' funeral.

Characters[edit]

(The Telegraph published a guide to all 34 characters.[7])

  • Barry Fairbrother, a member of the Parish Council who was born and raised in The Fields. He coached the girls' rowing team and was particularly fond of Krystal Weedon. It is his death that rocks the community of Pagford.
  • Mary Fairbrother, widow of Barry Fairbrother. Due to the fact that Barry was about to publish an article about The Fields prior to his demise, she blames The Fields for occupying her husband's mind, and therefore causing his death.
  • Howard Mollison, leader of the Parish Council, owner of a delicatessen and married to Shirley. He is morbidly obese and suffers a heart attack after Andrew's anonymous accusations that he has had an affair with business partner Maureen.
  • Shirley Mollison, wife of Howard Mollison and mother of Miles. She is devoted to Howard and all of his endeavours, until she learns of his affair with his business partner Maureen.
  • Patricia "Pat" Mollison, daughter of Howard and Shirley and sister to Miles, who lives in London and only comes to Pagford for her father's birthday party. Her relationship with her parents is strained due to her being a lesbian. As retribution she tells Fats and Andrew of the affair between her father and Maureen.
  • Miles Mollison, a lawyer who works with Gavin; he is the son of Howard and Shirley, brother of Pat and husband of Samantha. Miles runs for and eventually wins the council election.
  • Samantha Mollison, wife of Miles and owner of a failing bra shop. Samantha has lost interest in Miles, kissing sixteen year-old Andrew Price and fancying Vikram Jawanda, and "Jake", a member of her daughter's favourite boyband. She shares mutual dislike with Miles' mother, Shirley, and appears to have an alcohol problem.
  • Krystal Weedon, a resident of "The Fields" who dates Fats Wall. She suffers a traumatic childhood, raised by her heroin-addicted mother, frequently acting as sole caregiver to younger brother Robbie, and suffering rape at the hands of her mother's drug dealer. She commits suicide following Robbie's death.
  • Terri Weedon, a heroin addict and prostitute, mother of Krystal and Robbie and resident of "The Fields". She attempts to rehabilitate through the Bellchapel clinic, but fails and ultimately relapses.
  • Colin "Cubby" Wall, Deputy Headteacher of the local comprehensive. He considers himself to be a close friend of Barry's and stands for election. This is later marred by anonymous accusations made by his adoptive son, "Fats", that he is afraid of being accused of molesting a child. This considerably worsens his obsessive compulsive disorder, which leads him to believe he has committed crimes that in fact he hasn't.
  • Tessa Wall, wife of Cubby and adoptive mother of Fats. She is the school's guidance counsellor and has regular meetings with Krystal Weedon, although she later disapproves of her relationship with her son. Also a diabetic.
  • Stuart "Fats" Wall, adopted son of Colin and Tessa, Andrew's best friend and popular at school due to his witty humour. He bullies Sukhvinder and begins a sexual relationship with Krystal Weedon. The novel ends with him isolated from the community due to his partial responsibility for Krystal's brother Robbie's death, the comments made on the council website, and for kissing Gaia, Andrew's crush. Fats has a strained relationship with both his parents, particularly with his father, and at times wonders what his real parents are like. Tessa eventually explains to him that his birth mother had him when she only fourteen years old; his conception possibly being the product of incest. She also says that she insisted on adopting him despite Colin not being in good health at the time. Though he only reveals his father's obsessive fears while posing as "The_Ghost_of_Barry_Fairbrother", after Robbie's death, he shoulders the blame for all of the Ghost's activities.
  • Andrew Price, son of Simon and Ruth and Fats' best friend. He develops a romantic interest in Gaia Bawden, eventually securing a weekend job in Howard's delicatessen to be around her. He secretly hates his father Simon for his domineering and abusive behaviour, and resents his mother for excusing and putting up with it. Later on reveals that his father had purchased stolen goods under the guise of "The_Ghost_of_Barry_Fairbrother".
  • Simon Price, husband of Ruth Price and Andrew and Paul's father. He decides to stand for election so he can receive bribes, and physically and verbally abuses his children and his wife.
  • Kay Bawden, a social worker from London and mother of Gaia. She moves to Pagford to be with her boyfriend Gavin, and becomes Krystal and Terri's social worker temporarily. She has the most success with Terri but then is forced to give up the family's case when her co-worker returns from sick leave. She eventually breaks up with Gavin.
  • Gavin Hughes, a lawyer and Kay's boyfriend, although he is shown to resent her throughout the novel. He claims he was Barry's best friend and eventually confesses his love for Barry's widow, Mary, though she rejects his advances.
  • Gaia Bawden, Kay's attractive daughter, fancied by Andrew. She befriends Sukhvinder and detests Pagford, knowing Gavin isn't interested in her mother; she wants to move to Reading to be with her father. She eventually kisses Fats Wall, much to the disappointment of Andrew and Sukhvinder, but later regrets it and reconnects with both friends at Krystal's funeral.
  • Parminder Jawanda, doctor and mother of Sukhvinder, whom she pressures to be upstanding like Parminder's other children. She is a member of the Parish Council and supporter of keeping "The Fields", although her motive is suggested to be her love of Barry by Sukhvinder posing as "The_Ghost_of_Barry_Fairbrother".
  • Sukhvinder Jawanda, daughter of Parminder, is bullied by Fats, pressured by her mother to be great, and self-harms. She was a member of the rowing team alongside Krystal Weedon, and eventually risks her life in an attempt to save Krystal's brother, Robbie. After Krystal's great-grandmother died while under her Parminder's care, Krystal blames Parminder for her death and threatens to hurt Sukhvinder because of it.
  • Vikram Jawanda, handsome husband of Parminder Jawanda and father of Sukhvinder and her siblings. He is the heart surgeon who performed Howard's triple heart bypass.
  • The_Ghost_Of_Barry_Fairbrother, the secret identity of three Pagford teens (independently and for the most part unaware of one another's identities) who use Barry Fairbrother's old account on the Pagford council's forum to reveal secrets of council members.

