The Good Earth
|The Good Earth|
|Author(s)||Pearl S. Buck|
|Original title||The Good Earth|
|Publication date||March 2, 1931|
|Preceded by||East Wind: West Wind|
The Good Earth is a novel by Pearl S. Buck published in 1931 and awarded the Pulitzer Prize for the Novel in 1932. The best-selling novel in the United States in both 1931 and 1932, it was an influential factor in Buck's winning the Nobel Prize for Literature in 1938. It is the first book in a trilogy that includes Sons (1932) and A House Divided (1935).
The novel of family life in a Chinese village before World War II has been a steady favorite ever since. In 2004, the book was returned to the bestseller list when chosen by the television host Oprah Winfrey for Oprah's Book Club. The novel helped prepare Americans of the 1930s to consider Chinese as allies in the coming war with Japan.
A Broadway stage adaptation was produced by the Theatre Guild in 1932, written by the father and son playwriting team of Owen and Donald Davis, but it was poorly received by the critics, and ran only 56 performances. However, the 1937 film, The Good Earth, which was based on the stage version, was more successful.
The story begins on Wang Lung's wedding day and follows the rise and fall of his fortunes. The House of Hwang, a family of wealthy landowners, lives in the nearby town, where Wang Lung's future wife, O-Lan, lives as a slave. As the House of Hwang slowly declines due to opium use, frequent spending, and uncontrolled borrowing, Wang Lung, through his own hard work and the skill of his wife, O-Lan, slowly earns enough money to buy land from the Hwang family. O-Lan delivers three sons and three daughters; the first daughter becomes mentally handicapped as a result of severe malnutrition brought on by famine. Her father greatly pities her and calls her "Poor Fool," a name by which she is addressed throughout her life. O-Lan kills her second daughter at birth to spare her the misery of growing up in these hard times, and to give the remaining family a better chance to survive. During the devastating famine and drought, the family must flee to a large city in the south to find work. Wang Lung's malevolent uncle offers to buy his possessions and land, but for significantly less than their value. The family sells everything except the land and the house. Wang Lung then faces the long journey south, contemplating how the family will survive walking, when he discovers that the "firewagon" (the Chinese word for the newly-built train) takes people south for a fee.
In the city, O-Lan and the children beg while Wang Lung pulls a rickshaw. Wang Lung's father begs but does not earn any money, and sits looking at the city instead. They find themselves aliens among their more metropolitan countrymen who look different and speak in a fast accent. They no longer starve, due to the one-cent charitable meals of congee, but still live in abject poverty. Wang Lung longs to return to his land. When armies approach the city he can only work at night hauling merchandise out of fear of being conscripted. One time, his son brings home stolen meat. Furious, Wang Lung throws the meat on the ground, not wanting his sons to grow up as thieves. O-Lan, however, calmly picks up the meat and cooks it. When a food riot erupts, Wang Lung unwillingly joins a mob that is looting a rich man's house and corners the man himself, who fears for his life and gives Wang Lung all his money in order to buy his safety. Meanwhile, his wife finds jewels in a hiding place in another house, hiding them between her breasts.
Wang Lung uses his money to bring the family home, buy a new ox and farm tools, and hire servants to work the land for him. In time, the youngest children are born, a twin son and daughter. When he discovers the jewels O-Lan looted from the house in the southern city, Wang Lung buys the House of Hwang's remaining land. He is eventually able to send his first two sons to school (also apprenticing the second one as a merchant) and retains the third one on the land. As Wang Lung becomes more prosperous, he buys a concubine named Lotus. O-Lan dies, but not before witnessing her first son's wedding. Wang Lung and his family move into town and rent the old House of Hwang. Wang Lung, now an old man, wants peace, but there are always disputes, especially between his first and second sons, and particularly their wives. Wang Lung's third son runs away to become a soldier. At the end of the novel, Wang Lung overhears his sons planning to sell the land and tries to dissuade them. They say that they will do as he wishes, but smile knowingly at each other.
- Wang Lung—a poor, hard-working farmer born and raised in a small village of Anhwei. He is the protagonist of the story and suffers hardships. He follows morals and Chinese traditions such as filial piety and duty to family. Believes the land is the source of happiness and wealth. He later becomes a very successful man and possesses a large plot of land which he buys from the House of Hwang. As his lifestyle changes he stops caring about his own life and he buys a mistress. In Pinyin, Wang's name is written "Wang Long." Wang is likely to be the common surname "Wang" represented by the character 王.
- O-Lan—first wife, formerly a slave in the house of Hwang. A woman of few words, she is simple minded but nonetheless is valuable to Wang Lung for the skills she acquired previously. She is considered plain or ugly; her feet are not bound. She is hardworking and self-sacrificing.
- Wang Lung's father—desires grandchildren to comfort him in his old age, becomes exceedingly needy and childish as the novel progresses.
- The Poor Fool—first daughter and third child of O-lan and Wang Lung, whose mental handicap was caused by severe starvation during her infancy. As the years go by, Wang Lung grows very fond of her.She mostly sits in the sun and twists a piece of cloth.
- Second Baby Girl—Killed immediately after delivery by O-Lan because the family was starving. It is implied that a hungry dog eats her dead body.
- Nung En (Eldest Son)— as a little boy very respectful. and goes to school. is an irresponsible son and marries the daughter of the local grain merchant.
