The Fountain of Bakhchisarai (ballet)
The Fountain of Bakhchisarai (Russian: Бахчисарайский фонтан) is a Russian ballet inspired by the 1823 poem of the same title by Alexander Pushkin. With music by Boris Asafyev and choreography by Rostislav Zakharov, the ballet premiered in Saint Petersburg, (then Leningrad) in 1934 at the Kirov Academic Theatre of Opera and Ballet (now the Mariinsky Theatre).
Bakhchysarai is in the Crimea, near Yalta. Bakhchisaray Palace was originally built in the sixteenth century and has been repeatedly destroyed and rebuilt since. The fountain, which still stands in a courtyard, is called the Fountain of Tears.
The ballet opens at Bakhchisarai Palace, where Khan Girey is seated surrounded by his court. Dancers try to entertain the Khan but he is oblivious to his surroundings, staring at water trickling in a fountain.
The scene shifts back in time to the palace of a Polish nobleman: a ball is being held for the engagement of Maria, the daughter of the house, to her sweetheart the young noble Vaslav. Suddenly lurking Tartars led by Khan Girey scale the walls and attack the revelers. After a vicious fight, in which the Khan kills Vaslav, the palace is looted and torched and the women collected as part of the booty. Maria hides her face, but the Khan rips away her scarf and is mesmerized by her beauty.
The Khan and his warriors return to Bakhchisarai Palace where he is greeted by Zarema, his harem favorite. But while Zarema, who obviously loves him, is overjoyed at his return, the Khan ignores her completely in his preoccupation with Maria. He has Maria installed in an apartment isolated from the harem and visits her there. Laying his heart at her feet he tries to make her love him, but Maria is appalled and rejects him. In their brief struggle the Khan's hat falls to the floor. The Khan returns to the court where Zarema tries to win his attention by dancing for him, but the Khan rejects her. Zarema collapses in despair.
During the night Zarema steals out of the harem and past the guards to visit Maria in her chamber. She tries to tell Maria how desperately she loves the Khan, finally drawing a concealed dagger to stab her unwilling rival. At first afraid, Maria stands before Zarema and opens her arms wide, showing Zarema that she would welcome death. Zarema is stunned and falls to the ground. Maria tries to comfort her, but Zarema has seen the Khan's hat on the floor. Fearing the worst, she is again inflamed with jealousy. As the Khan and his guards rush in to try and stop her, Zarema breaks free and stabs Maria to death.
The Khan draws his own dagger to kill Zarema, but she kneels down in front of him and offers her chest to the knife, just as Maria did. The Khan cannot kill her, but commands the guards to take her away. The Khan is devastated.
In the court, Khan Girey sits and stares like a stone as, at his orders, Zarema is flung to her death from the walls. He can only stare at the fountain dedicated to Maria's memory, the Fountain of Tears.
In the film version the roles were danced by Galina Ulanova as Maria, Maya Plisetskaya as Zarema, Pyotr Gusev as Khan Girey, and Yuri Zhdanov as Vaslav. This is the only known footage of Ulanova and Plisetskaya, who succeeded Ulanova as prima ballerina assoluta of the Bolshoi Theatre, dancing together.
- "Pushkin's effects on the Russian Ballet", PhD Thesis with a detailed description of the history of this particular ballet and lots of background information on Russian ballet in general.
- Stars of the Russian Ballet",