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|Author||L. P. Hartley|
|Cover artist||Val Biro|
|Preceded by||My Fellow Devils (1951)'|
|Followed by||The White Wand and Other Stories (1954), short stories'|
The Go-Between is a novel by L. P. Hartley published in 1953. The novel begins with the line "The past is a foreign country: they do things differently there."
The story begins with the reminiscences of Leo Colston, an elderly man looking back on his childhood with nostalgia. Leo, in his mid-sixties, is looking through his old things. He chances upon a battered old red collar box. In it he finds a diary from 1900, the year of his thirteenth birthday. He slowly pieces together his memory as he looks through the diary.
Impressed by the astrological emblems at the front of the book, young Leo combines them in his mind with the idea that he is living at the turn of the 20th century. The importance of his boarding school's social rules is another theme. Some of the rougher boys steal his diary, reading and defacing it. The two oldest bullies, Jenkins and Strode, beat him at every opportunity. He devises some "curses" for them in the pages of the book, using occult symbols and Greek letters, and placing the book where they will find it. Subsequently both boys venture onto the roof of one of the school buildings, fall off and are severely injured. This leaves him greatly admired by the other boys, who think that he is a magician – something that he comes to half-believe himself.
The greater portion of the text concerns itself with Leo's past, particularly the summer of 1900, spent in Norfolk, England, as a guest at Brandham Hall, the luxurious country home of his schoolfriend Marcus Maudsley. Here the young Leo, on holiday from boarding school, is a poor boy among the wealthy upper class. Leo's comparatively humble background is obvious to all and he does not really fit in there; however, his hosts do their best to make him feel welcome, treating him with kindness and indulgence. When Marcus falls ill, Leo is left largely to his own devices. He becomes a secret "go-between" for Marian Maudsley, the daughter of the host family, and nearby tenant farmer Ted Burgess. At first, Leo is happy to help Marian because she is kind to him and he has a crush on her. Besides, Leo is initially ignorant of the significance or content of the messages that he is asked to carry between Ted and Marian. Leo is a well-meaning and innocent boy, so it is easy for the lovers to manipulate him.
The fact that Ted comes from a much lower social class than Marian means there can be no possible future in the relationship because of the social taboos involved. Although Marian and Ted are fully aware of this, Leo is too naïve to understand why the lovers can never marry. The situation is further complicated by the fact that Marian is about to become engaged to Hugh, Viscount Trimingham, the descendant of the area's nobility who formerly resided in Brandham Hall. Together, these factors make Marian's secret relationship with Ted highly dangerous for all parties concerned.
Later, Leo acts as an interceptor, and occasional editor, of the messages. Eventually, he begins to comprehend the sexual nature of the relationship between Marian and Ted, and feels increasingly uncomfortable about the general atmosphere of deception and risk. Leo tries to end his role as go-between, but comes under great psychological pressure and is forced to continue. Ultimately, Leo's involvement as messenger between the lovers has disastrous consequences. The trauma which results when Marian's family discover what is going on leads directly to Ted's shotgun suicide.
In the epilogue the older Leo tells the reader the consequences of this summer. The experience profoundly affects Leo, leaving him with permanent psychological scars. Forbidden to speak about the scandal, he feels he must not think of it either; and since nearly everything reminds him of it, he shuts down his emotions, leaving room only for facts. He subsequently grows up to be an emotionally detached adult who is never able to establish intimate relationships. He succeeds in repressing the memories until the diary unlocks them. Now looking back on the events through the eyes of a mature adult, he is fully aware of how the incident has left its mark on him. In a final twist to the story, 52 years later, Leo returns to Brandham. There he meets Marian's grandson and finds Marian herself living in a cottage – the place she had always told people she was going when she was really having clandestine meetings with Ted. Brandham Hall has been let out to a girl's school. Lord Trimingham married Marian, but died in 1910, and Marcus and his brother Denys were killed in the First World War. In the end, an elderly Marian Maudsley persuades Leo to act as a go-between for her one more time.
The novel employs topics such as the innocence of childhood and its loss, family life (or its absence), class and gender distinctions and education are to be found. Hartley makes great use of symbols (such as the weather, Atropa belladonna, zodiac signs, the colour green and the arrival – and midpoint – of the new century) to highlight the main themes.
- The weather. The slowly escalating heat of the summer may represent the danger of Leo's job as a messenger.The rising mercury of the thermometer in the increasing heat evokes the flight of Mercury, the messenger of the gods: Leo is a messenger for the seemingly divine Marian and Trimingham. Leo enjoys the heat and is unconscious of the danger it poses, like the discovery of the Marian–Ted relationship.
- Atropa belladonna. The plant, commonly known as deadly nightshade, most probably represents Marian: she may be beautiful, but she is poisonous as well. Just as the Marian–Ted relationship has disastrous consequences, the consequences of eating deadly nightshade are catastrophic.
- The zodiac. Leo has an obsession with the characters of the zodiac. Marian and Ted are at one point explicitly described as the Virgin and the Watercarrier (Virgo and Aquarius) and Lord Trimingham may be represented by Sagittarius.
The plot has some parallels to that of the Danish novella, Brudstykker af en Landsbydegns Dagbog (Fragments from a Parish-Clerk's Diary) (1824) by Steen Steensen Blicher. Ian McEwan's novel Atonement (2001) examines some similar themes and has some loose plot similarities.
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Playwright Harold Pinter adapted the novel into a screenplay of a film of the same name (1970), directed by Joseph Losey; it was Pinter's third, and last fulfilled collaboration with Losey. It won the Palme d'Or at the 1971 Cannes Film Festival. Pinter's fourth screenplay intended to be directed by Losey was never made.
The cast includes Julie Christie as Marian Maudsley, Alan Bates as Ted Burgess, Margaret Leighton as Mrs Maudsley, Dominic Guard as the younger Leo, Michael Redgrave as the older Leo and Edward Fox as Trimingham.
Michel Legrand composed a memorable original score for the film, parts of which have been used in other works.
On 8 July 2012, a radio adaptation by Frances Byrnes and directed by Matt Thompson was broadcast on BBC Radio 3. The cast included the late Richard Griffiths as Lionel Colston, Oscar Kennedy as Leo Colston, Harriet Walter as Mrs. Maudsley, Lydia Leonard as Marian Maudsley, Amanda Root as Mrs Colston (Mother), Joseph Arkley as Ted Burgess, Blake Ritson as Viscount Trimingham, Crawford Logan as Mr Maudsley and Josef Lindsay as Marcus Maudsley. The production will be re-broadcast on BBC Radio 3 on 26 May 2013.
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In 1991, South African composer David Earl adapted the novel as a two-act opera.
The production was awarded Best Musical Production at the 2012 Theatre Management Association's UK Theatre Awards, held at the Guildhall in the City of London.
- Database (undated). "The Go-Between". Cannes Film Festival. Retrieved 1 October 2012.
- Cavendish, Dominic (15 September 2011). "The Go-Between, Courtyard Theatre, West Yorkshire Playhouse, Leeds, Review – Despite a Hackneyed Start This Version of The Go-Between at West Yorkshire Playhouse Is the Finest New Musical to Have Sprung from the Regions All Year". The Daily Telegraph. Retrieved 10 October 2012.
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