The Lord of the Rings: The Fellowship of the Ring
|The Lord of the Rings:
The Fellowship of the Ring
Theatrical release poster
|Directed by||Peter Jackson|
|Based on||The Fellowship of the Ring
by J. R. R. Tolkien
|Music by||Howard Shore|
|Edited by||John Gilbert|
|Distributed by||New Line Cinema|
|Box office||$871.5 million|
The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy film directed by Peter Jackson based on the first volume of J. R. R. Tolkien's The Lord of the Rings (1954–1955). It is the first installment in the The Lord of the Rings film trilogy, and was followed by The Two Towers (2002) and The Return of the King (2003), based on the second and third volumes of The Lord of the Rings.
Set in Middle-earth, the story tells of the Dark Lord Sauron, who is seeking the One Ring. The Ring has found its way to the young hobbit Frodo Baggins (Elijah Wood). The fate of Middle-earth hangs in the balance as Frodo and eight companions who form the Fellowship of the Ring begin their journey to Mount Doom in the land of Mordor, the only place where the Ring can be destroyed.
Released on 10 December 2001, the film was highly acclaimed by critics and fans alike who considered it to be a landmark in film-making and an achievement in the fantasy film genre. It has continued to be featured on critic lists of the greatest fantasy films ever made as of 2013. The film was a massive box office success, earning over $871 million worldwide, and becoming the second highest-grossing film of 2001 in the U.S. and worldwide (behind Harry Potter and the Philosopher's Stone) which made it the fifth highest-grossing film ever at the time.
As of August 2014[update], it is the 36th highest-grossing film of all time worldwide. It was nominated for thirteen Oscars at the 74th Academy Awards ceremony, winning four for Best Cinematography, Best Makeup, Best Original Score, and Best Visual Effects. It won also four British Academy Film Awards, including Best Film and Best Director BAFTA awards. The Special Extended Edition was released to DVD on 12 November 2002 and to Blu-ray Disc on 28 June 2011. In 2007, The Fellowship of the Ring was voted No. 50 on the American Film Institute's list of 100 greatest American films. The AFI also voted it the second greatest fantasy film of all time during their 10 Top 10 special.
- 1 Plot
- 2 Cast
- 3 Comparison with the source material
- 4 Production
- 5 Reception
- 6 Home media
- 7 References
- 8 External links
During the Second Age of Middle Earth, the Dark Lord Sauron attempts to conquer Middle-Earth using his One Ring. But during the War of the Last Alliance, Isildur cuts the ring from Sauron's hand, causing the Dark Lord's physical form to explode. Though told by the Elf Elrond to destroy Sauron's Ring by casting it into the magma of Mount Doom from where it was forged, Isildur kept it and his obsession for the Ring led to his death by Orcs. The Ring is lost in the Anduin River for 2,500 years before it was found by Gollum, who possessed it for centuries until it is taken by the Hobbit Bilbo Baggins as it sensed something stirring in Mirkwood.
Sixty years later, an aged Bilbo is visited by his old friend Gandalf the Grey who convinced him to leave the Ring to his nephew Frodo Baggins as he leaves for Rivendell. But when Gandalf realizes the Ring is more than it appears, he learns of its true identity and reveals to Frodo that Sauron's spiritual essence survived his death and now seeks to reclaim the Ring. As he also learned that Gollum has revealed the Ring's location while captured by Mordor, Gandalf warns Frodo that Sauron's forces will come for him. Gandalf catches Frodo's gardener Samwise Gamgee eavesdropping by a window and sends him with Frodo to leave the Shire. Gandalf rides to Isengard to meet with the head of his order, Saruman the White. But after learning that Sauron sent the nine Nazgûl to retrieve the Ring, Gandalf also learns that Saruman is aiding Sauron. After Saruman imprisons Gandalf atop his tower Orthanc, he commands Sauron's Orcs to forge weapons and produce a superior Orc breed: the Uruk-hai.
While traveling to Bree, Frodo and Sam are joined by Merry and Pippin, and are nearly captured by the Nazgûl. At the Inn of the Prancing Pony, Frodo meets the mysterious ranger named Strider who proceeds to take them to Rivendell. But on the way, the Hobbits are ambushed by the Nazgûl and Frodo is mortally wounded by their leader's morgul blade. With urgent need to save Frodo before he turns into a wraith if not attended to with the proper care, Strider entrusts the Hobbit's safety to an Elf named Arwen. After Arwen manages to dispatch the pursuing Nazgûl, she manages to get Frodo to her father Elrond. By the time Frodo comes to, he finds Gandalf after he managed to escape Orthanc with the aid of an eagle. Due to the turn of events, Elrond calls a council of the races still loyal to Middle-Earth to decide what should be done with the Ring. It was there that Strider is revealed to be Isildur's descendant Aragorn. After Elrond explains the only recourse is take the Ring to Mount Doom, Frodo volunteers to take the Ring there with a The Fellowship of the Ring composed of himself, Samwise, Merry, Pippin, Gandalf, Aragorn, Mirkwood Elf Legolas, the Dwarf Gimli, and Boromir of Gondor.
The Fellowship sets out and Saruman uses his magic to force them to travel through the dwarf Mines of Moria. But as Gandalf feared, the company find out that Moria has been taken over by orcs with the Dwarfs under Balin slain. Before reaching the city of Khazad-dûm, the Fellowship learn that they are being followed by Gollum. Eventually, while Gimli mourns upon finding Balin's resting place, the Fellowship are attacked by goblins and a cave troll. Matters are worsen when the Fellowship are forced to flee from a Balrog, an ancient demon of fire and shadow. Gandalf sacrifices himself to keep the Balrog at bay so the others can escape, apparently falling to his death. The group take refuge in Lothlórien, where they are sheltered by its rulers, the Elves Galadriel and Celeborn. Frodo later meets Galadriel in private, who informs the hobbit that the Ring is a burden that he must shoulder alone and that someone in the Fellowship will try to take it. As the Fellowship continue their journey, Saruman assembles a force of Uruk-hai to hunt them down.
After arriving to Parth Galen, Boromir gives in to the Ring's corruption and, seeing it to as a means to save Gondor, tries to take it from Frodo. He comes to his senses too late as the hobbit decides to continue the journey alone. By then, the Uruk-hai arrive and Aragorn, Legolas, and Gimli attempt to hold them off while Frodo escapes. Merry and Pippin lead the Orcs away from Frodo. While they watch Boromir get fatally wounded to protect them, they are grabbed by the Uruk-Hai. Aragorn tends to a dying Boromir and gives him peace. Aragorn, Legolas and Gimli decide to rescue Merry and Pippin and Sam convinces Frodo to allow him to accompany him to Mordor.
Before filming began on 11 October 1999, the principal actors trained for six weeks in sword fighting (with Bob Anderson), riding and boating. Jackson hoped such activities would allow the cast to bond so chemistry would be evident on screen as well as getting them used to life in Wellington. They were also trained to pronounce Tolkien's verses properly. After the shoot, the nine cast members playing the Fellowship got a tattoo, the Elvish symbol for the number nine, with the exception of John Rhys-Davies, whose stunt double got the tattoo instead. The film is noted for having an ensemble cast, and some of the cast and their respective characters include:
- Elijah Wood as Frodo Baggins: a young hobbit who inherits the One Ring from his uncle Bilbo. Wood was the first actor to be cast on 7 July 1999. Wood was a fan of the book, and he sent in an audition dressed as Frodo, reading lines from the novel. Wood was selected from 150 actors who auditioned.
- Ian McKellen as Gandalf the Grey: an Istari wizard and mentor to Frodo. Sean Connery was approached for the role, but did not understand the plot, while Patrick Stewart turned it down as he disliked the script. Before being cast, McKellen had to sort his schedule with 20th Century Fox as there was a two-month overlap with X-Men. He enjoyed playing Gandalf the Grey more than his transformed state in the next two films, and based his accent on Tolkien. Unlike his on-screen character, McKellen did not spend much time with the actors playing the Hobbits; instead he worked with their scale doubles.
- Viggo Mortensen as Aragorn "Strider" Elessar II: a Dúnedain ranger and heir to Gondor's throne. Daniel Day-Lewis was offered the part at the beginning of pre-production, but turned it down. Nicolas Cage also received an offer, declining because of "family obligations", while Vin Diesel, a fan of the book, auditioned for Aragorn. Stuart Townsend was cast in the role, before being replaced during filming when Jackson realised he was too young. Russell Crowe was considered as a replacement, but he turned it down after taking what he thought to be a similar role in Gladiator. Day-Lewis was offered the role for a second time, but declined again. Executive Producer Mark Ordesky saw Mortensen in a play. Mortensen's son, a fan of the book, convinced him to take the role. Mortensen read the book on the plane, received a crash course lesson in fencing from Bob Anderson and began filming the scenes on Weathertop. Mortensen became a hit with the crew by patching up his costume and carrying his "hero" sword around with him off-camera.
- Sean Astin as Samwise "Sam" Gamgee: a hobbit gardener and Frodo's best friend. Astin, who had recently become a father, bonded with the 18-year-old Wood in a protective manner, which mirrored Sam's relationship with Frodo.
- Liv Tyler as Arwen Undomiel: an elven princess of Rivendell and Aragorn's lover. The filmmakers approached Tyler after seeing her performance in Plunkett & Macleane, and New Line Cinema leaped at the opportunity of having one Hollywood star in the film. Actress Helena Bonham Carter had expressed interest in the role. Tyler came to shoot on short occasions, unlike the rest of the actors. She was one of the last actors to be cast, on 25 August 1999.
- Billy Boyd as Peregrin "Pippin" Took: a hobbit who travels with the Fellowship on their journey to Mordor.
- Dominic Monaghan as Meriadoc "Merry" Brandybuck: a distant cousin of Frodo. Monaghan was cast as Merry after auditioning for Frodo.
- Christopher Lee as Saruman the White: the fallen head of the Istari Order who succumbs to Sauron's will through his use of the palantír. Lee is a major fan of the book, and reads it once a year. He has also met J. R. R. Tolkien. He originally auditioned for Gandalf, but was judged too old.
- Sean Bean as Boromir: a prince of the Stewards of Gondor who journeys with the Fellowship towards Mordor. Bruce Willis, a fan of the book, expressed interest in the role, while Liam Neeson was sent the script, but passed.
- John Rhys-Davies as Gimli: a dwarf warrior who accompanies the Fellowship to Mordor after they set out from Rivendell. Billy Connolly, who was considered for the part of Gimli, later portrayed Dáin II Ironfoot in Peter Jackson's The Hobbit film trilogy. Rhys-Davies wore heavy prosthetics to play Gimli, which limited his vision, and eventually he developed eczema around his eyes. Rhys-Davies also played Gimli's father Glóin during the scene where the fellowship is forged.
- Cate Blanchett as Galadriel: the elven co-ruler of Lothlórien alongside her husband Celeborn.
- Orlando Bloom as Legolas Greenleaf: a prince of the elves' Woodland Realm and a skilled archer. Bloom initially auditioned for Faramir, who appears in the second film, a role which went to David Wenham.
- Hugo Weaving as Elrond: the elven Lord of Rivendell who leads the Council of Elrond, which ultimately decides to destroy the Ring. David Bowie expressed interest in the role, but Jackson stated, "To have a famous, beloved character and a famous star colliding is slightly uncomfortable."
- Ian Holm as Bilbo Baggins: Frodo's uncle who gives him the Ring after he decides to retire to Rivendell. Holm previously played Frodo in a 1981 radio adaption of The Lord of the Rings, and was cast as Bilbo after Jackson remembered his performance. Sylvester McCoy, who would later play Radagast the Brown Wizard in The Hobbit, was contacted about playing the role, and was kept in place as a potential Bilbo for six months before Jackson went with Holm.
