The Charge of the Light Brigade (1968 film)
|The Charge of the Light Brigade|
|Directed by||Tony Richardson|
|Produced by||Neil Hartley|
|Written by||Charles Wood
|Music by||John Addison|
|Edited by||Kevin Brownlow
|Distributed by||United Artists|
|Box office||$1 million (US/ Canada rental)$3.2 million (total)|
The Charge of the Light Brigade is a 1968 British war film made by Woodfall Film Productions and distributed by United Artists, depicting parts of the Crimean War and the eponymous charge. It was directed by Tony Richardson and produced by Neil Hartley.
The Crimean War arose through the desire of the British and French to prevent Russia from taking advantage of the crumbling of the Ottoman Empire. The British were eager to preserve their commercial interests and dominance of the Royal Navy, whilst the French were desperate to restore prestige lost in Napoleonic times, with their slightly unhinged head of state Napoleon III provoking a fight with Russia over the 'custody' of Christian land-marks and relics in the Holy Land.
Russia never believed old foes Britain and France would join forces, and called their bluff by moving into Ottoman territories in Moldavia-Wallachia (modern day Moldova and Romania). They also attacked and destroyed a large Turkish naval force at Sinope in autumn 1853. The British and French decided to send a task force to the region, and after liaising in Constantinople (Istanbul), they set off for Varna (today Bulgaria). When they got there, they found that the Russians had withdrawn from the region, and so they stayed put, whilst deciding what to do. As in Constantinople, the soldiers were debilitated by cholera, drunkenness and syphilis. In summer 1854, the allies decided to teach the Russians a lesson by invading Crimea and sacking Sebastopol and the Russian's Black Sea navy.
As it turned out, the British troops were incredibly brave and fierce. They had good leaders below senior command level, they had superior rifles, the French Zouave troops excelled themselves and the Russians, although superior in numbers were even worse led and equipped.
The campaign saw three famous victories for the allies in 1854 (Alma, Balaclava & Inkerman), and after minor battles in 1855, the Siege of Sebastopol succeeded on 8th September 1855. Military inefficiency saw far, far more troops killed by disease; it was a 'glorious disaster' for Britain. Ironically, when negotiating the peace, the Turks came off worse than the Russians, and Britain and France hardly gained anything of value. The real lessons were learnt in the field of military logistics, communications and organization. The Crimean War was also the first war attended on by journalists and photographers - William Russell and photographer Roger Fenton particularly distinguished themselves, and brought the realities of war (and military incompetence) to the notice of the British people. This sparked a wave of patriotism across the country with scores of roads, bridges, pubs and other buildings being named for icons of the war - particularly, Alma and Inkerman.
The film is about the folly of war, and the poor state of the British Army and its leadership during the Crimean War (1853-56). Britain had not fought in a European theatre since the Battle of Waterloo in 1815, and the army had become sclerotic and bound by bureaucracy. Tactical and logistical nous had not advanced in 40yrs, and the whole ethos of the army was bound in outmoded social values - in short, the British military establishment was stuck in a time-warp.
The anti-hero is a relatively competent officer, Captain Louis Nolan. A veteran of campaigns in India, Nolan is unusual in the hierarchy of his day for having acquired his commission through merited promotion as opposed to purchase. As such he looks on with contempt on many of his colleagues, who are mostly aristocratic dilettantes casual about squandering their subordinates' lives.
Nolan's superior is the gruff Lord Cardigan, who treats the regiment under his command as his personal property. Cardigan's men are typical of the common soldiers of their day; though reasonably well-equipped - compared with the Russians - they are also poorly trained and supplied. They endure squalid living conditions and are punished mercilessly for the slightest missteps in their duties. Nolan soon gets into a highly publicised feud with Cardigan, who is angry at him for ordering Moselle wine at a banquet where all guests were to drink champagne.
British forces are led by Lord Raglan, a Waterloo veteran and disciple of Wellington, he is an amiable, vague-minded man who proves a poor commander. Despite sitting at Wellington's feet in decades gone by, he has not his military flair. As campaign preparations begin he is preoccupied with a bad mistake he made while allotting commands, requiring Lord Cardigan to lead the cavalry alongside his equally unpleasant arch-rival Lord Lucan. Captain Nolan, enlisted as Raglan's aide, is glad to get away from England; it gives him an escape from the morally uneasy affair he has been having with Clarissa Morris, the wife of his best friend William. Also travelling with the British command is a minor officer's wife named Fanny Duberly, who wants to observe battle first-hand (and be near Lord Cardigan, with whom she is infatuated).
