The Fatal Wedding
|The Fatal Wedding|
Still from the film
|Directed by||Raymond Longford|
|Produced by||Charles Cozens Spencer|
|Written by||Raymond Longford
|Based on||play by Theodore Kremer
novel by R. M. Clay
|Edited by||Arthur Higgins|
|Distributed by||Spencer's Pictures|
|24 April 1911|
|Budget||£360 or ₤600 (Longford estimate) or £4,000|
|Box office||₤18,000 (est.)|
It was Longford's debut feature as director and one of the most popular Australian movies of its day. It is considered a lost film.
An adventuress, Cora Williams destroys the happy marriage of Howard and Mabel Wilson and drives them to divorce. Howard gets custody of their children Jessie and Frankie but Mabel winds up abducting them.
Five years later Cora discovers Mabel living in poverty with the children. She tries to poison Mabel and frame Jessie on a charge of theft but is unsuccessful. Howard and Mabel eventually reconcile and live with their children.
- Lottie Lyell as Mabel Wilson
- Raymond Longford as Howard Wilson
- Walter Vincent as Robert Curtis
- Tom Cosgrove as Toto
- Henry Saville as Peter Schwartz
- George Ellis as Constable O'Reilly
- Mr Henderson as Reverend Dr Lanceford
- Miss Clare as Cora Williams
- Helen Fergus as Bridget
- Elsie Rennie as Jessie
- Master Anson as Frankie
|The Fatal Wedding|
Poster from early Australian production of play
|Written by||Theodore Kremer|
Theodore Kremer's play had appeared on Broadway in 1901 and been popular in England and Australia.
Kremer later wrote a companion play in 1902, For Her Children's Sake.
The play was the subject of an unsuccessful plagiarism action.
Although Longford had appeared in several films as an actor and helped make a documentary about the Burns–Johnson fight in 1908, this was his first feature as director. It was also Lottie Lyell's first movie.
Shooting took place largely in an artist's studio in Bondi with a roof taken off and six foot reflectors used to improve the lighting. Longford claimed it was the "first interior picture taken in Australia."
According to contemporary reviews, the one departure from the stage show was the introduction of a motor car in the scene which shows little Jessie (Elsie Rennie) leaving Paradise Alley with a bodyguard of poor children.
Advertising claimed the film would "inaugurate a New Era in Motion Photography." It was previewed on 21 April 1911. The Sydney Morning Herald wrote that
The acting throughout is of a very high standard and all the great features and powerful scenes of the drama are most vividly and clearly portrayed. The film itself is unusually good the objectionable flicker being reduced to a minimum and all the figures and background standing out with great clearness and definition. The "Tin Can Band" is here wonderfully pictured, the Little Mother is all the time excellent and the adult characters are seen to great advantage throughout.
The critic from the Sydney Sunday Times said that:
Although the play is American, Mr. C. Spencer is justified in presenting the [movie]... as an example of Australian art. Everything about the play in its new form is Australian. A company which was formed in Sydney acted the melodrama for Mr. Spencer's operators, and one may recognise Bondi in the outdoor scenes — notably in the episode of the cliff house and the escape of the little heroine... After a cinematograph series of 'Australian Bushrangers,' it is a relief to see bright-faced and happy-hearted children representing the better, even if the poorer, side of life in this part of the world... Jessie, the little mother' with the Tin Can Band of youngsters, made The Fatal Wedding a success when it was first played here at the Criterion Theatre. And it is the kiddies who make the success of Mr. Spencer's reproduction under the direction of Mr. R. H. Longford. In the 'children's party' scene of the third act one song is cleverly counterfeited by a child behind the screen and 'hidden noises' lend an air of realism when the juvenile band shouts with joy or rattles the tin cans. To make up for the absence of songs at this point there is a good deal more dancing than one saw in the play itself.
The Perth Sunday Times said that " The lady who plays the she-villain... is without doubt the woodenest dolt that ever spoilt good celluloid."