- Andy Serkis as Gollum: a wretched hobbit-like creature whose mind was poisoned by the Ring after bearing it for centuries; voice and motion capture. This character appears briefly in the prologue. In Mordor, you can only hear his voice shouting and in Moria, only his eyes and his nose appear.
- Sala Baker as Sauron the Deceiver: the Dark Lord of Mordor and the One Ring's true master who manifests as an Eye after the destruction of his physical form;
The cast also includes:
- Marton Csokas as Celeborn the Wise: the elven Lord of Lothlórien and Galadriel's husband;
- Lawrence Makoare as Lurtz: the commander of Saruman's Orc forces;
- Craig Parker as Haldir: the leader of the Galadhrim warriors guarding the border of Lothlórien;
- Mark Ferguson as Ereinion Gil-galad, the last Elven-King of Noldor;
- Peter McKenzie as Elendil the Tall: the last High King of Arnor and Gondor;
- Harry Sinclair as Isildur: Elendil's son and Aragorn's ancestor who originally defeated Sauron.
Comparison with the source material
Jackson, Walsh and Boyens made numerous changes to the story, for purposes of pacing and character development. Jackson said his main desire was to make a film focused primarily on Frodo and the Ring, the "backbone" of the story. The prologue condenses Tolkien's backstory, in which The Last Alliance's seven-year siege of the Barad-dûr is a single battle, where Sauron is shown to explode, though Tolkien only said his spirit flees.
Events at the beginning of the film are condensed or omitted altogether. In the book the time between Gandalf leaving the Ring to Frodo and returning to reveal its inscription, which is 17 years, is compressed for timing reasons. Frodo also spends a few months preparing to move to Buckland, on the eastern border of the Shire. This move is omitted and combined with him setting out for Bree. Also compressed is the time between Frodo and Sam leaving Bag End and their meeting Merry and Pippin. Characters such as Tom Bombadil and the incidents in the old forest and the barrow downs are left out to simplify the plot and increase the threat of the Ringwraiths. Such sequences are left out to make time to introduce Saruman, who in the book doesn't appear until Gandalf's account at the Council of Elrond. While some characters are left out, some are referenced such as Tom, Bert, and William to show how "The Hobbit" and the "The Lord of the Rings" series intertwine. Saruman's role is enhanced: he is to blame for the blizzard on Caradhras, a role taken from Sauron and/or Caradhras itself in the book. Gandalf's capture by Saruman is also expanded with a fight sequence.
The role of Barliman Butterbur at the Prancing Pony is largely removed for time and dramatic flow.
The events at Weathertop were also altered. The location of the fight against the Ringwraiths was changed to the ruins on top of the hill rather than a campsite at its base. When Frodo was stabbed in the book, the party spent two weeks travelling to Rivendell, but in the film this is shortened to less than a week, with Frodo's condition worsening at a commensurately greater rate. Arwen was given a greater role in the film, accompanying Frodo all the way to Rivendell, while in the book Frodo faced the Ringwraiths alone at the Ford of Bruinen. The character of Glorfindel was omitted entirely and his scenes were also given to Arwen. She was tacitly credited with the river rising against the Ringwraiths, which was the work of her father Elrond with aid from Gandalf in the book.
A significant new addition is Aragorn's self-doubt, which causes him to hesitate to claim the kingship of Gondor. This element is not present in the book, where Aragorn intends to claim the throne at an appropriate time. In the book Narsil is reforged immediately when he joins the Fellowship, but this event is held over until Return of the King in film to symbolically coincide with his acceptance of his title. These elements were added because Peter Jackson believed that each character should be forced to grow or change over the course of the story.