Background[edit]

Conception[edit]

The Casual Vacancy is Rowling's first novel away from the Harry Potter series, the best-selling book series in history.

Rowling first had the idea on an aeroplane to the United States, whilst on tour for Harry Potter and the Deathly Hallows. Referring to original conception of the Harry Potter series on a train from Manchester to London, Rowling said "Obviously I need to be in some form of vehicle to have a decent idea, this time I was on a plane. And I thought: local election! And I just knew. I had that totally physical response you get to an idea that you know will work. It's a rush of adrenaline, it's chemical. I had it with Harry Potter and I had it with this. So that's how I know."[8]

Rowling's movement from children's literature to adult literature arose from being "ready to change genre".[9] Referring to the Harry Potter series Rowling commented, "The thing about fantasy—there are certain things you just don't do in fantasy. You don't have sex near unicorns. It's an ironclad rule. It's tacky."[9] Critics questioned whether younger Harry Potter fans might be drawn into wanting to read the book, Rowling responded saying, "There is no part of me that feels that I represented myself as your children's babysitter or their teacher. I was always, I think, completely honest. I'm a writer, and I will write what I want to write."[9]

Rowling rejected her publisher's claims that the book was a "black comedy", saying in an interview with The New Yorker, "It's been billed, slightly, as a black comedy, but to me it's more of a comic tragedy." If the novel had precedents, "it would be sort of nineteenth-century: the anatomy and the analysis of a very small and closed society."[9]

Choice of title[edit]

For two years, the working title of the novel was Responsible, until Rowling picked up Charles Arnold-Baker's work on local government, Local Council Administration, whilst looking something up and came across the term "casual vacancy."[9] The New Yorker questioned Rowling's original choice of title, and she remarked "This is a book about responsibility. In the minor sense—how responsible we are for our own personal happiness, and where we find ourselves in life—but in the macro sense also, of course: how responsible we are for the poor, the disadvantaged, other people’s misery."[9]

Major theme[edit]

Social issues[edit]

The Casual Vacancy features a range of social issues, including rape, racism, heroin and marijuana use, pornography, domestic abuse, child abuse, self-harm and suicide.[10]

Suhkvinder Jawanda is often berated by her mother, Parminder, and will resort to self-harm. Andrew Price, along with his brother Paul, suffer child abuse from their father Simon Price during the novel. The New Yorker questioned Rowling whether this represented her difficult childhood and relationship with her father, Rowling replied "Andrew's romantic idea that he'll go and live among the graffiti and broken windows of London—that was me. I thought, I have to get away from this place. So all of my energies went into that.", although she added, "I did not have an easy relationship with my father, but no one in 'The Casual Vacancy' is a portrait of any living person."[9]

Politics and poverty[edit]

One of the novel's major themes is politics. The Guardian referred to The Casual Vacancy as a "parable of national politics", with Rowling saying, "I'm interested in that drive, that rush to judgment, that is so prevalent in our society, We all know that pleasurable rush that comes from condemning, and in the short term it's quite a satisfying thing to do, isn't it?"[8] Rowling was also critical of the Conservative-Liberal Democrat Coalition that had led since the general election in 2010 saying, "There has been a horribly familiar change of atmosphere [since the 2010 election], it feels to me a lot like it did in the early 90s, where there's been a bit of redistribution of benefits and suddenly lone-parent families are that little bit worse off. But it's not a 'little bit' when you're in that situation. Even a tenner a week can make such a vast, vast difference. So, yeah, it does feel familiar. Though I started writing this five years ago when we didn't have a coalition government, so it's become maybe more relevant as I've written."[8] Rowling went on to say that Britain held a "phenomenally snobby society", and described the middle class as "pretentious" and "funny".[8]

Rowling has commented on her economic situation before the success of Harry Potter as being "poor as it is possible to be in modern Britain, without being homeless"[9][11] and said that this was why she was drawn to writing about poverty.[12]

How many of us are able to expand our minds beyond our own personal experience? So many people, certainly people who sit around the cabinet table, say, 'Well, it worked for me' or, 'This is how my father managed it' – these trite catchphrases – and the idea that other people might have had such a different life experience that their choices and beliefs and behaviours would be completely different from your own seems to escape a lot of otherwise intelligent people. The poor are discussed as this homogeneous mash, like porridge. The idea that they might be individuals, and be where they are for very different, diverse reasons, again seems to escape some people.
 – J. K. Rowling, The Guardian, "The worst that can happen is everyone says, That's shockingly bad", 2012.[11]

Reception[edit]

Critical response[edit]

Rowling was interviewed in The Guardian concerning the response The Casual Vacancy would receive. She said "I just needed to write this book. I like it a lot, I'm proud of it, and that counts for me." Referring to her initial idea of publishing under a pseudonym she commented, "I think it's braver to do it like this. And, to an extent, you know what? The worst that can happen is that everyone says, 'Well, that was dreadful, she should have stuck to writing for kids' and I can take that. So, yeah, I'll put it out there, and if everyone says, 'Well, that's shockingly bad—back to wizards with you', then obviously I won't be throwing a party. But I will live. I will live."[8]

Lev Grossman for Time wrote in a positive review, "It's a big, ambitious, brilliant, profane, funny, deeply upsetting and magnificently eloquent novel of contemporary England, rich with literary intelligence and entirely bereft of bullshit."[13] The Wall Street Journal wrote "Once you get your Mileses and Simonses straight and events begin to unfurl, it becomes a positively propulsive read. 'The Casual Vacancy' may not be George Eliot, but it's J.K. Rowling; and that's pretty good."[14] The Guardian wrote, "The Casual Vacancy is no masterpiece, but it's not bad at all: intelligent, workmanlike, and often funny."[15] The Economist opined, "This is a novel of insight and skill, deftly drawn and, at the end, cleverly pulled together. It plays to her strengths as a storyteller."[16] David Robinson of The Scotsman praised the novel, saying, "It is far grittier, bleaker (and, occasionally, funnier) than I had expected, and—the acid test—I suspect it would do well even if its author's name weren't J.K. Rowling."[17] The Telegraph lauded the novel as well, writing, "One marvels at the skill with which Rowling weaves such vivid characters in and out of each other's lives, rendering them so complex and viscerally believable that one finds oneself caring for the worst of them."[18] Further positive reviews have come from reviewers for the Associated Press, Express.co.uk, The Daily Mirror, The Kansas City Star, The New Zealand Herald and the Daily Beast, the latter remarked that the book was a "page turner."[19][20][21][22][23][24]

The New York Times' Michiko Kakutani panned the novel, comparing it unfavourably to Rowling's Harry Potter series and saying, "We do not come away feeling that we know the back stories of the 'Vacancy' characters in intimate detail the way we did with Harry and his friends and enemies, nor do we finish the novel with a visceral knowledge of how their pasts—and their families' pasts—have informed their present lives."[25] The Los Angeles Times criticised the book, stating that it "fails to conjure Harry Potter's magic."[26] Columnist Jan Moir in the Daily Mail called it "more than 500 pages of relentless socialist manifesto masquerading as literature",[27] though the paper's official review states Rowling is "adept at manipulating emotions, her plotting is neat" though the book is missing a touch of magic.[28] The Daily Telegraph maintained the novel was humorous but said "The novel pretty much explodes towards the end, losing shape in its fury at the dirty, unfair England that we Muggles have made for ourselves. It's like The Archers on amyl nitrate."[29] The Times said "The difficulty, in this fat novel, is the difference between the reader's level of interest in a wholly invented world, such as Harry Potter's, and the world we're stuck with. Rowling has a sharp eye for vivid details, and there are passages of very good writing in this book... But her fictions have little shadow in them."[30]

