The Cold Room
|This article does not cite any references or sources. (September 2010)|
|The Cold Room|
Vhs cover art
|Directed by||James Dearden|
|Produced by||Mark Forstater
|Written by||James Dearden
novel: Jeffrey Caine
|Music by||Michael Nyman|
|Edited by||Mick Audsley|
|Release date(s)||24 March 1984|
|Running time||95 minutes|
The Cold Room is a 1984 cable television film by James Dearden. Based on an eponymous 1978 science fiction novel by Jeffrey Caine, the film stars George Segal, Amanda Pays (in her film debut), Anthony Higgins, Renée Soutendijk, and Warren Clarke. The original film score is by Michael Nyman. It was a production of MCEG/Sterling Entertainment and released on VHS by Charter Entertainment. As of 2008, it is available only on a chapterless DVD transferred directly from that VHS by East West DVD for a suggested retail price of $1. That DVD has multiple pauses and skips in the master while the counter plays normally on copies.
Carla Martin (Amanda Pays) is leaving an English parochial boarding school for the summer to live with her estranged father at an inn in East Berlin. The headmistress (Ursula Howells), a nun, gives her a 1936 guide to Berlin, telling her she may find it useful, even though Berlin has surely changed as much as she has. Her best friend, Sophie (Lucy Hornack), gives her a bag of marijuana.
Hugh Martin (George Segal), her father, who lives on Central Park West, greets her at the Berlin Airport, surprised at how grown she looks. Carla is a bit embarrassed that he has given her a teddy bear, as she is nearly seventeen years old. She addresses him on a first name basis, and a camera pan reveals that he just bought the teddy bear at the airport. As they cross through the Berlin Wall, Carla is terrified that she will be personally searched and caught with drugs.
Hugh has a thirty-year-old girlfriend named Lili (Renée Soutendijk), who recommends Frau Hoffman's (Elizabeth Spriggs) inn because of the local character being significant to Hugh's historical research. Carla is convinced that there are rats behind the wall and wants to leave. Hugh has Frau Hoffman humour her and show her that there is merely a broom closet next door, though that room is not deep enough to convince her. Hugh insists it's probably just part of the next room.
Carla sees flashes of another girl in the wardrobe mirror, starts tapping the wall behind it and gets taps back, and tearing away at the wallpaper, she opens the wall to find a disused cold room, for the hotel was once a butcher's shop and home, and a Jewish dissident named Erich (Anthony Higgins) hiding inside. She begins sneaking him food from the hotel kitchen, along with utensils and her father's razor, to help him. Carla is experiencing two realities, one in which she is Carla Martin and another in which she is Christa Bruckner, daughter of butcher Wilhelm Bruckner (Warren Clarke) a proud member of the Nazi Party who calls her a "little slut" and rapes her in the night. Christa also has lines of cuts in both of her palms. Carla is ashamed by the rape and scrubs herself thoroughly in the bathtub.
Hugh is concerned that Carla may be going insane like her mother did and finally makes good on his insistence at having her seen by a doctor (George Pravda). When the doctor comes, she has stripped the sheets on her bed for their dirtiness and is not wearing anything under the bed covers, so her father steps out for the examination. The doctor cannot find anything wrong, and when she tells him that her father raped her the night before and asks him to examine her, he sees only inflammation from the scrub brush and identifies her as "virga intacta"—she was not raped.
Christa and Erich begin lovemaking, as Christa fears she is pregnant by her father and psychologically needs to have the possibility that any baby born is Erich's. She carves their names into a cross centred on the letter I on the wall of the cold room. Soon after, Hugh finds her huddled in a nightgown inside the wardrobe, which is filled with rotten food. Hugh and Lili get her dressed and take her out of the hotel. As they are getting into the car, Herr Bruckner drags her back into the butcher shop and insists he needs her for deliveries. In reality, this is to give Frau Hoffman time to reveal Erich to the Gestapo. When they return, Moltke (Clifford Rose), who had previously interrogated her about a visit to a Jewish man referred to her by Erich (something Carla was not able to accomplish in her own experience), is waiting in her bedroom. Erich shot one of Moltke's men, and Moltke killed him.
Hugh and Lili carry Carla back to the room with Frau Hoffman's assistance. When Carla regains consciousness, she begins accusing Frau Hoffman of having killed Erich. Not being able to tell Hugh from Herr Bruckner, she stabs him in the chest near the shoulder with a knife she has hidden. Coming to her senses, she and Lili ride with him in the ambulance.
Hugh now with his arm in a sling, the police are called to open the wall behind the wardrobe, which Carla had never actually opened. The planks Herr Bruckner had sealed it up with are removed, and Carla investigates it, filled with rats as she initially suspected, discovering the place where Christa and Erich's names are carved into the wall. Frau Hoffman is unable to hide her shame. Hugh takes Christa back to the airport to live with her aunt, with whom she lived prior to boarding school.
|The Cold Room|
The Cold Room
art by Crimson
photograph by Martyn Goddard
|Soundtrack album by Michael Nyman|
|Genre||Contemporary classical music, film scores, minimalism|
Ford A. Thaxton
|Michael Nyman chronology|
The original music for the film was performed by the Wembley Studio Chamber Orchestra and recorded at The Music Centre, CTS Studios, London. In 1995, the original soundtrack recordings were acquired by Ford A. Thaxton of Silva America Records for release on compact disc in the wake of the popular success of The Piano in late 1993. Strings and piano predominate the score.
- Main Theme
- The Nightmare Begins
- The Closet
- Sounds of the Night
- Her Man Awaits
- Ghosts of the Past
- The Damned
- Spectral Moments
- Macabre Piano
- A Cold Spot
- Red Drum
- The Nightmare Ends
- Main Theme – Reprise
"Main Theme – Reprise" is not the end title music, but in fact, the second track heard in the film. There is no return to the brighter opening music after the beginning of the film.
- Music composed, arranged, and produced by Michael Nyman
- Performed by the Wembley Studio Chamber Orchestra
- Recorded at The Music Centre, CTS Studios, London
- Recording Engineer: Pete Wandless
- Assistant: Keith Bourdice
- CD release sequence and produced by Ford A. Thaxton
- Remixed at The Music Source, Seattle, WA
- Remix Engineer: Bill Wolford
- Digitally edited at Phoenix Creative (Lacey, WA)
- Digital Editor: James Nelson
- Executive Producer: Reynold Da Silva
- Release Supervision: Yusuf Gandhi and Christy Carrillo
- Artwork: Crimson, London
- Photography: Martyn Goddard