Elrond's character gained an adversarial edge; he expresses doubts in the strength of Men to resist Sauron's evil after Isildur's failure to destroy the ring as depicted in the prologue. Jackson also shortens the Council of Elrond by spreading its exposition into earlier parts of the film. Elrond's counsellor, Erestor—who suggested the Ring be given to Tom Bombadil—was completely absent from this scene. Gimli's father, Glóin, was also deemed unnecessary. In addition, the movie makes it seem by chance that the Fellowship is made of nine companions, whereas in the book Elrond suggests there be nine in the fellowship in response to the nine Nazgûl.
The tone of the Moria sequence was altered. Although in the book the Fellowship realise the Dwarves are all dead only once they reach Balin's tomb, the filmmakers chose to use foreshadowing devices instead. Gandalf says to Gimli he would prefer not to enter Moria, and Saruman is shown to be aware of Gandalf's reticence, and also reveals an illustration of the Balrog in one of his books. The corpses of the dwarves are instantly shown as the Fellowship enter Moria. One detail that many critics commented upon is the fact that, in the novel, Pippin tosses a mere pebble into the well in Moria ("They then hear what sounds like a hammer tapping in the distance"), whereas in the film, he knocks an entire skeleton in ("Next, the skeleton ... falls down the well, also dragging down a chain and bucket. The noise is incredible.") 
In terms of dramatic structure, the book simply ends; there is no climax, because Tolkien wrote the "trilogy" as a single story published in three volumes. Jackson's version incorporates the first chapter of '"The Two Towers" and makes its events, told in real time instead of flashback, simultaneous with the Breaking of the Fellowship. This finale is played as a climactic battle, into which he introduces the Uruk-hai referred to as Lurtz in the script. In the book, Boromir is unable to tell Aragorn which hobbits were kidnapped by the orcs before he dies. From there, Aragorn deduces Frodo's intentions when he notices that a boat is missing and Sam's pack is gone. In the film, Aragorn and Frodo have a scene together in which Frodo's intentions are explicitly stated.
Peter Jackson began working with Christian Rivers to storyboard the series in August 1997, as well as getting Richard Taylor and Weta Workshop to begin creating his interpretation of Middle-earth. Jackson told them to make Middle-earth as plausible and believable as possible, to think of Middle-earth in a historical manner.
In November, Alan Lee and John Howe became the film trilogy's primary conceptual designers, having had previous experience as illustrators for the book and various other tie-ins. Lee worked for the Art Department creating places such as Rivendell, Isengard, Moria and Lothlórien, giving art nouveau and geometry influences to the Elves and Dwarves respectively. Though Howe contributed with Bag End and the Argonath, he focused working on armour having studied it all his life. Weta and the Art Department continued to design, with Grant Major turning the Art Department's designs into architecture, and Dan Hennah scouting locations. On 1 April 1999, Ngila Dickson joined the crew as costume designer. She and 40 seamstresses would create 19,000 costumes, 40 per version for the actor and their doubles, ageing and wearing them out for impression of age.