- Nung Wen (Middle Son)—is a responsible son of Wang Lung but is against his father's traditional ethics.
- Eldest Son's Wife—Daughter of a grain merchant and a city woman who hates the middle son's wife. She is brought to the house before O-Lan's death and is deemed proper and fit by the dying woman. Her first child is a boy.
- Middle Son's Wife—A jolly rural woman. Hates the first son's wife. Her first child is a girl.
- Youngest Son—Wang Lung intends for this son to be in charge of the farm whilst his other two sons are educated, but he runs away to become a soldier.
- Youngest Daughter—Twin sister of the youngest son, betrothed to a merchant's son earlier due to harassment from her cousin.
- Wang Lung's Uncle—a sly, lazy man who is highly ranked in a band of thieves known as the Redbeards and a burden to Wang Lung; becomes addicted to opium. Very fat, relies heavily on the tradition of younger generations who care for older generations.
- Uncle's Wife—becomes a friend of Lotus; also becomes addicted to opium. Very fat, greedy and lazy.
- Uncle's Son—Wild and lazy, leads Nung En into trouble and leaves to become a soldier. Disrespectful and visits many concubines.
- Ching—Wang Lung's faithful friend and neighbor. Dies and is buried near the entrance to the family graveyard. Wang Lung plans to be buried next to him.
- Lotus Flower —Much-spoiled concubine and former prostitute. Eventually becomes fat. Helps arrange the eldest son's and youngest daughter's wedding. In the beginning older than she appears and complains a lot.
- Cuckoo—Formerly a slave in the house of Hwang. Becomes madame of the "tea house", eventually becomes servant to Lotus. Hated by O-Lan because she was cruel to her in the Hwang House.
- Pear Blossom—Bought as a young girl, she serves as a slave. At the end of the novel she becomes Wang Lung's concubine because she says she prefers the quiet devotion of old men to the fiery passions of young men.
The novel's chronology is unclear, as it provides no explicit dates from which to work. There are, however, references to events which take place in Chinese History which, if accurately placed by the author, provide an approximate time frame; among these are the use of railroads and the Xinhai Revolution. The time spent by the family in the South (probably Shanghai) following the famine in their home of Anhui provides the best opportunity to approximate the time span of the novel. Railroads in China were not constructed until the end of the 19th century, with virtually no widespread development until after 1904. The lines extending from Shanghai to the north were constructed only after 1908. The train used by Wang Lung and his family is implied to be relatively new, which would place their departure to the South around this time. Their return, which takes place shortly after the southern city descends into civil chaos, best matches the time of the 1911 Revolution. Accepting this as a starting point, earlier and later dates can be estimated according to the ages of characters and the seasonal crop cycles which are mentioned. If accurate, this would likely place the end of the novel sometime after its date of publishing.
Political Influence 
Some scholars have seen The Good Earth as creating sympathy for China in the oncoming war with Japan. "If China had not captured the American imagination," said one, "it might just have been possible to work out a more satisfactory Far Eastern policy," but such works as The Good Earth, "infused with an understandable compassion for the suffering Chinese, did little to inform Americans about their limited options in Asia." The diplomatic historian Walter LaFeber, however, although he agrees that Americans grew enamored of heroic Chinese portrayed by writers such as Buck, concluded that "these views of China did not shape U.S. policy after 1937. If they had, Americans would have been fighting in Asia long before 1941."
The Columbia University political scientist Andrew J. Nathan praised Hilary Spurling's book Pearl Buck in China: Journey to The Good Earth, saying that it should move readers to rediscover Buck's work as a source of insight into both revolutionary China and the United States’ interactions with it. Spurling observes that Buck was the daughter of American missionaries and defends the book against charges that it is simply a collection of racist stereotypes. In her view, Buck delves deeply into the lives of the Chinese poor and opposed "religious fundamentalism, racial prejudice, gender oppression, sexual repression, and discrimination against the disabled."
Further reading 
- W. John Campbell: The Book of Great Books: A Guide to 100 World Classics. Barnes & Noble Publishing 2002, ISBN 978-0-7607-1061-6, pp. 284–294 (restricted online copy at Google Books)
- Charles Hayford, "What's So Bad About The Good Earth?," Education about Asia, volume 3, number 3, winter 1998.
- Hilary Spurling. Burying the Bones: Pearl Buck in China. (London: Profile, 2010. ISBN 9781861978288). Published in the United States as Hilary Spurling. Pearl Buck in China : Journey to the Good Earth. (New York: Simon & Schuster, 2010. ISBN 9781416540434).
- A Guide to Pearl S. Buck's The Good Earth - Asia for Educators (Columbia University)
- The Good Earth at Oprah's Book Club website
- Mike Meyer (March 5, 2006). "Pearl of the Orient". The New York Times. Retrieved 2011-10-10.
- Mandarin Transliteration Chart
- William L. O'Neill, A Democracy At War: America's Fight At Home and Abroad in World War II, (Harvard University Press, 1997), p 57.
- Walter Lafeber. The Clash: U.S.-Japanese Relations Throughout History. (New York; London: Norton, 1997), p. 206.
- "Pearl Buck in China: Journey to The Good Earth" Reviewed by By Andrew J. Nathan Foreign Affairs November/December 2010