The Dot and the Line

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The Dot and the Line
A Romance in Lower Mathematics
Directed by Chuck Jones
Maurice Noble (co-director)
Produced by Chuck Jones
Les Goldman
Story by Norton Juster
(book and screenplay)
Narrated by Robert Morley
Music by Eugene Poddany
Animation by Don Towsley (supervising)
Ken Harris
Ben Washam
Dick Thompson
Tom Ray
Philip Roman
Backgrounds by Philip DeGuard
Don Morgan
Studio MGM Animation/Visual Arts
Distributed by Metro-Goldwyn-Mayer
Release date(s) December 31, 1965 (1965-12-31)
Color process Metrocolor
Running time 10 minutes 1 second
Country United States
Language English

The Dot and the Line: A Romance in Lower Mathematics (ISBN 1-58717-066-3) is a book written and illustrated by Norton Juster, first published by Random House in 1963. The story was inspired by Flatland: A Romance of Many Dimensions, in which the protagonist visits a one-dimensional universe called Lineland, where women are dots and men are lines.

In 1965, famed animator Chuck Jones and the MGM Animation/Visual Arts studio adapted The Dot and the Line into a 10-minute animated short film for Metro-Goldwyn-Mayer, narrated by Robert Morley. The Dot and the Line won the 1965 Academy Award for Animated Short Film.[1] It was entered into the Short Film Palme d'Or competition at the 1966 Cannes Film Festival.[2]

The cartoon was released as a special feature on the The Glass Bottom Boat DVD in 2005. The cartoon is also featured on the 2008 release of Warner Brothers Home Entertainment Academy Awards Animation Collection and the 2011 release of the Looney Tunes Platinum Collection: Volume 1 Blu-ray box-set on the third disc as a special feature. In 2005, Robert Xavier Rodriguez made a musical setting of the book for narrator and chamber ensemble with projected images, and in 2011 he made a version for full orchestra.

Story[edit]

The story details a straight line who is hopelessly in love with a dot. The dot, finding the line to be stiff, dull, and conventional, turns her affections toward a wild and unkempt squiggle. The line, unable to fall out of love and willing to do whatever it takes to win the dot's affection, manages to bend himself and form an angle. He works to refine this new ability, creating shapes so complex that he has to label his sides and angles to keep his place.

Screenshots from the award winning short.

The dot realizes that she has made a mistake: what she had seen in the squiggle to be freedom and joy was nothing more than chaos and sloth. She leaves with the line, having realized that he has much more to offer, and the punning moral is presented: "To the vector belong the spoils."

Legacy[edit]

The Dot and the Line served as the inspiration for a collection of jewelry by designer Jane A. Gordon.[3]

Notes[edit]

  • This was one of only two Looney Tunes and non-Tom and Jerry animated short subjects to be released by Metro-Goldwyn-Mayer post-1958. The other one is The Bear That Wasn't, released in 1967 as the last-ever MGM animated short.
  • "The Dot and the Line" won the final award for an animated short for Metro-Goldwyn-Mayer, and Chuck Jones' only award as a producer.
  • This would be one of two Juster books to be adapted for the big screen by Chuck Jones, although Juster had no involvement with the other, The Phantom Tollbooth.

References[edit]

External links[edit]