in New Zealand
in New Zealand
|Mordor (Prologue)||Whakapapa skifield||Tongariro National Park|
|Gardens of Isengard||Harcourt Park||Upper Hutt|
|The Shire woods||Otaki Gorge Road||Kapiti Coast District|
|Bucklebury Ferry||Keeling Farm, Manakau||Horowhenua|
|Forest near Bree||Takaka Hill||Nelson|
|Flight to the Ford||Tarras||Central Otago|
|Ford of Bruinen||Arrow River, Skippers Canyon||Queenstown and Arrowtown|
|Rivendell||Kaitoke Regional Park||Upper Hutt|
|Dead Marshes||Kepler Mire||Southland|
|Dimrill Dale||Lake Alta||The Remarkables|
|Dimrill Dale||Mount Owen||Nelson|
|River Anduin||Upper Waiau River||Fiordland National Park|
|River Anduin||Rangitikei River||Rangitikei District|
|River Anduin||Poets' Corner||Upper Hutt|
|Amon Hen||Mavora Lakes, Paradise and Closeburn||Southern Lakes|
The Fellowship of the Ring makes extensive use of digital, practical and make-up special effects throughout. One noticeable illusion that appears in almost every scene involves setting a proper scale so that the characters are all the correct height. Elijah Wood, who plays Frodo, is 5 ft 6 in (1.68 m) tall in real life, but the character of Frodo Baggins is barely four feet in height. Many different tricks were used to depict the hobbits (and Gimli the Dwarf) as being of diminutive stature. (In a happy coincidence, John-Rhys Davies — who played Gimli — is as tall compared to the Hobbit actors as his character needed to be compared to theirs, so he did not need to be filmed separately as a third variation of height, and is quite taller than Orlando Bloom, who played Legolas.) Large- and small-scale doubles were used in certain scenes, while entire duplicates of certain sets (including Bag End in Hobbiton) were built at two different scales, so that the characters would appear to be the appropriate size. At one point in the film, Frodo runs along a corridor in Bag End, followed by Gandalf. Elijah Wood and Ian McKellen were filmed in separate versions of the same corridor, built at two different scales, and a fast camera pan conceals the edit between the two. Forced perspective was also employed, so that it would look as though the short Hobbits were interacting with taller Men and Elves. Even the simple use of kneeling down, to the filmmakers' surprise, turned out to be an effective method in creating the illusion.
For the battle between the Last Alliance and Sauron's forces that begins the film, an elaborate CGI animation system, called MASSIVE, was developed by Stephen Regelous; it allowed thousands of individual animated "characters" in the program to act independently. This helped give the illusion of realism to the battle sequences. The "Making of" Lord of the Rings DVD reports some interesting initial problems: in the first execution of a battle between groups of characters, the wrong groups attacked each other. In another early demo, some of the warriors at the edge of the field could be seen running away. They were initially moving in the wrong direction, and had been programmed to keep running until they encountered an enemy.
The digital creatures were important due to Jackson's requirement of biological plausibility. Their surface was scanned from large maquettes before numerous digital details of their skeletons and muscles were added. In the case of the Balrog, Gray Horsfield created a system that copied recorded imagery of fire.
The musical score for The Lord of the Rings films was composed by Howard Shore. It was performed by the New Zealand Symphony Orchestra, the London Philharmonic Orchestra, the London Voices, and featured several vocal soloists. Two original songs, "Aníron" and the end title theme "May It Be", were composed and sung by Enya, who allowed her label, Reprise Records, to release the soundtrack to this and its two sequels. In addition to this, Shore composed "In Dreams", which was sung by Edward Ross of the London Oratory School Schola.
The Fellowship of the Ring was released on 19 December 2001 in 3,359 cinemas where it grossed $47.2 million on its opening weekend. The World premiere was held at the Odeon Leicester Square in London. It went on to make $314.7 million in North America and $555.9 million in the rest of the world for a worldwide total of $870.7 million.
The Fellowship of the Ring received universal critical acclaim from major film critics and was one of 2001's best reviewed films. The film holds a 91% "Fresh" rating on aggregate review site Rotten Tomatoes, based on 225 reviews, with an average score of 8.2/10. The site's main consensus reads "Full of eye-popping special effects, and featuring a pitch-perfect cast, The Lord of the Rings: The Fellowship of the Ring brings J.R.R. Tolkien's classic to vivid life". The film holds a score of 92 out of 100 on Metacritic, based on 34 reviews, indicating "Universal Acclaim".
Roger Ebert gave the film three out of four stars and wrote, "Peter Jackson... has made a work for, and of, our times. It will be embraced, I suspect, by many Tolkien fans and take on aspects of a cult. It is a candidate for many Oscars. It is an awesome production in its daring and breadth, and there are small touches that are just right". USA Today also gave the film three out of four stars and wrote, "this movie version of a beloved book should please devotees as well as the uninitiated". In his review for The New York Times, Elvis Mitchell wrote, "The playful spookiness of Mr. Jackson's direction provides a lively, light touch, a gesture that doesn't normally come to mind when Tolkien's name is mentioned". Entertainment Weekly magazine gave the film an "A" rating and Lisa Schwarzbaum wrote, "The cast take to their roles with becoming modesty, certainly, but Jackson also makes it easy for them: His Fellowship flows, never lingering for the sake of admiring its own beauty ... Every detail of which engrossed me. I may have never turned a page of Tolkien, but I know enchantment when I see it".
