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|Origin||London, England, United Kingdom|
The Track & Field Organisation
|Website||The Clientele's Official Website|
|Past members||Innes Phillips
The band has experienced greater success in the United States, where they are signed to Merge Records, home of bands such as Lambchop and Spoon, than in their native Britain. They have conducted several extensive U.S. tours.
MacLean and Hornsey both grew up in Hampshire, England, and began collaborating musically while still in school, after MacLean saw that Hornsey had written the name of the band Felt on his pencil case. The band formed in 1991, with the current lineup along with Innes Phillips, who shared singing and songwriting duties with MacLean; their original name was The Butterfly Collectors. The band recorded an album's worth of material but failed to get any label interest. Innes left the band (and would go on to found The Relict); the rest of the group re-formed in 1997, after which they moved to London and released a number of singles that were eventually collected on Suburban Light (2000). That compilation won the band glowing reviews; SF Weekly said the band "offers a brand of appealingly melancholy pop that might just surpass that of its forebears."  The Violet Hour (2003) was their first album proper, which again saw great acclaim, but, as yet, little commercial success.
August 2005 saw the release of their second full album, Strange Geometry, the first the band recorded with a producer, Brian O'Shaughnessy, who had previously produced Primal Scream. It was notable for a much cleaner production sound than the reverb-heavy sound that had previously been their defining characteristic; it was also the first time the band had used a strings section on one of their records. The task of writing these arrangements was given to Louis Philippe. Only one single, "Since K Got Over Me", was released from the album, which failed to reach the Top 75 in the UK. Another song from the album, "(I Can't Seem) To Make You Mine", was featured on the soundtrack of the film The Lake House.
Strange Geometry was quickly followed by a collection of recordings from 1991 to 1996, featuring Innes Phillips, called It's Art, Dad. After a U.S. tour in August 2006, The Clientele became a four-piece again, adding Mel Draisey (on violin, keys and percussion), who became their first female member. They then recorded the album God Save The Clientele with producer Mark Nevers, known for his work with Merge labelmates Lambchop; the album again featured several Louis Philippe-composed string arrangements. God Save The Clientele was released in May 2007 in the United States. Bonfires on the Heath followed in October 2009, and Minotaur, a Mini-LP, was released on July 17, 2010.
On July 6, 2011, the band announced on its website that The Clientele would be taking an indefinite hiatus.
The band announced that it would reunite for a lone gig at the Bell House in Brooklyn scheduled for March 21, 2014.
Since then, the 'Suburban Light' album has been reissued with bonus tracks and gave the band a Billboard top 30 album for the first time in their history. They also released two new singles in 2014, 'Falling Asleep' and 'On A Summer Trail'. The band have continued to tour in both the US and Europe, and McClean is writing songs which may constitute a forthcoming album.
Their music has often been noted for its reverb-rich production and MacLean's distinctive breathy vocals (an effect achieved partly by MacLean singing with a microphone plugged into a guitar amplifier) and unique guitar style. Their lyrics take a strong inspiration from surrealist literature and art from the early 20th century; "We Could Walk Together" quotes a line ("like a silver ring thrown into the flood of my heart") from a 1928 poem by French surrealist Joë Bousquet; in its final two verses, the song "What Goes Up" quotes the poem "Stupidity Street" by Ralph Hodgson in its entirety.
- Suburban Light (November 2000)
- The Violet Hour (July 2003)
- Strange Geometry (August 2005)
- It's Art, Dad (recordings from 1991–1996) (October 2005)
- God Save The Clientele (May 2007)
- Bonfires on the Heath (October 2009)
- Minotaur (September 6, 2010)
- A Fading Summer EP (June 2000)
- Lost Weekend EP (March 2002)
- Ariadne EP (March 2004)
- That Night A Forest Grew EP (2008)
- "What Goes Up" b/w "Five Day Morning" (June 1998)
- All The Dust And Glass: "Reflections After Jane" b/w "An Hour Before The Light" (March 1999)
- "Lacewings" b/w "Saturday" (September 1999)
- "I Had To Say This" b/w "Monday's Rain" (December 1999)
- "(I Want You) More Than Ever" b/w "6 A.M. Morningside" (February 2000)
- "Haunted Melody" b/w "Fear Of Falling" (October 2002)
- "House On Fire" (June 2003)
- "Lacewings" (Live) b/w "Policeman Getting Lost" (Live) (July 2004)
- "Since K Got Over Me" (August 2005)
- "Bookshop Casanova" (April 2007)
- "Falling Asleep" b/w "Orpheus Avenue" (March 2014)
- "Held In Glass" by The Relict b/w "(I Can't Seem To) Make You Mine" by The Clientele (February 2001)
- "Grace" by The Saturday People b/w "Porcelain" by The Clientele (July 2001)
- "Six Foot Drop" Cover by The Clientele b/w "We Could Walk Together" Cover by Clock Strikes 13 (January 2002)
- "On A Summer Trail" by The Clientele b/w "Spiral Staircase" by Birdie (July 2014)
Guitar Rig & Signal Flow
A detailed gear diagram of Alasdair Maclean's 2007 Clientele guitar rig is well-documented.
- Cooper, Adam (May 21, 2007). "Alasdair Maclean's 2007 Clientele Guitar Rig". GuitarGeek.Com
- The Clientele's official website
- Clientele interview at POPnews
- Clientele's MySpace page
- Alasdair Maclean of the Clientele discusses the band's history and details new album Bonfires on the Heath
- Interview with Alasdair MacLean at "Exclaim"
- Strangeways Here We Come. Stomp & Stammer, October 2005, by Susan Moll
- Interview with the Clientele by Dominic B. Simpson, April 2010