The Cruel Sea (1953 film)

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The Cruel Sea
The Cruel Sea Film Poster.jpg
Original British film poster
Directed by Charles Frend
Produced by Leslie Norman
Written by Eric Ambler
Based on The Cruel Sea 
by Nicholas Monsarrat
Starring Jack Hawkins
Donald Sinden
Denholm Elliott
Virginia McKenna
Stanley Baker
Music by Alan Rawsthorne
Cinematography Gordon Dines
Edited by Peter Tanner
Production
  company
Ealing Studios
Distributed by GDF (UK)
Universal Pictures (US)
Release date(s)
  • 24 March 1953 (1953-03-024) (UK)
  • 19 August 1953 (1953-08-19) (US)
Running time 126 minutes
Country United Kingdom
Language English

The Cruel Sea is a 1953 British film from Ealing Studios starring Jack Hawkins and Donald Sinden, with Denholm Elliott, Stanley Baker, Liam Redmond, Virginia McKenna and Moira Lister. It was directed by Charles Frend and produced by Leslie Norman.

It was based on the best selling novel The Cruel Sea by Nicholas Monsarrat. It is a portrayal of the war between the Royal Navy and Germany's U-boats from the viewpoint of the British naval officers and seamen who served in escort vessels during World War II, although the screenplay by Eric Ambler omitted some of Monsarrat's grimmest images.

Plot[edit]

The film begins with a voice-over by Ericson (Jack Hawkins);

This is a story of the Battle of the Atlantic, the story of an ocean, two ships, and a handful of men. The men are the heroes; the heroines are the ships. The only villain is the sea, the cruel sea, that man has made more cruel...

Opening in the autumn of 1939 just as the Battle of the Atlantic begins, Lieutenant-Commander George Ericson, a British Merchant Navy and Royal Naval Reserve officer, is recalled to the Royal Navy and given command of HMS Compass Rose, a newly built Flower class corvette intended for convoy escort duties. His sub-lieutenants, Lockhart and Ferraby, are both newly commissioned and without experience at sea. The new first lieutenant, James Bennett (Stanley Baker), is an abusive martinet.

Despite these initial disadvantages, the ship's company gains hard experience and becomes an effective fighting unit. At first their worst enemy is the weather, since German submarines lack the range to attack shipping far into the Atlantic. With the Fall of France with French ports then becoming available to the Germans, U-boats can attack convoys anywhere in the Atlantic – ironically making bad weather the convoys' greatest advantage. The first lieutenant is put ashore, the junior officers mature and the ship crosses the Atlantic many times escorting convoys, often in brutal weather. They witness the sinking of many merchant vessels they are charged with protecting and the tragic deaths of merchant navy crewmen. A key scene involves Ericson's decision to carry out a depth charge attack even though the blast will kill merchant seamen floating in the water. After close to three years of service, including one U-boat sunk, the Compass Rose is herself torpedoed and her crew forced to abandon ship. Most of the crew are lost to drowning and hypothermia. Taking to a couple of liferafts, Ericson survives this ordeal along with his first lieutenant, Lockhart (Donald Sinden), and with the few crew left are picked up the next day.

Ericson is promoted commander, and together with Lockhart, his now-promoted "Number One", takes command of a new frigate, HMS Saltash Castle (portrayed by Castle-class corvette HMS Portchester Castle). With Ericson leading an anti-submarine escort group they continue the monotonous but vital duty of convoy escort. Late in the war, while serving with the Arctic convoys, they doggedly pursue and sink another U-boat, marked as U-53 (in reality, sunk by HMS Gurkha in February 1940 with the loss of all hands), Saltash Castle's only 'kill'. As the war ends the ship is shown returning to port, as guard to a number of German submarines that have surrendered.[1]

Cast[edit]

The ships[edit]

Compass Rose on location

Compass Rose was portrayed by the Flower-class corvette HMS Coreopsis (K32). The Admiralty had disposed of all its wartime corvettes, but Coreopsis was located in Malta by one of the film's technical advisers, Capt. Jack Broome DSC RN (who had been escort commander of the ill-fated Convoy PQ 17). Coreopsis had been loaned to the Hellenic Navy and renamed Kriezis, and was awaiting a tow back to England and the breaker's yard.[2] Compass Rose carries the pennant number "K49", which was in reality the number of HMS Crocus.

Saltash Castle was portrayed by Castle-class corvette HMS Portchester Castle, pennant F362, as in the film. Although she had been paid off in 1947, she was held in reserve until broken up in 1958, and so could be made available for use in the film.

(In the book, the new ship which replaced Compass Rose was a fictional River-class frigate HMS Saltash. These ships were significantly larger than the Castle-class corvettes, but had been paid off or sold abroad when the film was made. However, in 1954 a recommissioned Royal Canadian Navy River Class frigate HMCS New Glasgow was made available to play the fictional HMS Rockhampton in the John Wayne film The Sea Chase). In the film, when boarding their new ship, the characters of Ericson and Lockhart remark that neither of them have heard of a castle in Saltash - in reality there is no such thing, although there are a number of fortifications in the local area.

Production[edit]

Although the role of the cowardly officer Bennett was an Australian in the book, the English Donald Sinden was originally screen-tested for the part and the Welsh Stanley Baker was screen-tested for the part of Lockhart.[3] Subsequently, at Jack Hawkins’ suggestion and after further screen-tests, the roles were swapped.[4]

Donald Sinden (playing Lockhart) suffers in real life from negative buoyancy, meaning that he is unable to float or swim in water, which was discovered while filming the sequence when the ship Compass Rose is sinking. Co-star Jack Hawkins (playing Ericson) saved him from drowning in the open-air water-tank at Denham Studios. "The evacuation of the ship was the first scene to be shot in the tank, which was about an acre in size, 10 feet deep and contained two giant wave-making machines and an aeroplane propeller which had a fire-hose aimed at it to create the spray. The whole crew were to jump over the side - the great stuntman Frankie Howard from the top of the superstructure. The First Assistant Director, Norman Priggen, came to me and asked 'Can you swim?' 'No' I said. 'OK, you jump from there' and he showed me a position furthest from the bank. I reasoned that it was possibly the shallow end. The night was cold and cast and crew shivered as we waited for the 'sea' to become rough enough: and then 'ACTION!' I ran to the side, climbed up and as I jumped flexed my knees expecting to land in about three feet of water. Down I went... All the others arrived safely at the bank and thank God, Jack heard someone ask 'Where's Donald?' He dived in again and pulled me out just in time. It transpired that the First thought that I had been joking when I said I couldn't swim! But we had to do it another five times, with me in a different position now. For another shot, the leading players were required to swim past the camera in close-up. 'ACTION!' Jack Hawkins swam past - then a long gap - and then Denholm Elliott... 'Donald we didn't see you, lets do it again' said the Director. Jack - a gap - Denholm... I was certainly swimming past but, as the camera operator Chic Waterson spotted - underwater. The only answer was for Frankie Howard (the stuntman) to take an enormous breath and swim breaststroke under the surface, with me lying on his back simulating the crawl. If you look carefully you will see - compared with the others - I am completely out of the water!"[5]

The most traumatic scene in the film occurs after a submarine has caused havoc to the convoy and the ASDIC (sonar detector) reveals that it is beneath a group of British sailors who are struggling in the water, hoping to be rescued. Ericson, faced with an appalling choice, drops the depth charges that will destroy the enemy but will also kill his countrymen. Yet for all his professionalism he is a human being and he later gets paralytically drunk and bares his feelings to Lockhart. Jack Hawkins, personally moved by the situation, delivered a fitting emotional performance and at the end of the scene tears were rolling down his face. Two days later, after seeing it cut together, Michael Balcon asked Charles Frend to re-shoot it with Hawkins keeping a grip on himself. It was played that way and Balcon pronounced it absolutely perfect. Then two days later, after another viewing, it was, decided that a little emotion was needed after all, the scene was re-shot with just an odd tear or two and again the verdict was that it was now dead right. Hawkins was amused to note that in the final version of the film, the original first take was used.[6]

