The Cocktail Party
|The Cocktail Party|
First edition (Faber & Faber)
|Written by||T. S. Eliot|
Sir Henry Harcourt-Reilly
Alexander MacColgie Gibbs
|Date premiered||Edinburgh: August 22, 1949
Broadway: January 21, 1950
|Place premiered||Edinburgh Festival
Henry Miller's Theatre
New York City, New York
The Cocktail Party is a play by T. S. Eliot. Elements of the play are based on Alcestis, by the Ancient Greek playwright Euripides. The play was the most popular of Eliot's seven plays in his lifetime, although his 1935 play, Murder in the Cathedral, is better remembered today.
The Cocktail Party was first performed at the Edinburgh Festival in 1949. In 1950 the play had successful runs in London and New York theaters (the Broadway production received the 1950 Tony Award for Best Play.) It focuses on a troubled married couple who, through the intervention of a mysterious stranger, settle their problems and move on with their lives. The play starts out seeming to be a light satire of the traditional British drawing room comedy. As it progresses, however, the work becomes a darker philosophical treatment of human relations. As in many of Eliot's works, the play uses absurdist elements to expose the isolation of the human condition. In another recurring theme of Eliot's plays, the Christian martyrdom of the mistress character is seen as a sacrifice that permits the predominantly secular life of the community to continue.
In 1951, in the first Theodore Spencer Memorial Lecture at Harvard University Eliot criticized his own plays in the second half of the lecture, explicitly the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party. The lecture was published as "Poetry and Drama" and later included in Eliot's 1957 collection On Poetry and Poets.
Edward and Lavinia Chamberlayne are separated after five years of marriage. She leaves Edward just as they are about to host a cocktail party at their London home, and he has to come up with an explanation for why Lavinia is not present, in order to keep up social appearances. Lavinia is brought back by a mysterious Unidentified Guest at the party, who turns out to be a psychologist whom Edward and Lavinia both consult. They each learn that they have been deceiving themselves and must face life's realities. They learn that their life together, though hollow and superficial, is preferable to life apart. This message is difficult for the play's third main character, Edward's mistress, to accept. She, with the psychiatrist's urging, also moves on towards a life of greater honesty and salvation and becomes a Christian martyr in Africa. Two years later, Edward and Lavinia, now better adjusted, host another cocktail party.
- Edward Chamberlayne
- Lavinia Chamberlayne
- Celia Coplestone, Edward's mistress
- Sir Henry Harcourt-Reilly, the mysterious stranger/psychiatrist
- Miss Barraway, Sir Henry's secretary
- The couple's friends:
- Peter Quilpe, with whom Lavinia has an affair, but who yearns for Celia
- Julia Shuttlethwaite
- Alexander MacColgie Gibbs
After its debut at the Edinburgh Festival in 1949 with Alec Guinness in the role of the unidentified guest, produced by Henry Sherek and directed by E. Martin Browne, The Cocktail Party premiered on Broadway on January 21, 1950, at the Henry Miller's Theatre and ran for 409 performances. Produced by Gilbert Miller[dubious ] and directed by E. Martin Browne, the production starred Guinness as the mysterious stranger. It received the 1950 Tony Award for Best Play. The play also ran in London with Rex Harrison as the uninvited guest.
A revival opened on October 7, 1968, at the Lyceum Theatre and ran for 44 performances. The Chamberlaynes were played by Brian Bedford and Frances Sternhagen, with Sydney Walker as the mysterious stranger.
In the spring of 2010, the New York based Off-Broadway company The Actors Company Theatre (TACT) presented the play.
- Time writers (30 January 1950). "New Plays in Manhattan". Time. Retrieved 2008-06-15.
- T. S. Eliot, The Complete Poems and Plays
- Grover Smith, T.S. Eliot's Poetry and Plays: A Study in Sources and Meaning
- E. Martin Browne, The Making of T.S. Eliot's Plays.