The French Lieutenant's Woman (film)

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The French Lieutenant's Woman
French lieutenants woman.jpeg
Original film poster
Directed by Karel Reisz
Produced by Leon Clore
Written by Harold Pinter
Based on The French Lieutenant's Woman
by John Fowles
Starring Meryl Streep
Jeremy Irons
David Warner
Music by Carl Davis
Cinematography Freddie Francis
Edited by John Bloom
Distributed by United Artists
Release date(s) 18 September 1981
Running time 127 minutes
Country United Kingdom
Language English
Budget $8 million[1]
Box office $26,890,068[2]

The French Lieutenant's Woman is a 1981 film directed by Karel Reisz and adapted by playwright Harold Pinter. It is based on the novel by John Fowles. The music score is by Carl Davis and the cinematography by Freddie Francis.

The film stars Meryl Streep and Jeremy Irons with Hilton McRae, Jean Faulds, Peter Vaughan, Colin Jeavons, Liz Smith, Patience Collier, Richard Griffiths, David Warner, Alun Armstrong, Penelope Wilton, and Leo McKern.

The film was nominated for five Academy Awards: Streep was nominated for Academy Award for Best Actress, and the film was nominated for Academy Award for Best Writing (Adapted Screenplay), but both lost to On Golden Pond.

Plot[edit]

The film intercuts the stories of two affairs: one a Victorian period drama involving the gentleman palaeontologist Charles Smithson and the complex and troubled Sarah Woodruff, "The French Lieutenant's Woman"; the other between the actors "Mike" and "Anna", playing the lead roles in a modern filming of the story. In both segments, Jeremy Irons and Meryl Streep play the lead roles, but in line with John Fowles' source novel having multiple endings, the two otherwise parallel stories have different outcomes.

In the Victorian story, Charles enters into an intensely emotional relationship with Sarah, an enigmatic and self-inflicted outcast he meets while visiting his fiance Ernestina (Lynsey Baxter) in Lyme Regis. The two meet secretly in the Lyme Regis Undercliff, and eventually have sex in an Exeter hotel. This leads to Charles breaking off his engagement, but Sarah then disappears. In social disgrace after being sued for breach of promise, Charles searches for Sarah, fearing she has become a prostitute in London. After three years, Sarah, who has a job as a governess in the Lake District, contacts Charles to explain that she needed time to find herself. Despite Charles's initial anger, he forgives her, and the two are reconciled. They are finally seen boating on Lake Windermere.

In the modern story, the American actress Anna and the English actor Mike, both married, are shown as having an established affair during the making of the film. As filming concludes, although Mike wishes to continue the relationship, Anna becomes increasingly cool about the affair, and avoids Mike in favour of spending time with her French husband. During the film wrap party, Anna leaves without saying goodbye; Mike calls out to Anna from an upstairs window as she drives away, using her character name, Sarah.

Production notes[edit]

Harold Pinter and Karel Reisz worked on the script in 1979, with Leon Clore attached as producer, and with whom Karel regularly worked in their company Film Contracts, formed many years earlier. Leon had produced Karel's Morgan: A Suitable Case for Treatment. The film was shot in 1980, on location in Lyme Regis, Exeter, London docks, and Lake Windermere, with studio sets built at London's Twickenham Studios to Ashton Gorton's period-perfect designs. The opening shot in the film sets up the dual stories by having the assistant director mark the shot with a clapper board, and then run out of the shot to reveal the Victorian seaside front, with Charles and Ernestine taking the air.

The audience is given alternating sequences of a rigid Victorian society, and the more relaxed modern life of a working film crew, revealing the great moral divide between past and present.

The book was published in 1969. Its transfer to the big screen was a protracted process, with film rights changing hands a number of times before a treatment, funding, and cast were finalised. Originally, Malcolm Bradbury and Christopher Bigsby approached Fowles to suggest a television adaptation, to which Fowles was amenable, but producer Saul Zaentz finally arranged for the film version to go ahead.

A number of directors were attached to the film: Sidney Lumet, Robert Bolt, Fred Zinnemann, and Miloš Forman. The script went through a number of treatments, including one by Dennis Potter in 1975 and by James Costigan in 1976, before Pinter's final draft.

Actors considered for the role of Charles Smithson/Mike included Robert Redford and Richard Chamberlain, and Sarah/Anna included Francesca Annis, Gemma Jones, and Fowles' choice Helen Mirren.[3]

The award-winning music was composed by Carl Davis and performed by an unidentified orchestra and viola soloist Kenneth Essex.

Awards and nominations[edit]

Academy Awards[edit]

Nominations[4]

BAFTA Awards[edit]

Wins
  • Anthony Asquith Award for Film Music: Carl Davis
  • Best Actress: Meryl Streep
  • Best Sound: Don Sharp, Ivan Sharrock, Bill Rowe
Nominations
  • Best Film (Leon Clore)
  • Best Actor: Jeremy Irons
  • Best Cinematography: Freddie Francis
  • Best Costume Design: Tom Rand
  • Best Direction: Karel Reisz
  • Best Editing: John Bloom
  • Best Production Design/Art Direction: Assheton Gorton
  • Best Screenplay: Harold Pinter

Golden Globe Awards[edit]

Win
Nominations

Other awards[edit]

References[edit]

  1. ^ "The Unstoppables". Spy: 94. November 1988. ISSN 0890-1759. 
  2. ^ "The French Lieutenant's Woman". Box Office Mojo. Retrieved 1 April 2013. 
  3. ^ Fowles, John (2004). "The French Lieutenant's Diary". Granta: The Magazine of New Writing (Granta 86: Film). OCLC 237843976. ISBN 0-903141-69-8. 
  4. ^ "The French Lieutenant's Woman (1981): Awards". The New York Times. Retrieved 31 December 2008. 

Further reading[edit]

External links[edit]