The Garden of Forking Paths
|"The Garden of Forking Paths"|
|Author||Jorge Luis Borges|
|Original title||"El jardín de senderos que se bifurcan"|
|Genre(s)||Fantasy, short story|
|Published in||El Jardín de senderos que se bifurcan (1941)
|Published in English||1948|
"The Garden of Forking Paths" (original Spanish title: "El Jardín de senderos que se bifurcan") is a 1941 short story by Argentine writer and poet Jorge Luis Borges. It is the title story in the collection El jardín de senderos que se bifurcan (1941), which was republished in its entirety in Ficciones (Fictions) in 1944. It was the first of Borges's works to be translated into English by Anthony Boucher when it appeared in Ellery Queen's Mystery Magazine in August 1948.
Borges's vision of "forking paths" has been cited as inspiration by numerous new media scholars, in particular within the field of hypertext fiction. Other stories by Borges that express the idea of infinite texts include "The Library of Babel" and "The Book of Sand".
The story takes the form of a signed statement by a Chinese professor of English named Doctor Yu Tsun who is living in the United Kingdom during World War I. Tsun is a spy for the German Empire who has realized that an MI5 agent called Captain Richard Madden is pursuing him and has entered the apartment of his handler Viktor Runeberg, either captured or killed the latter. Doctor Tsun is certain that his own arrest is next. He has just discovered the location of a new British artillery park and wishes to convey that knowledge to his German handlers before he is captured. He at last hits upon a desperate plan in order to achieve this.
Doctor Tsun explains that his spying has never been for the sake of Imperial Germany, which he considers "a barbarous country." Rather, he says, he did it because he wanted to prove to his racist masters that an Asian is intelligent enough to obtain the information needed to save their soldiers' lives. Tsun suspects that Captain Madden, an Irishman in the employ of the British Empire, might be similarly motivated.
Taking his few possessions, Tsun boards a train to the village of Ashgrove. Narrowly avoiding the pursuing Captain Madden at the train station, he goes to the house of Doctor Stephen Albert, an eminent Sinologist. As he walks up the road to Doctor Albert's house, Tsun reflects on his great ancestor, Ts'ui Pên, a learnèd and famous man who renounced his job as governor of Yunnan in order to undertake two tasks: to write a vast and intricate novel, and to construct an equally vast and intricate labyrinth, one "in which all men would lose their way." Ts'ui Pên was murdered before completing his novel, however, and what he did write was a "contradictory jumble of irresolute drafts" that made no sense to subsequent readers; nor was the labyrinth ever found.
Doctor Tsun arrives at the house of Doctor Albert, who is deeply excited to have met a descendant of Ts'ui Pên. Doctor Albert reveals that he has himself been engaged in a longtime study of Ts'ui Pên's novel. Albert explains excitedly that at one stroke he has solved both mysteries—the chaotic and jumbled nature of Ts'ui Pên's unfinished book and the mystery of his lost labyrinth. Albert's solution is that they are one and the same: the book is the labyrinth.
Basing his work on the strange legend that Ts'ui Pên had intended to construct an infinite labyrinth, as well as a cryptic letter from Ts'ui Pên himself stating, "I leave to several futures (not to all) my garden of forking paths". Doctor Albert realized that the "garden of forking paths" was the novel, and that the forking took place in time, not in space. As compared to most fictions, where the character chooses one alternative at each decision point and thereby eliminates all the others, Ts'ui Pên's novel attempted to describe a world where all possible outcomes of an event occur simultaneously, each one itself leading to further proliferations of possibilities. Albert further explains that these constantly diverging paths do sometimes converge again, though as the result of a different chain of causes; for example, he says, in one possible time-line Doctor Tsun has come to his house as an enemy, in another as a friend.
Though trembling with gratitude at Albert's revelation and in awe of his ancestor's literary genius, Tsun glances up the path to see Captain Madden approaching the house. He asks Albert to see Ts'ui Pên's letter again. Doctor Albert turns to retrieve it, Tsun draws a revolver, and declares his friendship before murdering him in cold blood.
Doctor Tsun is arrested, convicted of murder, and sentenced to death by hanging. However, he has, "most abhorrently triumphed," as he has revealed to Berlin the location of the artillery park. Indeed the park is bombed as Tsun goes on trial. The location of the artillery park was in Albert. Doctor Tsun had realized that the only way to convey that information was to murder a person of that name, so that the news of the murder would appear in British newspapers connected with his name.
In modern culture
- In 1987 Stuart Moulthrop created a hypertextual version of the "The Garden of Forking Paths". This name was given to relate the Gulf War setting of his novel and Borges: Victory Garden. This work would never be published but is highly discussed in academic literature.
- Many critics[who?] have noted that the video game Bioshock Infinite blends elements of "The Garden of Forking Paths" and "Rosencrantz and Guildenstern are Dead" in its plot. For instance in an early scene the main protagonist Booker DeWitt is asked by two characters named Rosalind and Robert Lutece to flip a coin, which has previously come up heads for over one hundred flips. This consistency represents the cyclical nature of the game, showing us that no matter what we do, the outcome will always be the same. The Luteces subsequently appear throughout the game, with their presence and similar tests making the audience question the subject of choice versus fate.
- In homage to the story, the TV series FlashForward made an episode entitled "The Garden of Forking Paths". In the episode, the character Dyson Frost referred to a map of the possible futures as his "Garden of Forking Paths."
- Parallels have been drawn between the concepts in the story to the Many-worlds interpretation in physics by Bryce DeWitt  in his preface to "The Many World Interpretation of Quantum Mechanics".
- Gilles Deleuze's use of this story to illustrate the Leibnizian concept of several impossible worlds simultaneously existing and the problem of future contingents.
- Ayssar Arida's linking of "The Garden of Forking Paths" and quantum theory's sum over histories concept for an event-driven urbanism project.
- Wardrip-Fruin, Noah, and Nick Montfort, eds. The New Media Reader. Cambridge: MIT Press, 2003.
- Bolter, Jay David; Joyce, Michael (1987). "Hypertext and Creative Writing". Hypertext '87 Papers. ACM. pp. 41–50.
- Moulthrop, Stuart (1991). "Reading From the Map: Metonymy and Metaphor in the Fiction of 'Forking Paths'". In Delany, Paul; Landow, George P. Hypermedia and Literary Studies. Cambridge, Massachusetts and London, England: The MIT Press.
- Biographical Sketch of Hugh Everett, III, Eugene Shikhovtsev http://space.mit.edu/home/tegmark/everett/everett.html
- The Many World Interpretation of Quantum Mechanics, N. Graham and B. DeWitt eds., Princeton University Press: Princeton, 1973. http://dspace.nacs.uci.edu/handle/10575/1302
- "The Garden of Forking Paths" Full text
- Stuart Moulthrop, "Concerning 'forking paths'"
- Silvio Gaggi, "Hyperrealities and Hypertexts"
- Lev Manovich, "New Media from Borges to HTML"
- Nick Montfort introduction to "The Garden of Forking Paths" in "The New Media Reader."