Britain and its ally France travel to the Crimea, where they march inland to attack the strategically important city of Sebastopol. Along the way the British forces are ravaged by cholera, an occurrence met with palpable indifference by their commanders. Captain Nolan, although no friend of his subordinates, is frightened to see the army's organisation fall apart as men are consumed by the disease. When the outbreak passes, British and French forces win at Alma, but Lord Raglan refuses to allow the cavalry to press the advantage, so concerned is he with keeping Cardigan and Lucan from having to work with one another. As a result the Russians reinforce the road to Sebastopol, necessitating a series of further battles before the British even reach the city. Back in England the press lies that the city is captured and Russia's government humbled. As the war progresses Lord Cardigan retires nightly to the yacht he keeps on the coastline to hold formal dinners, at one of which he seduces Mrs. Duberly.
Captain Nolan has been growing increasingly exasperated at the ineptitude of Raglan and the other officers, which has caused needless death and delay at every step. His emotions reach a tipping point when at the Battle of Balaclava, a Russian raiding party captures an improperly defended British fortification, stealing several pieces of artillery. Lord Raglan is slow to respond, and Nolan demands he take steps to recover the valuable equipment. Raglan issues badly worded orders, that the cavalry leaders misinterpret. Nolan secures another, delivers it personally, and gains permission to ride with Cardigan's light brigade as they chase the Russians. The British cavalrymen are in a valley that branches off in two directions; one contains the escaping raiders, the other an artillery battery and a sizeable reserve of Russian cavalry. Lord Raglan did not bother to mention this in his order, since the lay of the land is obvious from his high vantage point. Cardigan, at his lower level, can only see the valley with the cannons, and assumes that he must charge into this. As the cavalry advances into cannon fire Nolan realises his mistake, but is killed by shrapnel before he can warn Cardigan. This is 'The Charge of the Light Brigade'.
The Light Brigade, torn apart by the cannons, clashes briefly with the Russians and then retreats. With most of his force dead or wounded, Lord Cardigan who led his men valiantly, is ironically unharmed, but he immediately begins bickering with the other officers about who must take the blame for the disaster. The British army at its very best and worst.
The screenplay was written by Charles Wood from a first draft (uncredited) by John Osborne. It aimed to be brutally authentic, based in part on the research in Cecil Woodham-Smith's The Reason Why (1953). The film included animations by Richard Williams, based on the contemporary graphic style of Punch Magazine, to explain the political events surrounding the battle. The music score was by John Addison and the cinematography by David Watkin.
In 2002, Osborne's unproduced original script was reworked into a radio play for BBC Radio 4. The original airing featured Charles Dance as Cardigan, Donald Sinden as Lucan, Joseph Fiennes as Nolan, Alec McCowen as Raglan and Lynne Miller as Fanny Duberly.
- Trevor Howard as Lord Cardigan
- Vanessa Redgrave as Clarissa
- John Gielgud as Lord Raglan
- Harry Andrews as Lord Lucan
- Mark Burns as Captain Morris
- Jill Bennett as Mrs. Fanny Duberly
- David Hemmings as Captain Nolan
- Peter Bowles as Captain Duberly
- Mark Dignam as General Airey
- Leo Britt as General Scarlett
- Howard Marion-Crawford as Sir George Brown
- T. P. McKenna as William Howard Russell
- Mark Burns as Captain Morris
- Corin Redgrave as Featherstonehaugh
- Alan Dobie as Mogg
- Ben Aris as Maxse
- Norman Rossington as Sergeant Major Corbett
- Willoughby Goddard as Squire
- Georges Douking as St. Arnaud
Laurence Harvey had originally purchased the film rights for The Reason Why for his own production company and Joseph E. Levine. At the conclusion of a lengthy settlement in Richardson's favour, Harvey demanded a role in the film. He was given the role of Prince Radziwill, a Polish officer with the Heavy Brigade, but his part was edited out of the completed film. This lawsuit led to a falling out between Tony Richardson and John Osborne, when the latter refused to alter his script for being too close to Woodham-Smith's book.