In her review for The Washington Post, Rita Kempley praised the cast, in particular, "Mortensen, as Strider, is a revelation, not to mention downright gorgeous. And McKellen, carrying the burden of thousands of years' worth of the fight against evil, is positively Merlinesque". Time magazine's Richard Corliss praised Jackson's work: "His movie achieves what the best fairy tales do: the creation of an alternate world, plausible and persuasive, where the young — and not only the young — can lose themselves. And perhaps, in identifying with the little Hobbit that could, find their better selves". In his review for The Village Voice, J. Hoberman wrote, "Peter Jackson's adaptation is certainly successful on its own terms". Rolling Stone magazine's Peter Travers wrote, "It's emotion that makes Fellowship stick hard in the memory ... Jackson deserves to revel in his success. He's made a three-hour film that leaves you wanting more". However, in his review for The Guardian, Peter Bradshaw wrote, "there is a strange paucity of plot complication, an absence of anything unfolding, all the more disconcerting because of the clotted and indigestible mythic back story that we have to wade through before anything happens at all".
In 2002, the film won four Academy Awards from thirteen nominations. The winning categories were for Best Cinematography, Best Visual Effects, Best Makeup, and Best Original Score. It was also nominated for Best Actor in a Supporting Role (Ian McKellen), Best Art Direction, Best Director, Best Film Editing, Best Original Song (Enya, Nicky Ryan and Roma Ryan for "May It Be"), Best Picture, Best Sound (Christopher Boyes, Michael Semanick, Gethin Creagh and Hammond Peek), Best Costume Design and Best Adapted Screenplay.
As of January 2014, it is the 31st highest-grossing film worldwide, with US$871,530,324 in worldwide theatrical box office receipts.
The film won the 2002 Hugo Award for Best Dramatic Presentation. It also won Empire readers' Best Film award, as well as five BAFTAs, including Best Film, the David Lean Award for Best Direction, the Audience Award (voted for by the public), Best Special Effects, and Best Make-up. The film was nominated for an MTV Movie Award for Best Fight between Gandalf and Saruman.
In June 2008, AFI revealed its "10 Top 10"—the ten best films in ten "classic" American film genres—after polling over 1,500 people from the creative community. The Fellowship of the Ring was acknowledged as the second best film in the fantasy genre.
American Film Institute Recognition
- AFI's 100 Years...100 Heroes & Villains:
- Gandalf the Grey – Nominated Hero
- AFI's 100 Years of Film Scores – Nominated
- AFI's 100 Years...100 Cheers – Nominated
- AFI's 100 Years...100 Movies (10th Anniversary Edition) – No. 50
- AFI's 10 Top 10 – No. 2 Fantasy film
Theatrical and extended release
On 12 November 2002, an extended edition was released on VHS and DVD, with 30 minutes of new material, added special effects and music, plus 20 minutes of fan-club credits, totalling to 219 minutes. The DVD set included four commentaries and over three hours of supplementary material.
On 29 August 2006, a limited edition of The Fellowship of the Ring was released on DVD. The set included both the film's theatrical and extended editions on a double-sided disc along with all-new bonus material.
The theatrical Blu-ray version of The Lord of the Rings was released in the United States on 6 April 2010. There were two separate sets: one with digital copies and one without. The individual Blu-ray disc of The Fellowship of the Ring was released on 14 September 2010 with the same special features as the complete trilogy release, except there was no digital copy.
The extended Blu-ray editions were released in the U.S. on 28 June 2011. This version has a runtime of 228 minutes (the extended editions include the names of all fan club members at the time of their release; the additional 9 minutes in the Blu-ray version are because of expanded member rolls, not any additional story material).
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