The Claim film poster
|Directed by||Michael Winterbottom|
|Produced by||Andrew Eaton|
|Written by||Frank Cottrell Boyce (screenplay)
Based on the novel The Mayor of Casterbridge by Thomas Hardy
|Music by||Michael Nyman|
|Cinematography||Alwin H. Kuchler|
|Edited by||Trevor Waite|
|Distributed by||Pathé (UK)
United Artists (USA)
|December 29, 2000|
|Country||United Kingdom / Canada|
The Claim is a 2000 British Western/romance film directed by Michael Winterbottom. The screenplay by Frank Cottrell Boyce is loosely based on the novel The Mayor of Casterbridge by Thomas Hardy. The original music score is composed by Michael Nyman.
Daniel Dillon is an Irish immigrant who settled in the high mountains of California during the Gold Rush of 1849. It is now 1867, and we see that Dillon has a vault filled with gold and a town of his own, named Kingdom Come. Dillon owns nearly every business of consequence in the town; if someone digs for gold, rents a hotel room, opens a bank account, or commits a crime, they will have to deal with Dillon.
One of the few profitable enterprises in town that Dillon does not own is the saloon/brothel, which is operated by Lucia, his Portuguese lover.
Donald Dalglish is a surveyor with the Central Pacific Railroad, which wants to put a train either through Kingdom Come, or somewhere in the vicinity. He is here to decide the route. Dillon is anxious to ensure that the railway line is routed through "his" town, as this will bring more business.
Among the travelers who arrive in town with Dalglish are two women, the beautiful but ailing Elena Burn and her lovely teenage daughter Hope. The presence of these women is deeply troubling for Dillon, for they are the keys to a dark secret Dillon has kept from the people of Kingdom Come for nearly twenty years. Dillon had come to these mountains with his Polish wife Elena and their months-old baby, Hope. On a cold and snowy night they happen upon a shack named Kingdom Come, owned by a disillusioned '49er named Burn. Like Hardy's Mayor of Casterbridge, Dillon sells Elena and Hope to the prospector in exchange for the small gold claim (thus the film's title) that would later flourish and make Dillon so wealthy. Burn has died, and Elena has come to find Dillon because Burn left her with nothing, she is dying, and she wants Dillon to give her $200 per year so that she can "do right by Hope". (A major departure from the novel is that Hope is indeed Dillon's daughter.)
Dillon tells Lucia that they have to end it and gives her some gold bricks and the deeds to her home, the saloon/brothel, and the tobacco house. Lucia is heartbroken, wanting Dillon and not his money.
Dillon asks Elena to marry him (since no one knows that they are already married), revealing that he never married anyone else because he was always married to her. Their time after the marriage is short, filled with Dillon's efforts to find a cure for her illness and ending with her death.
Elena's death coincides with the decision to route the railway some distance from the town for easier passage and construction. Lucia moves the girls, the booze and the tobacco house to the valley, effectively moving the entire population of Kingdom Come to her new town of Lisboa, named for her father's home in Portugal, to be near the railroad. Following Elena's funeral, Hope tells Dillon that she is leaving to find Dalglish and start a life with him. Dillon takes her up to the original shack Kingdom Come, showing her a picture of their family when she was a baby, and revealing the deal made right on that spot between him and Burn. Hope leaves him and goes to the new Lisboa.
Dillon is thus faced with the loss of Elena, Hope and his town. He sets fire to all the buildings in Kingdom Come. The smoke attracts the people of Lisboa, who find Dillon's frozen body in the snow near his original shack. Lucia is devastated, crying over the frozen body as it is brought back to the ruins of Kingdom Come. While many of the 'former' townspeople rush to find Dillon's stockpile of gold in the burned out vault, Hope and Dalglish choose instead to follow Dillon's body as Lucia and others continue with it down the mountain.
- Peter Mullan as Daniel Dillon
- Milla Jovovich as Lucia
- Wes Bentley as Donald Dalglish
- Nastassja Kinski as Elena Dillon/Burn/Dillon
- Sarah Polley as Hope Dillon/Burn
- Julian Richings as Frank Bellanger
- Shirley Henderson as Annie
- Sean McGinley as Sweetley
- Tom McCamus as Burn
- Karolina Muller as Young Elena
- Barry Ward as Young Dillon
- Duncan Frasier as Crocker
Primary filming took place at the Fortress Mountain Resort in Kananaskis Country, Alberta, Canada. Near the end of the film, in a scene where the character of Dillon is standing in the street and throws an oil can onto a burning building, you can see the tower, cables and chairs of a modern ski lift in the background. The decision to have the film's dramatic burning of the entire town of Kingdom Come also served as a first step to fulfill the producer's commitment to return the site to its original natural condition.
Some secondary filming took place in Colorado.
The town that Lucia creates in the valley below Kingdom Come is not to be confused with the real town of Lisbon, California (now the unincorporated community of Arcade), located on the route of the Sacramento Northern Railway which started operation in 1918.
design and illustration by Dave McKean
|Soundtrack album by Michael Nyman|
|Released||January 23, 2001|
|Recorded||September 2000, Whitfield Street Studios, London|
|Genre||Soundtrack, Contemporary classical, minimalism|
|Michael Nyman chronology|
The Claim is Michael Nyman's first (and, as of 2008, only) score for a Western, and his second collaboration with Michael Winterbottom. In it, in particular, in "The Shootout," Nyman pays homage to Ennio Morricone's Western scores. "The Shootout" also incorporates material from A Zed & Two Noughts and Prospero's Books in a layered manner with elements of the main themes of the score and a Morricone-style trumpet motif. The score includes the principal scalar riff that appears in numerous Nyman works, including Out of the Ruins, String Quartet No. 3, À la folie, Carrington, the rejected score from Practical Magic, and The End of the Affair. The Claim marks Michael Nyman's last use of this musical material (as of 2008).
Portions of the score appear as solo piano works on Nyman's 2005 album, The Piano Sings, which features Nyman's personal piano interpretations of music he had written for various films.
- The Exchange
- The First Encounter
- The Hut
- The Explosion
- The Recollection
- The Fiery House
- The Betrothal
- The Firework Display
- The Train
- The Shootout
- The Death Of Elena
- The Explanation
- The Burning
- The Snowy Death
- The Closing
- Composed and conducted by Michael Nyman
- Orchestration: Gary Carpenter/Michael Nyman
- Programmer and music editor: Robert Worby
- Auricle Operator: Chris Cozens
- Orchestral contractor: Isobel Griffiths
- Engineer: Austin Ince
- Assistant Engineers: Simon Changer and Ryu Kawashima
- Recorded, mixed and edited at Whitfield Sterret Studios, London, September 2000
- Music published by Northlight Music Ltd. (BMI)
- Executive in charge of music for MGM: Anita Camarata
- Executive in charge of soundtracks for Virgin Records America: Cynthia Sexton
- Special thanks to Nigel Barr, Declan Colgan, Elizabeth Lloyd and Miranda Westcott
- Design/Illustration: Dave McKean at Hourglass