The Go-Between (film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Go-Between
The Go-Between UK poster.jpg
Original British quad format poster
Directed by Joseph Losey
Produced by John Heyman
Denis Johnson
Screenplay by Harold Pinter
Based on The Go-Between 
by L. P. Hartley
Starring Julie Christie
Alan Bates
Margaret Leighton
Edward Fox
Dominic Guard
Music by Michel Legrand
Cinematography Gerry Fisher
Edited by Reginald Beck
Production
company
Distributed by MGM-EMI Distributors (UK)
Columbia Pictures (US)
Release dates
  • 24 September 1971 (1971-09-24) (UK[1])
  • 13 November 1971 (1971-11-13) (US)
Running time 116 minutes[2]
Country United Kingdom
United States
Language English
Budget £500,000[3]

The Go-Between is a 1971[1] British romantic drama film, directed by Joseph Losey. Its screenplay, by Harold Pinter, is an adaptation of the 1953 novel of the same name by L. P. Hartley. The film stars Julie Christie, Alan Bates, Margaret Leighton, Michael Redgrave and Dominic Guard.

Plot[edit]

The story follows a young boy named Leo (Dominic Guard), who is invited by a school friend, Marcus, to spend his summer holidays at a Norfolk country house during the early 1900s. While Leo stays there, he finds himself a 'go-between' caught up between Marian (Julie Christie), his friend's elder sister, and a farmer neighbor, Ted Burgess (Alan Bates) whom she loves, though about to be engaged to a Viscount, Hugh Trimingham (Edward Fox). Dominic Guard plays the young Leo and Michael Redgrave plays Leo in old age.

Pinter's screenplay – his final collaboration with Losey, following The Servant (1963) and Accident (1967) – is largely faithful to the novel, though it alludes to the novel's opening events in dialogue and incorporates events described in the novel's epilogue within the central narrative.[citation needed]

Main cast[edit]

Production[edit]

The rights to the novel had been in the hands of many producers, among them Sir Alex Korda, who originally envisioned Alec Guinness in the lead. Eventually John Heyman managed to get financing from EMI Films, where Bryan Forbes agreed to pay £75,000 for the script.[4] Because of the relatively steep budget, EMI had to seek co-production financing from MGM.

The film was shot at Melton Constable, Heydon and Norwich in Norfolk.[5]

Music[edit]

Michel Legrand composed the soundtrack for the film. The main theme was later used as the title music for the French "true crime" documentary series Faites entrer l'accusé (in French Wikipedia).[6] The love theme "I Still See You" written by Legrand with lyrics by Hal Sharper was performed by Scott Walker and released as a single in late 1971.

Release[edit]

The film was first shown in May 1971 at the 1971 Cannes Film Festival, where it won the Palme d'Or.[7] A few days before, James Aubrey, head of MGM, had sold his interest in it to Columbia Pictures, because he disliked the final film and regarded it a flop.[8]

The film was released in the UK on 24 September 1971, opening at ABC1 on Shaftesbury Avenue in London.[1] A month later, on 29 October, Queen Elizabeth The Queen Mother arrived at the ABC Cinema on Prince of Wales Road in Norwich to attend the local premiere, thus giving Norwich its first ever Royal Premiere.[9]

Box Office[edit]

By August 1971 Nat Cohen stated the film had already been "contracted" for a million dollars.[10]

Critical Recption[edit]

An enthusiastic John Russell Taylor wrote in The Times that, "Up to now, Accident was without argument Losey's best film; now in The Go-Between it has a serious contender for the title. And everything is achieved by apparently doing the absolute minimum."[1]

Charles Champlain in The Los Angeles Times wrote after the US premiere in November 1971 that The Go-Between was one of the best movies of the previous six years. Andrew Sarris in The Village Voice labeled it the best movie of the year.[11] Joanne Klein saw the filmscript as a major stylistic and technical advance in Pinter’s work for the screen, and Foster Hirsch described it as “one of the world’s great films”.[citation needed]

For many involved it was praised as the peak of their careers. Leighton earned her first and only Academy Award nomination as Best Supporting Actress for her performance in the film.

In 1999, it was included on the British Film Institute's list of its 100 best British films. At the BAFTA festival it was nominated in no less than 12 categories, winning four; Screenplay: Harold Pinter (his second BAFTA), Edward Fox (Supporting actor), Dominic Guard (Most Promising Newcomer to Leading Film Roles), Supporting actress: Margaret Leighton (her second nomination and her only win), which makes it one of the most successful in the history of the competition.

See also[edit]

Notes[edit]

  1. ^ a b c d The Times, 24 September 1971, page 9: The shadows of a country-house summer (film review by John Russell Taylor) - Read 2014-01-11 in The Times Digital Archive
  2. ^ BBFC: The Go-Between Linked 2014-01-11
  3. ^ Walker, Alexander (1974). Hollywood UK – The British Film Industry in the Sixties. Stein and Day. p. 439. ISBN 978-0-812-81549-8.
  4. ^ Bryan Forbes: A Divided Life – Memoirs (page 100)
  5. ^ The Go-Between: EMI Films 1970 at Norwich the old city.
  6. ^ Compare the movie's main theme on YouTube with the one for the French crime series on YouTube.
  7. ^ Festival de Cannes: The Go-Between (Le Messager), Grand Prix International du Festival, 1971 Linked 2014-01-11
  8. ^ Bryan Forbes: A Divided Life – Memoirs (page 221)
  9. ^ East Anglian Film Archive: Anglia News: Queen Mother at Premiere of 'The Go-Between' at ABC Norwich Linked 2014-01-11
  10. ^ NAT COHEN. "British film finance." Times [London, England] 20 Aug. 1971: 13. The Times Digital Archive. Web. 6 Apr. 2014.
  11. ^ Sarris, Andrew. “The Go-Between.” The Village Voice (12 August 1971), n. p.

Further reading[edit]

Further information: Bibliography for Harold Pinter

External links[edit]