Sales, awards and honours[edit]

Within hours of the book's release, it had reached Number 1 position on the Amazon Book Chart in the United States. It was the second biggest adult opening of all time in the United Kingdom, falling short of Dan Brown's 2009 novel, The Lost Symbol, which sold 550,946 copies. It also fell short of Rowling's last release, Harry Potter and the Deathly Hallows, that sold 2.6 million copies that became the fastest-selling book in history, a record it still holds.[2] It became the 15th best-selling book of 2012 during its first week of release.[2] Little, Brown and Company has announced that within the first three weeks the book's total sales have topped one million copies in English in all formats across all territories, including the US and the UK[31]

The book won the Best Fiction category in the Goodreads Choice Awards 2012.

Portrayal of Sikhism[edit]

A Sikh family plays an important part in the novel, and the description of the character Sukhvinder sparked some controversy amongst followers of the Sikh faith. Avtar Singh Makkar, the head of India's Shiromani Gurdwara Parbandhak Committee, commented that Rowling's book would be examined by the scrutiny board of SGPC for anything objectionable.[32] Rowling stated that she admires the Sikh religion and had done a vast amount of research on Sikhism.[33] Other members of the Sikh community appreciated the fact that Rowling portrayed Sikhs and Sikhism in a favourable light and actually draws attention to the racism that Sikhs face.[34]

Adaptation[edit]

On 3 December 2012, BBC One and BBC Drama commissioned an exclusive adaptation of The Casual Vacancy, to be released in 2014, from The Blair Partnership who represent J. K. Rowling. The series will be produced through an independent production company operated by Neil Blair and Rick Senat (who will engage as executive producers of the series), on behalf of The Blair Partnership. The deal was struck following discussions between Blair and BBC One Controller Danny Cohen. J. K. Rowling will collaborate closely with the project, with the number and length of the episodes to be decided once the creative adaptation process has formally begun.[35]

On 12 September 2013, Warner Bros. announced that it will serve as the worldwide TV distributor of the series, except in the United Kingdom.[36]

Written by Sarah Phelps, the adaptation will be directed by Jonny Campbell, with Ruth Kenley-Letts producing. Filming will begin on 16 June until the end of August.[37]

References[edit]