In his second autobiography, Donald Sinden wrote: "The editor, Peter Tanner, showed me a clip of film in which the Compass Rose was sailing from left to right across the screen. 'Now, that is exactly the shot I need to show the ship returning to Liverpool - but the ship is going the wrong way.' I asked him what he meant and he said 'The eye of the viewer accepts anything travelling from left to right as going away from home, anything going from right to left is returning home. What I shall do is just reverse this piece of film and the ship will be going in the required direction'."[7]

The ships used for filming were based in Plymouth, with Plymouth Sound standing in for the River Mersey. The scenes of the ships at sea were filmed in the English Channel just out of sight of land. These coastal waters and a summer shooting schedule meant that the sea was generally too calm to effectively portray conditions on the Atlantic in winter, so the ships were taken to the Portland Race. Although only a couple of miles offshore, a number of conflicting tidal streams and a sandbank provide predictable, albeit often dangerous, large waves and a disturbed sea. Ships usually deliberately avoid the Portland Race but the Compass Rose was taken straight through during the peak of the tide to get the required shots.

Reception[edit]

The film was the most successful movie at the British box office in 1953 and caused Jack Hawkins to be voted the most popular star with British audiences.[8] It also earned £215,000 (approximately £4.9million by 2013 standards) in the USA, a high figure for British movies at the time.[9]

Halliwell's Film Guide described the film as a "competent transcription of a bestselling book, cleanly produced and acted."[10]

Notes[edit]

Virginia McKenna launched her career with her small role[11] and met her first husband, Denholm Elliott, on the set.[12]

References[edit]

  1. ^ "THE CRUEL SEA.". The Australian Women's Weekly (1933–1982) (1933–1982: National Library of Australia). 20 May 1953. p. 37. Retrieved 22 July 2012. 
  2. ^ "The Cruel Sea". britmovie.co.uk. 
  3. ^ The Advertiser (Adelaide), 31 October 1952: London Notebook Linked 12 May 2013
  4. ^ A Touch Of The Memoirs. Donald Sinden. Hodder & Stoughton 1982. page 154
  5. ^ A Touch Of The Memoirs. Donald Sinden. Hodder & Stoughton 1982. pages 164-5
  6. ^ http://www.britmovie.co.uk/films/The-Cruel-Sea_1953/
  7. ^ Laughter In The Second Act Donald Sinden. Hodder & Stoughton 1985. page 67
  8. ^ "From London.". The Mail (Adelaide, SA : 1912 – 1954) (Adelaide, SA: National Library of Australia). 9 January 1954. p. 50. Retrieved 10 July 2012. 
  9. ^ "WHAT'S NEWS IN THE MOVIE WORLD.". Sunday Times (Perth, WA : 1902 – 1954) (Perth, WA: National Library of Australia). 28 November 1954. p. 39. Retrieved 10 July 2012. 
  10. ^ Halliwell's Film Guide, 13th edition – ISBN 0-00-638868-X.
  11. ^ "ON STAGE AND SCREEN.". The Advertiser (Adelaide, SA : 1931 – 1954) (Adelaide, SA: National Library of Australia). 18 April 1953. p. 7. Retrieved 10 July 2012. 
  12. ^ Thornton, Michael. "Virginia McKenna, her fiery marriage and the husband who cheated with a Moroccan gigolo". Ghana Nation. Retrieved 5 June 2013. 

Further reading[edit]

  • George Perry, Forever Ealing: A history of Ealing Studios from its origins in 1902 (1981), Pavilion

External links[edit]