The Fatal Wedding was a big success at the box office in Sydney – the Governor General even attended a screening. It then played Melbourne and the rest of Australia and was very popular, launching the cinema careers of Longford and Lyell, as well as enabling producer Charles Cozens Spencer to establish a film studio at Rushcutter's Bay in Sydney. It was still screening in cinemas in 1914.
Longford later claimed the movie was the first domestic drama picture using interiors made in Australia.
Some have also argued this film was the first to introduce the close up. Arthur Higgin backed this claim in the 1960s, saying it was he who suggested it. He said he was taking the usual long shot when he mentioned to Longford, "Ray, I think we'll move in closer for this shot."
- "Raymond Longford", Cinema Papers, January 1974 p51
- "Advertising.". The Sydney Morning Herald (National Library of Australia). 24 April 1911. p. 2. Retrieved 20 September 2013.
- "AUSTRALIAN FILMS.". The Daily News (Perth: National Library of Australia). 18 December 1931. p. 11 Edition: HOME (FINAL) EDITION. Retrieved 25 July 2012.
- "THE RESEARCH BUREAU HOLDS AN AUTOPSY.". Sunday Mail (Brisbane: National Library of Australia). 17 February 1952. p. 11. Retrieved 28 April 2013.
- Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 18.
- Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press, 1989, p31
- Raymond Longford at Australian Dictionary of Biography
- The Fatal Wedding 1901 production at IBDB
- For Her Children's Sake poster accessed 17 September 2013
- "THE FATAL WEDDING.". Kalgoorlie Miner (WA: National Library of Australia). 18 June 1907. p. 5. Retrieved 19 September 2013.
- Boxing 1908: Johnson vs Burns at Australian Screen Online
- Lottie Lyell at Australian Dictionary of Biography
- Contemporary review from Morning Bulletin (Rockhampton) Tuesday 6 September 1910 p6
- ""The Fatal Wedding".". Kapunda Herald (SA : 1878–1951) (SA: National Library of Australia). 4 November 1910. p. 5. Retrieved 1 September 2013.
- "THE THEATRES.". The Sunday Times (Sydney: National Library of Australia). 23 April 1911. p. 2. Retrieved 20 September 2013.
- "Advertising.". The Sydney Morning Herald (National Library of Australia). 21 April 1911. p. 2. Retrieved 20 September 2013.
- "FATAL WEDDING.". The Sydney Morning Herald (National Library of Australia). 22 April 1911. p. 13. Retrieved 20 September 2013.
- "THE BUSKER.". Sunday Times (Perth: National Library of Australia). 23 July 1911. p. 21. Retrieved 20 September 2013.
- ""THE FATAL WEDDING.".". The Evening News (Sydney: National Library of Australia). 29 April 1911. p. 10. Retrieved 20 September 2013.
- "Advertising.". The Dubbo Liberal and Macquarie Advocate (NSW: National Library of Australia). 6 March 1914. p. 5. Retrieved 1 September 2013.
- 'AUSTRALIAN FILMS. "KILLED GOOD AND HARD."' Sydney, 10 June, The Advertiser (Adelaide), Friday 17 June 1927 p 14
- 'AUSTRALIA PIONEERED "FEATURE" FILMS Some Were Bad, But They Introduced Devices Which Were Copied by Producers Abroad', The Argus (Melbourne), Saturday 21 October 1939 Supplement: The Argus Weekend magazine p 2
- "Worth Reporting.". The Australian Women's Weekly (National Library of Australia). 27 June 1962. p. 12. Retrieved 26 November 2014.
- "AUSTRALIAN PRODUCTIONS.". The West Australian (Perth: National Library of Australia). 14 July 1933. p. 2. Retrieved 21 May 2012.
- The Fatal Wedding at the Internet Broadway Database
- The Fatal Wedding at the Internet Movie Database
- The Fatal Wedding at National Film and Sound Archive
- The Fatal Wedding at AustLit