  1. ^ "JK Rowling announces title of first adult novel". BBC News. 12 April 2012. 
  2. ^ a b c Farr, Emma-Victoria (3 October 2012). "JK Rowling: Casual Vacancy tops fiction charts". The Daily Telegraph (London). Retrieved 4 October 2012. 
  3. ^ Trachtenberg, Jeffrey A. (19 October 2012). "After Strong Start, J.K. Rowling's 'The Casual Vacancy' Falls on Charts". The Wall Street Journal. Retrieved 21 October 2012. 
  4. ^ Boog, Jason (1 October 2012). "J.K. Rowling Breaks Goodreads Record". GalleyCat. Retrieved 21 October 2012. 
  5. ^ "BBC News – Rowling's Casual Vacancy to become BBC TV drama series". Web (BBC). 3 December 2012. Retrieved 1 March 2013. 
  6. ^ Rowling, J.K. (2012). The Casual Vacancy. Little, Brown and Company. 
  7. ^ "JK Rowling: The Casual Vacancy – the cast of caricatures". The Telegraph (London). 27 September 2012. Retrieved 30 September 2012. 
  8. ^ a b c d e Aitkenhead, Decca (22 September 2012). "JK Rowling: 'The worst that can happen is that, everyone says That's shockingly bad'". The Guardian (London). Retrieved 23 September 2012. 
  9. ^ a b c d e f g h Parker, Ian (1 October 2012). "After Harry Potter: JK Rowling's Novel for Adults". The New Yorker. Retrieved 23 September 2012. 
  10. ^ Losowsky, Andrew (26 September 2012). "'The Casual Vacancy' Review: JK Rowling's Long-Awaited New Book". Huffington Post. Retrieved 3 October 2012. 
  11. ^ a b JK Rowling (June 2008). "JK Rowling: The fringe benefits of failure". TED. Retrieved 5 March 2011. "Failure & imagination" 
  12. ^ "J.K. Rowling on the "private world in my head"". CBS News. Retrieved 15 October 2012. 
  13. ^ Grossman, Lev (27 September 2012). "After 'Harry Potter'". Time. Retrieved 27 September 2012. 
  14. ^ Cox Gurdon, Meghan. "Not in Hogwarts Anymore". The Wall Street Journal. Retrieved 27 September 2012. 
  15. ^ Tait, Theo (27 September 2012). "JK Rowling: The Casual Vacancy – review". The Guardian (London). Retrieved 27 September 2012. 
  16. ^ "Beyond Harry Potter". The Economist. 29 September 2012. Retrieved 28 September 2012. 
  17. ^ Robinson, David. "Review: JK Rowling’s The Casual Vacancy". The Scotsman. Retrieved 28 September 2012. 
  18. ^ Brookmyre, Christopher (27 September 2012). "JK Rowling: Can the Harry Potter author cut it in commercial adult fiction". The Daily Telegraph (London). Retrieved 28 September 2012. 
  19. ^ Hajela, Deepti. "J.K. Rowling's debut novel for adults worth a read". Associated Press. Retrieved 27 September 2012. 
  20. ^ Lee-Potter, Emma. "The Casual Vacancy Review: Why JK Rowling's Adult Book Is Magic". Daily Express. Retrieved 28 September 2012. 
  21. ^ Sutton, Henry. "The Casual Vacancy first review: Verdict on JK Rowling's very adult new novel". Daily Mirror. Retrieved 28 September 2012. 
  22. ^ Pivovar, Christine. "Book review : Rowling's 'Casual Vacancy' weaves dark magic". The Kansas City Star. Retrieved 29 September 2012. 
  23. ^ Herrick, Linda (28 September 2012). "Rowling casts much darker spell". The New Zealand Herald. Retrieved 28 September 2012. 
  24. ^ Jones, Malcolm. "'The Casual Vacancy' Review: J.K. Rowling Cuts Loose From Harry Potter". Daily Beast. Retrieved 27 September 2012. 
  25. ^ Kakutani, M. (27 September 2012). "Darkness and Death, No Magic to Help". The New York Times. Retrieved 27 September 2012. 
  26. ^ Ulin, David (26 September 2012). "'Casual Vacancy' fails to conjure Harry Potter's magic". Los Angeles Times. Retrieved 27 September 2012. 
  27. ^ Moir, Jan (26 September 2012). "Where's the magic in this tale of middle-class monsters? First review of J.K. Rowling's VERY grown-up novel". Daily Mail (London). Retrieved 27 September 2012. 
  28. ^ Prodger, Michael (1 October 2012). "From Potter to potty mouth: grown-up JK loses some of her magic". Daily Mail (London). Retrieved 1 October 2012. 
  29. ^ Pearson, Allison (27 September 2012). "JK Rowling review: 'The Casual Vacancy' breaks Harry Potter's spell". The Daily Telegraph (London). Retrieved 4 October 2012. 
  30. ^ "JK Rowling's Casual Vacancy wins mixed response". BBC News. 27 September 2012. Retrieved 4 October 2012. 
  31. ^ "After Strong Start, J.K. Rowling's 'The Casual Vacancy' Falls on Charts". The Wall Street Journal. 2012. Retrieved 8 November 2012. 
  32. ^ "Sikh elders to study JK Rowling's book for objectionable content". ndtv.com. Press Trust of India. 2 October 2012. Retrieved 5 October 2012. 
  33. ^ PTI, Agencies (28 September 2012). "Did 'vast research' on Sikhism: JK Rowling". http://www.hindustantimes.com. Retrieved 5 October 2012. 
  34. ^ David Wagner (3 October 2012). "Controversy Surrounds J.K. Rowling's Depiction of Sikhs". theatlanticwire.com. Retrieved 5 October 2012. 
  35. ^ "Rowling's Casual Vacancy to become BBC TV drama series". BBC. 3 December 2012. 
  36. ^ "Warner Bros. Announces Expanded Creative Partnership with J.K. Rowling". Business Wire. Retrieved 12 September 2013. 
  37. ^ "BBC And HBO Adapting JK Rowling’s ‘The Casual Vacancy’ For TV; Casting Calls Begin". Page to Premiere. 8 April 2014. Retrieved 23 April 2014. 

External links[edit]