In his memoirs, Tony Richardson mentions approaching Rex Harrison to play Lord Cardigan. However, a newspaper erroneously reported that George C. Scott was being cast in the role. This news infuriated Harrison and he dropped out of the project, leaving Trevor Howard to be cast.
The Charge of the Light Brigade was nominated for six BAFTA Film Awards, but failed to win in any category. It was criticised for presenting an impulsive and haughty Captain Louis Nolan as a hero and an officer's adventurous wife Fanny Duberly as unfaithful and eager for carnage. The film received generally positive reviews but proved a box office bomb.
- Nominee Best Music Anthony Asquith Award (John Addison)
- Nominee Best Actor BAFTA (Trevor Howard)
- Nominee Best Art Direction BAFTA (Edward Marshall)
- Nominee Best Cinematography BAFTA (David Watkin)
- Nominee Best Costume Design BAFTA (David Walker)
- Nominee Best Film Editing BAFTA (Kevin Brownlow)
- Nominee Best Sound BAFTA (Simon Kaye)
Departures from history
For plot purposes, the film incorrectly portrays its protagonist Captain Nolan at the centre of the 'black bottle' affair, when Moselle wine was ordered for a guest rather than the champagne that Lord Cardigan had required. The officer actually concerned was Captain John Reynolds.
In the film all of the Light Brigade regiments are outfitted with cherry coloured breeches when only the 11th Hussars wore breeches of that colour. Officers and troopers of the other four regiments wore dark blue breeches, with double yellow stripes, or in the case of the 17th Lancers, double white stripes. In one scene a single trooper of the 17th is correctly attired.
The movie's depiction of the Battle of Balaclava shows the initial Russian attack on the redoubts and of course the Charge of the Light Brigade, but elides both the stand of the 93rd Sutherland Highlanders (the "Thin Red Line") and the Charge of the Heavy Brigade. According to director Tony Richardson, the Heavy Brigade scene was filmed but later cut at the studio's behest.
Likewise Fanny Duberly is shown to be seduced by Lord Cardigan; although she was in the Crimea, she did not have an affair with Cardigan.
The scene where troopers rush into position to salute Cardigan as he takes a morning walk with his dogs was shot at 6 Carlton House Terrace, St James's, London, a few doors along from the earl's actual London residence of 17 Carlton House Terrace. Other London street scenes were filmed in the Royal Naval Hospital, Greenwich. The Royal Mint, opposite The Tower of London, represented Horseguards, the headquarters of the Army.
The barracks scenes in the first half of the film were filmed at Aldershot in Hampshire, while the 'Crimea' scenes, including the Charge itself, were filmed in Turkey with the action sequences directed by Bob Simmons.
- Alexander Walker, Hollywood, England, Stein and Day, 1974 p367
- "Big Rental Films of 1969", Variety, 7 January 1970 p 15
- Tino Balio, United Artists: The Company The Changed the Film Industry, Uni of Wisconsin Press, 1987 p 246
- pp 35–36 Welsh, James Michael & Tibbetts, John C. The Cinema of Tony Richardson: Essays and Interviews SUNY Press, 1999
- Heilpern,John. John Osborne: A Patriot for Us. London: Chatto & Windus, 2006. pp. 346–351
- Richardson, Tony. The Long-Distance Runner: An Autobiography. New York: William Morrow & Co., 1993. pp.228–230
- Fraser, George MacDonald (1986). The Hollywood History of the World. London: Michael Joseph. p. 161. ISBN 0-7181-2997-0.
I don't know on what authority Mrs Duberly can be accused of misconduct, but if none exists (and I have heard of none) then her portrayal in the film is inexcusable
- Connelly, Mark (2003). "The Charge of the Light Brigade, Warner Brothers, 1936". The Charge of the Light Brigade. London: I B Taurus. pp. 55–58; 67. ISBN 1-86064-612-3.
- Richardson, 239
- "Carlton House Terrace and Carlton Gardens". Survey of London, Volume 20. British History Online. Retrieved 24 October 2010.
- James, Simon (2007). London Film Location Guide. London: Batsford. pp. 89; 176; 191. ISBN 0-7134-9062-4.
- David Watkin Cinematographer website
- Connelly, Mark Thomas (2003). The Charge of the Light Brigade. London: I. B. Tauris. pp. 27–31. ISBN 1-86064-612-3.