The Fiery Angel (opera)

From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Fiery Angel (Russian: Огненный ангелOgnenny angel in transliteration) (Op 37) is an opera in five acts by Sergei Prokofiev to a Russian libretto by the composer, based on the novel The Fiery Angel (1908) by Valery Bryusov.

Contents

[edit] Composition history

Prokofiev encountered Bryusov's novel during his first visit to the United States, (which was around 1918) and he soon (1919) began sketches for an opera. In 1921, the work was well under way. In March 1922, Prokofiev moved to the town of Ettal in Bavaria, Germany, where he worked on the opera. A piano score was completed a couple of years later, but no orchestration had been worked on. In 1926 Bruno Walter accepted the work for the Städtische Oper. The opera was completed in August 1927,[1][2] too late for the season. Walter cancelled the production. That year Sergei Koussevitzky conducted part of the second act, but the reception was poor.

In 1930, during Prokofiev's new tour of America Giulio Gatti-Casazza of the Metropolitan Opera suggested staging Fiery Angel, but this did not go ahead.

In all, Prokofiev had great trouble staging this opera. Numerous attempts to do so failed. Various reasons have been suggested for each different case, such as Prokofiev allegedly failing to meet deadlines, because the work's peculiar nature estranged people, poor visual action.[3]

[edit] Performance history

Disappointed by its failure but determined to preserve the fruits of his labor, Prokofiev recycled the music into his Symphony No. 3, and extracted some of it into a vocal suite, his opus 37b. Since his death the opera has had better luck, but is still not widely performed.

In a concert setting, the opera was first given on 25 November 1954 at the Théâtre des Champs-Élysées in Paris. The first staged performance was given on 14 September 1955 at the Teatro La Fenice in Venice. The opera was first staged in the United States at the New York City Opera on 24 September 1965.

On 17 November 2010, the French version of The Fiery Angel (L'Ange de feu) participated at the 2010 Armel Opera Competition and Festival[4] where it won two awards: "Best Production" with Silviu Purcărete as director"[5] and soprano Cristina Baggio as "Best Female Performer"[6] in the role of Renata.

[edit] Synopsis

The full title of Bryusov's novel gives a good idea of the substance of the opera:

The Fiery Angel; or, a True Story in which is related of the Devil, not once but often appearing in the Image of a Spirit of Light to a Maiden and seducing her to Various and Many Sinful Deeds, of Ungodly Practices of Magic, Alchymy, Astrology, the Cabalistical Sciences and Necromancy, of the Trial of the Said Maiden under the Presidency of His Eminence the Archbishop of Trier, as well as of Encounters and Discourses with the Knight and thrice Doctor Agrippa of Nettesheim, and with Doctor Faustus, composed by an Eyewitness.

Set in sixteenth-century Germany, the story concerns a young woman named Renata who has fallen in love with a "fiery angel" whom she believes appeared to her during her childhood. She later identifies the "angel" with one Count Heinrich, who takes her as his mistress but then abandons her. She enlists the knight-errant Ruprecht in her efforts to track down her "angel". Though she believes her motives are holy, the presence of Faust, Mephistopheles and assorted demons in the story suggests otherwise. Her obsessive quest leads her and the loyal, lovestruck Ruprecht deep into the realms of the occult. After many bizarre adventures, Ruprecht emerges unscathed, but Renata is condemned by the Inquisition to a fiery death at the stake.

[edit] Analysis

The opera treats the dark arts in a largely sarcastic and humorous manner. The music is dark and imposing, and the singing, especially that of Renata, is chillingly histrionic.

[edit] Recordings

Source: Recordings of The Fiery Angel on operadis-opera-discography.org.uk

[edit] References

Notes
  1. ^ Phillip Huscher. "Symphony No. 3 in C Minor, Op. 44 Program Notes". Chicago Symphony Orchestra. http://www.cso.org/main.taf?p=5,5,6,1. Retrieved 2008-07-06. 
  2. ^ McAllister, Rita (August 1970). "Natural and Supernatural in 'The Fiery Angel'". The Musical Times (Musical Times Publications Ltd.) 111 (1530): 785–789. doi:10.2307/955299. JSTOR 955299. 
  3. ^ Morrison, Simon (2002). "Introduction". Russian Opera and the Symbolist Movement. Berkeley and Los Angeles: University of California Press. ISBN 0520229436. http://www.ucpress.edu/books/pages/9385/9385.intro.php. Retrieved 2008-07-06. "The Fiery Angel was not staged in Prokofiev's lifetime, the principal reason being the paucity of visual action" 
  4. ^ Armel Opera Competition and Festival website on operaverseny.hu In English
  5. ^ Silviu Purcărete on ro.wikipedia.org In Romanian
  6. ^ youtube.com
Sources

[edit] External links

Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages